Sonatas for Clarinet and Piano: Annotated Listings
Identifieur interne : 002004 ( Istex/Corpus ); précédent : 002003; suivant : 002005Sonatas for Clarinet and Piano: Annotated Listings
Auteurs : Burnet C. TuthillSource :
- Journal of research in music education [ 0022-4294 ] ; 1972-10.
English descriptors
- Teeft :
- American composers alliance, American music center, Barenreiter verlag, Baroque sonata, Bass clarinet, Basset horn, Boosey hawkes, Bote bock, Brahms sonatas, Breitkopf hartel, Bryn mawr, Burnet tuthill, Carl fischer, Centre belge, Chamber music, Charles sonata, Clarinet, Clarinet music, Clarinet part, Clarinet sonatas, Classical style, Composers facsimile edition, David hite, Delaware water, Dissonant, Doblinger, Eastman school, Edition musicus, Editions metropolis, Eighteenth century, Elkan, Evette schaeffer, Excellent work, Felix sonata, Fine music, Fine work, First movement, Flute, Flute sonatas, Francois sonata, Good ensemble, Good ideas, Good music, Good work, Henri elkan, High degree, Himie voxman, Hinrichsen edition, Hudebni matice, Imaginative performance, Joseph sonata, Leduc, Leipzig, Limited range, Little value, Mcginnis marx, Molter concertos, Movements idiomatically, Music publishers, Musica rara, Oboe, Opus, Oxford university press, Piano part, Pocket size sonata, Polskie wydawn muzyczne, Present listing, Presser, Rockville centre, Shawnee press, Simrock, Single movement, Slow movement, Sonata, Sonata form, Sonatina, Sonatine, Southern music, State publishing house, States representative, Student work, Theodore presser, Thomas ayers, Thomas ayres, Tone control, Uneven quality, Violin part, Violin sonata, Vladimir padwa, Washington state university, Weak imitation, Worth study.
Url:
DOI: 10.2307/3343885
Links to Exploration step
ISTEX:CF8089222A60600655D19B589DAECC95A683CEF6Le document en format XML
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</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3343885</article-id><article-id pub-id-type="publisher-id">10.2307_3343885</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Sonatas for Clarinet and Piano: Annotated Listings</article-title></title-group><contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Tuthill</surname><given-names>Burnet C.</given-names></name></contrib></contrib-group>
<pub-date pub-type="ppub"><month>10</month><year>1972</year></pub-date><volume>20</volume><issue>3</issue><fpage>308</fpage><lpage>328</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Journal Article</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>cover-date</meta-name><meta-value>Fall 1972</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> ME 308/JR SONATAS FOR CLARINET AND PIANO: ANNOTATED Burnet C. Tuthill LISTINGS In 1962, the JRME published a listing entitled “ The Concertos for Clarinet,” followed in 1966 by another entitled “ The Sonatas for Clarinet and Piano.” In the years since, a host of new compositions have been written and scholars have discovered a host of earlier works, many of them reprinted in modern editions. The demand for listings of this type of literature has made it necessary to prepare an updated and expanded version of the previous publications. A definitive list would be desirable, of course; but the fact remains that it is not possible to compile one. The real purpose of the present listing, then, is to be of help to the professional clarinetist or educator in keeping abreast of an ever-increasingrepertory. It is the hope of the compiler that as more clarinet music is collected and listed, a few new highly valuable compositions may be discovered to augment the standard repertory. Information in this listing is from various sources. A number of books were consulted, including Rendall' s The Clarinet, Opperman' s Repertory of the Clarinet, Thurston' s Clarinet Technique, and the latest and most comprehensive, Oskar