Applications
Identifieur interne : 002143 ( Istex/Corpus ); précédent : 002142; suivant : 002144Applications
Auteurs : Richard ParncuttSource :
- Springer Series in Information Sciences [ 0720-678X ] ; 1989.
Abstract
Abstract: The model described in Chap. 4 predicts the number of audible harmonics in complex tones, the multiplicity and tonalness (and hence consonance) of musical tone simultaneities (tones, dyads and chords), the various possible pitches of simultaneities and their perceptual importances (saliences), and the roots of chords. It also predicts the strength of harmonic and melodic relationships between sequential musical sound (pitch commonality and pitch proximity). It quantifies sensory and cultural aspects of the tonality of chord progressions: repetition, sequential harmonic relationships (including the roots of broken chords), consonance, and implication (of triads, scales and keys). It enables “objective” psychoacoustical analysis of harmonic progressions, and may be applied in composition.
Url:
DOI: 10.1007/978-3-642-74831-8_6
Links to Exploration step
ISTEX:03364080CE9691190F2338E87D0F31AA372E5C8FLe document en format XML
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It also predicts the strength of harmonic and melodic relationships between sequential musical sound (pitch commonality and pitch proximity). It quantifies sensory and cultural aspects of the tonality of chord progressions: repetition, sequential harmonic relationships (including the roots of broken chords), consonance, and implication (of triads, scales and keys). 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It also predicts the strength of harmonic and melodic relationships between sequential musical sound (pitch commonality and pitch proximity). It quantifies sensory and cultural aspects of the tonality of chord progressions: repetition, sequential harmonic relationships (including the roots of broken chords), consonance, and implication (of triads, scales and keys). 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