Kroll' s The Clarinet. All the clarinet sonatas appearing in these volumes are included in the present listing. Other sources include publishers' catalogs, newspapers, ASCAP and BMI bulletins, Pan Pipes and the Gaudeamus listings. Many of the entries were secured through personal contacts. A large number of the works listed here, however, are very likely unobtainable, existing only in manuscript in foreign libraries. An attempt has been made to secure a copy of each work included so that a brief comment might be made on its style, difficulty, and musical value; in instances where music was unavailable to the Tuthill/309 compiler, a notation is made as to the source of the entry. Composers' dates and publication dates are included wherever possible, since these often are enough in themselves to give a general idea of compositional style. It must be remembered that value judgments on the music in the compilation represent the personal views of a writer of an earlier generation, whose sympathies are not with twelve-tone music. The opinions offered are based on the compiler' s own years of experience as a clarinet recitalist. The earliest composer to have used the clarinet is Vivaldi, who wrote two concerti grossi for two oboes and two clarinets. The concerti, available from Ricordi, have clarinet parts in typical Vivaldi style; and they do not avoid the chalumeau register, as do so many of the early concertos. Writing shortly after Vivaldi, Johann Melchior Molter also produced a considerable amount of music for the clarinet. Four of Molter' s concertos have been published in score in Volume 41 of the series entitled Das Erbe Deutsche Musik, issued by Breitkopf & Haertel in 1957. These works, however, making extensive use of the high register, are impractical for any clarinet but the D instrument for which they were intended; of course, transposing them up a semitone would make them good music for the E-flat clarinet; they are musically rewarding. Two of the Molter concertos have been recorded by the French clarinetist Lancelot on disc PHC 9078. In the same volume with Molter concertos are the scores of two concertos by Franz Xavier Pokorny, born some three decades later. These pieces, published with piano accompaniment, are for B-flat clarinet and lie within the normal range. The late eighteenth century was a high point in the popularity of the wind soloist, and countless concertos were composed between 1770 and 1780, among them one by Johann Stamitz and eleven solo and two double concertos by his son Karl. The climax of the period was reached in Mozart. He was followed by Weber, whose several concertos are basic to the literature; the four by Spohr rank nearly as high. The revival that came in the twentieth century had its beginnings in the works of Busoni and Debussy, and went on to include many later concertos composed especially for some renowned artist. The present author' s work on this compilation began when on a 1926 visit to London he called on the late revered chamber music patron Walter Wilson Cobbett, who asked the author to prepare an article about the clarinet in chamber music for Cobbett' s forthcoming Cyclopedic Survey of Chamber Music. Part of the resulting article, published in the first volume of the Survey in 1929, was a list of the thirty-three sonatas known to the author at that time. The author' s interest in clarinet sonatas, beginning with his own clarinet study in about 1904, has continued to grow, and his library has grown along with it. Accordingly, the original list was updated as of 1966 with about 240 items; the present revision adds about another 100. The two Brahms sonatas still stand preeminent in the repertory. The three by Reger, though they presented a when they appeared challenge 310/JRME in the first decade of this century, have been shown with the passage of time and with much playing to be late romantic music of extraordinary beauty and musical interest, although still they do not always appeal on the first reading. They require a fine pianist. The clarinet parts offer no technical problems, but do call for a high degree of tone control and musicianship. Ranking high among the works of the German masters is Weber' s Grand Duo Concertante, the great showpiece of the literature. This is a true sonata in spite of its brilliance; it is almost a double concerto without the benefit of an orchestra. More recently, Hindemith' s excellent work has achieved well-deserved popularity. Another interesting work is one by Gunter Raphael. A good number of new works have come from France since the Saint Saens piece of 1924; among the newer are pieces by such respected artists as Honegger, Koechlin, Milhaud, and Poulenc. The music is varied and effective, though lacking the solidarity and depth of the German works. The best of the English works of the older generation is the one by Stanford; the best of the later are by Bax, Howells, and Ireland. Compositions by Martinu and Szalowski also deserve examination. From the United States, fine contributions have been made to repertory by many composers of two or three generations. There are the works by Edward Burlingame Hill, Daniel Gregory Mason, and Leo Sowerby, all formerly published by the Society for the Publication of American Music and now out of print; it is to be hoped that Theodore Presser Company, heir to the Society' s holdings, will reissue them-particularly the Mason and the Sowerby. Later items include works of Leonard Bernstein, Alvin Etler, Arthur Frackenpohl, Bernard Heiden, Ellis Kohs, Francis Pyle, Alec Templeton, and Burnet Tuthill, all published and worth study and performance. Some American manuscripts deserving publication are those of Wayne Bohrnstedt, Thom Ritter George, Daniel Pinkham, Robert L. Sanders, David Stanley Smith, and Yehudi Wyner. The compiler wishes to express sincere thanks to a number of clarinet enthusiasts who have loaned materials and have supplied information not available in published sources. Thanks are due to Himie Voxman and Thomas Ayres of the University of Iowa, Rosario Mazzeo, Frederick Lubrani, Jerome Bunke; and George S. F. Orsten, a dedicated scholar of all clarinet music published between 1700 and 1870. Thanks also to the library of the Eastman School of Music for being very helpful in lending required materials. The annotated listings that follow contain only the sonatas for clarinet and piano. An annotated listing of concertos for clarinet and orchestra is scheduled to appear in the winter 1972 issue of this journal. The two listings are to be combined subsequently and published in reprint form at a cost of $1.00. Reprints will be available from the Music Educators National Conference, 1201 Sixteenth Street N.W., Washington, D.C. 20036. Tuthill/311 Alphabetical Listings ADAIEVSKY, ELLA (1896-1926). Sonata greque. Cologne: Tischer & 8 Jangenberg, c. 1913. Effective, with good Greek atmosphere. ALBERTSON, PER HJORT (1919). Sonata, Opus 9 (1950). Washington, D.C.: Library of Congress, 1956. Well written, distinctive. D' ALLESSANDRO, FARAELE(1911-1959). Sonatina. Cologne: Sidmten Verlag, 1956. Four dance movements-waltz, habanera, guagira, and rhumba-each rhythmically interesting. Modern, worthwhile, light.). Sonata for Clarinet and Piano. New York: ALEXANDER, JOSEF (1910American Music Center, n.d. Three movements. Being prepared as of spring 1972 for publication by General Music Publishing Company. ALLRED, THOMAS WHITFIELD (1926). Sonata. Washington, D.C.: Library of Congress, 1953. Some good simple ideas; not well developed. ALWYN, WILLIAM (1905). Sonata in Eb. London: Boosey &:Hawkes, 1963. A single movement of uneven quality, with each idea overworked. AMBROSIUS, HERMANN (1897). Sonatina, Opus 63c. Leipzig: C. F. Kant, 192-. Eighteen pages of music. ARCHER, VIOLET (1913). Sonata for Clarinet and Piano. Violet Archer, Department of Music, University of Alberta, Edmonton 7, Canada: MS., 1970. A convincing, fairly challenging piece by a student of Hindemith; neoclassical style. As of May 1972, being prepared for publication by Waterloo Music Company, Waterloo, Ontario. ARNE, THOMAS (1710-1778). Sonata in Bb (Craxton). London: Oxford University Press, 1950. An attractive arrangement of a harpsichord sonata in two movements, largo and gavotte. Good clarinet part. ARNOLD, CHARLES (1794-1873). Sonata, Opus 7. Andre. Pleasant, but unsatisfying. ARNOLD, MALCOLM (1921). Sonatina, Opus 29. London: Lengnick, 1951. Three brief movements of uneven quality. Some good spots. Sonatine. New York: Music Press, 1947. AVSHALOMOFF, JACOB (1919-1965). for viola. Playable, but less interesting on the clarinet. Originally BACH, J. S. (1685-1750). Sonata in C. Arranged by Harry Gee. San Antonio: Southern Music, 1969. One of the flute sonatas transposed by Gee for Bb clarinet. The slow movement is in the lower octave. Sonata in G Minor. Arranged by S. Bellison. New York: Carl Fischer, 1941. The clarinet plays the violin part of Sonata VI in the original key, while the piano is in F. Good clarinet range. Because of frequent rests, more practical than the transcribed flute works. Three Sonatas. Transcribed by Stievenard. Paris: Evette Schaeffer, n.d. 312/JRME Originally nos. IV, V, and VI of Bach' s flute sonatas. Fine music, good on the clarinet; but breathing is difficult. BAERMANN, HEINRICH JOSEF (1784-1847). Sonata Schott, 1843. BAGDESARIAN, E. (1922). Sonata. Yerevan, USSR: Epietrat, 1953. United States representative, Leeds Music Corporation. Charming, melodic, folksy. Easy. BAL Y GAY, JESUS (1905). Sonata. Mexico: Ediciones Mexicanas de Musica, 1953. Not really a sonata; a single brilliant movement of little musical value.). Sonata. Prague: Artia, n.d. Listed by Kroll. LUBOR BARTA, (1928BELA (1881-1945). Sonatina. Arranged by Gyorgy Balassa. Budapest: BARTOK, Zenemukiado Vallalat, 1955. Three movements based on Transylvanian themes. An attractive short piece for a facile Bb clarinetist. Would be played more easily on an A clarinet. MARION BAUER, (1887-1955). Sonata. Bryn Mawr: SPAM, 1951. Representative, Theodore Presser Co. Originally for viola; a good work in rather warm style, but not good as clarinet music. BAVICCHI, JOHN (1922). Sonata #1, Opus 57. MS., n.d. Extremely well suited to the instrument, though very difficult. Both challenging and rewarding, as Mazzeo has commented. BAX, ARNOLD (1883-1953). Sonata. London: Murdock, 1935. Two movements, the second by far the better. A musical challenge worth the effort. Piano part often thick. BEETHOVEN, L. VAN (1770-1827). Sonata, Opus 17. Boston: Cundy-Bettoney, 1940. Originally for horn. Fine music, but not suited to the clarinet. Sonatine. Leipzig: Hoffmeister, n.d. United States Representative, BEEZ, JOACHIM. (Duet) in F Minor. Mainz: AMP. BENDA, FRANZ(1709-1786). Sonata in F. New York: Edition Musicus, 1957. Obviously a violin sonata with the violin part transposed for trumpet or clarinet. Would be better if the part were transposed to use a wider clarinet range and to follow the original score more closely. BERNARD, JAMES (1926). Sonatina. London: Oxford University Press, 1958. Some good ideas; but not well developed.). Sonata. New York: Witmark, 1943. LEONARD(1918BERNSTEIN, One of Bernstein' s early works. Two movements rhythmically interesting because of the rapid 5/8 in the finale and the rhythmic shifts from bar to bar. Worth study and performance. Recorded. ). Sonata. MS., 1936. BEYER, JOHANNAMAGDALENA (1888- Contrived, dull. BEYTHIEN, KURT (contemporary) Sonata, Opus 28. Dresden: by the composer, 1937. BJELINSKI, BRUNO (1909). Sonata. Cologne: Gerig, 1966. Modern, coherent, thematically well conceived. BLAVET, MICHEL (1700-1768). Sonatina in F Minor. Arranged by Joosen. Wormerveer, Holland: Molenaar, 1963. United States representative, Henri Elkan. Tuthil 1/313 A three-movement Baroque sonata evidently written originally for violin. Charming, though it avoids the chalumeau register. VLADIMIR.). Sonatina. Moscow: State Publishing House, 1965. BLOK, (1932Two rather piquant movements. Modern harmonic shifts; requires facility. BODA, JOHN (1922). Sonatina for Clarinet and Piano. Delevan, New York: Kendor, 1966. Two movements very well written and effective for both instruments; moderately difficult. WAYNE (1923BOHRNSTEDT,). Sonata for Clarinet and Piano. School of Music, University of Redlands, Redlands, California: MS., 1946. Three well-formed and concentrated movements, good and playable. Modest technical demands. 1785-1828). Sonata for Clarinet and Piano. Berlin: M. Schlesinger, c. 1820; New York: Mc Ginnis & Marx, 1965. Evidently by the opera composer Boieldieu assisted by the clarinetist Gambaro. Allegro and theme and variations; well written for both players. RENE DE (1838-1906). Sonata, Opus 13. Paris: Hamelle, 1875. BOISDEFFRE, Of little value. DIMITRI(1751-1825). Sonata. Moscow: State Publishing House, BORTINIANSKY, 1955. A single movement, bland but pleasant. BOWEN, EDWIN YORK (1884-1961). Sonata. Ms., n.d. In the best spirit of twentieth-century music. BRAHMS, JOHANNES (1883-1897). Two Sonatas, Opus 120, No. 1 in F Minor and No. 2 in Eb. Berlin: Simrock, 1895. Unquestionally the greatest sonatas for the instrument. Many editions. WILLIAM EDWARD (1920). Sonata No. 1 for Clarinet and Piano, BRANDT, 1959. William E. Brandt, Department of Music, Washington State University, Pullman, Washington 99163. Allegro moderato, allegretto scherzando, andante sostenuto, vivace. Expressive neoclassic idiom; difficult. Sonata No. 2 for Clarinet and Piano, 1964. William E. Brandt, Department of Music, Washington State University, Pullman, Washington 99163. Allegro, adagio ma non troppo, allegro. More grandiose style than Sonata No. 1; fairly difficult. BRUNS, VICTOR (1904). Sonata, Opus 22. Berlin: E. H. Elsberg, 1951. Many interesting points that may be highlighted with study. Brilliant if played fast. Slightly long.). Sonata, Opus 9. Berlin: Carl Simon, 1905. BUMCKE, G. (1876Not highly interesting. NORBERT BURGMijLLER, (1810-1836). Sonata in Eb, Opus 15. Leipsig: Kistner, 1865. First rate. RICHARD. BUSCH, Sonata, 1969. MS., 1969. One eight-minute movement. Mildly free twelve-tone style; Gee has described it as melodic, exciting. CAMIDGE, MATTHEW (1785-1844). Sonatina in Bb. Arranged by Joosen. Wormerveer, Holland: Molenaar, n.d. United States representative, Henri Elkan. BUSCH, ADOLPH (1891-1952). Sonata. BOZZA, EUGENE (1905). Sonatine, Opus 27. Paris: Leduc, c. 1955. BOIELDIEU, FRANCOIS-ADRIEN (1775-1834) AND GAMBARO, GIOVANNI BATTISTA 314/JRME A two-movement Baroque sonata for oboe, clarinet, or saxophone. Not a strong piece. R. (contemporary). Sonata. New York: Arrow Music Press, 1950. CARCARINO, Attractive, but originally for bassoon and better suited to that instrument. CASTELNUOVO, TEDESCO, MARIO (1895). Sonata (1945). MS., 1945. A charming work deserving publication, with possible shortening of the first movement. Four romantic movements. CASTERDE,). Sonata. Paris: Leduc, 1956. JACQUES (1926A well-wrought first movement in good counterpoint; other three movements too long and not as good. D. CHIAPPARELLI, (1786- Listed by Orsten. DOMENICO CIMAROSA, (1749-1801). Sonata in Bb. Arranged by Joosen. Wormerveer, Holland: Molenaar, n.d. United States representative, Henri Elkan. A very good four-movement Baroque sonata arranged for oboe, clarinet, or saxophone. No chalumeau register. COLLIER, GILMAN(1929). Sonata, Opus 1. Washington, D.C.: Library of Congress, 1955. Not a good work. ARNOLD COOKE,). Sonata. London: Novello, 1962. (1906Pleasant, modern, by a student of Hindemith. Does not wear well. CORELLI, ARCANGELO (1653-1713). Sonata. Arranged by Hanson. San Antonio: Southern Music, n.d. A violin sonata arranged for clarinet. Good music. Sonata. Washington, D.C.: CUNNINGHAM, HOWARD CECIL (contemporary). Library of Congress, 1956. Three trite and monotonous movements. The rondo is the best. CUSHING, CHARLES(1905- ?). Sonata. Le Menu & Beyer, n.d. ). Sonata. Recorded by Jerome Rosen. Fan 5008. DAHL, INGOLF (1912-1970). Sonata da Camera 1969. Thomas Ayers, The University of Iowa: MS., 1969. Difficult, modern; requires imaginative performance. DANZI, FRANZ (1763-1826). Grande Sonata, Opus 62. Leipzig: Hoffmeister, 1961. Sonata for basset horn. A work of considerable charm, worthwhile for one who has a basset horn. Can be transposed for Eb alto clarinet. Three movements, good classic style. Sonata in Bb. Hamburg: Simrock, 1960. The weak thematic material does not warrant the length of this piece. DAvis, THOMAS (eighteenth century). Sonata in G Minor. Edited by Thomas Ayers. Delaware Water Gap, Pennsylvania: Shawnee Press, 1970. Originally for flute. Good Baroque music.). Sonatina. Antwerp: Editions Metropolis, n.d. DiFOSSEZ, RENA (1905United States representative, Henri Elkan. Very interesting and imaginative; finale a rhythmic study. Sonatina in F Minor. Paris: Gallet et DEPELSENAIRE, J. M. (contemporary). fils, 1958. For clarinet or alto saxophone. Charming, pleasant, brief; the piano part is merely accompaniment. DEVIENNE, FRANCOIS (1759-1803). Sonata with Continuo. Paris: Editions Musicales Transatlantique, 1962; Bryn Mawr, Pennsylvania: Theodore Presser Co. Tuthill/315 DE WOLFE, J. Sonatina. Antwerp: Editions Metropolis, n.d. United States representative, Henri Elkan. A two-movement Baroque sonata for trumpet or clarinet. Limited range and interest. ANTHONY(1909DONATO,). Sonata. San Antonio: Southern Music, 1967. Modern, dissonant, with wide skips; no flowing melodies. Commissioned by NACWAPI. MArr (1921DORAN,). Sonata. Los Angeles: Western International Music, 1967. An excellent work, modern but easily listenable. Difficult. A good recording WIMR #1. FELIX (1835-1913). Sonata, Opus 38. Leipzig: Kistner, 1888. DRASEKE, Ineffective modern style. PIERRE MAX (1930DUBOIS,). Sonatina. Paris: Leduc, 1956. Frilly. DUIJCK, GUY (contemporary). Sonatine, Opus 11. Rosendaal, Netherlands: Tieroff-Mziek Centrale, 1966. United States representative, Henri Elkan. Ineffective modern style. DUKE, LEWISBYRON. (contemporary). Sonata. Washington, D.C.: Library of Congress, c. 1951. Seemingly a student work needing pruning and focus. CLYDE(1920). Sonatina. New York: E. H. Morris, 1955. DUNCAN, A fluent, tuneful work with some entertaining rhythmic twists. Worth performing. Not too difficult. Part of NACWAPI series. FRANZ (1731-1799). Sonatina. Arranged by Paul Pisk. Bryn Mawr, X. DUSSEK, Pennsylvania: Theodore Presser Co., 1959. Republished from a manuscript in the Vienna Library. Instrumental part marked for violin or clarinet. Very weak. CHARLES (1766-1845). Three Sonatas with Figured Bass. DUVERNOY, Classical style, little value. EDER, HELMUTH (1916). Sonatine, Opus 20, #5. Vienna: Doblinger, n.d. Modern; unsuccessful. DONALD (1913P. EHRHART,). Sonata. 3435 Stathem Avenue, Cincinnati, Ohio: MS., 1958. ESTEBAN EITLER,). Sonatina (1944). Buenos Aires: Ediciones Mu(1913sicales Politonia, 1946. Polytonal, very contrapuntal. Motto themes are repeated without being developed. ALVIND. (1913ETLER,). Sonata. New York: Associated Music Publishers, 1952. Four well-contrasted movements by a capable composer. Sonata #2. New York: Associated Music Publishers, 1960. Extremely modern; no consonances. Difficult ensemble. EXTON, JOHN (contemporary FAERBER, O. Sonata, Opus 26. Leipzig: Grosch, n.d. A romantic work good for reading; uneven, with trite themes. F. FINKE, FRITZ (1891). Sonata. Leipzig: Breitkopf & Hartel, 1950. An incoherent mixture of material. FINLEY, LORRAINE NOEL (1899). Sonata. Washington, D.C.: Library of Congress, c. 1957. Seemingly a student work. Not idiomatically suited to the clarinet. British). Sonata. MS. 316/JRME GRANT (1913FLETCHER,). Sonata for Clarinet and Piano. New York: American Music Center, 1958. Moderately difficult; modern, dissonant, convincing. Well written for the instruments. FLOSMAN, O. (1925). The Outlaws: Sonatina for Clarinet and Piano. Prague: Krasne Literature, 1954. Probably based on folk tunes. Unimaginative. FRACKENPOHL, ARTHURROLAND (1924). Sonatina. New York: G. Schirmer, 1970. Fine style; musical, with a sense of form. Part of the Sinfonia series. FRANCOEUR, FRANCOIS (1698-1787). Sonata in F Major. Arranged by David Hite. San Antonio: Southern Music, 1966. Recorded: Coronet 1243. A fine Baroque work; medium easy, well arranged. FRIEMANN, WITOLD (1889). Quasi una Sonata. Cracow: Polskie Wydawn Muzyczne, 1953. An interesting postromantic work with a good piano part. The slow movement is lyric and expressive, the finale a Polish dance. CARL(1912). Sonata, Opus 27. Manuscript from Mazzeo. FUERSTNER, Bass clarinet. Rather long, pretentious; full of notes but empty. Sonata, Opus 29. MS. from Mazzeo. Weak, unreasonably complex. FULTON, NORMAN (1909). Three movements. London: Augener, 1955. Not really a sonata. Pleasant, but not vital. GABAYE, PIERRE (contemporary). Sonatine. Paris: Leduc, 1959. Fancy, but weak. GAL, HANS (1890). Sonata, Opus 84. London: Hinrichsen Edition, 1965. Late romantic music modernized. GARLICK, ANTONY, (1927). Sonata for Eb Clarinet and Piano. New York: Seesaw Music, 1970. Polytonal; modern, playable, tangy. GEISLER, F. (1899). Sonata (1954). Leipzig: Breitkop & Hartel, c. 1954. Contrived. I. GENISHTA, (1795-1853). Sonata. Moscow: State Publishing House, 1961. finale. HAROLD GENZMER, (1850-1938). Sonatina. New York: Peters #5944 (Litolff), 1968. Introduction and three movements. Contemporary, melodic, musical, though slightly dull. THOM RITrER (C. 1942GEORGE,). Sonata 1967. MS. Originally for viola. Converts well to clarinet except for breathing difficulties. Pleasant for sight-reading, although all movements are too long. Brilliant Excellent; very musical, interesting. Technically simple, though requiring fast fingers the finale. Highly recommended. GERSCHEFSKI, EDWIN (1909). Sonatine, Opus 18. New York: Composers Facsimile Edition 1935. Two short wandering movements. Piano part thin. AURELIO (1895-1938). Sonata in A (1933). MS from Mazzeo. GIORNI, GLINKA, MICHAEL (1804-1857). Sonata. London: Musica Rara. A well written work in rather complex romantic style. A clarinet. No longer offered by Musica Rara. Tuthill/317 ). Sonatina for Clarinet and Piano. Jack C. Goode, JACKC. (1921First Baptist Church, 607 Lake Street, Evanston, Illinois 60201: MS., 1946. A first-prize winner in Phi Mu Alpha competition. Free, atonal, difficult. FABIO). Sonata (1958). GONZALEZ-ZUELTA, (1920GORDON, PHILIP (1894). Sonatina. Bryn Mawr: Theodore Presser Co., 1957. Pseudoclassical, trite. GouvY, THEODORE (1819-1896). Sonata, Opus 67. Paris: Richault, 1882. Republished by Costallat. Well-written for the clarinet; rather melodramatic, but brilliant. GRECHANINOV, ALEXANDER T. (1864-1956). Sonata, Opus 161. Moscow: State Publishing House, n.d. Unobtainable. Sonata, Opus 172 (1949). Moscow: State Publishing House, n.d. Well written, delightful. Some of the variations lose interest, but the piece ends well. GRIEG, EDVARD(1843-1907). Sonata in F, Optus 8. Arranged by Schad. Rockville Centre, New York: Belwin-Mills, n.d. GYRING, ELIZABETH (contemporary). Sonata #1. New York: Composer' s Facsimile Edition, n.d. Four movements, the second an endurance test with no rests. GOODE, Pleasant, quasi modern style. A good contrast with the music of Wanhal and Brahms. HARTIG, HEINZ, F. (contemporary). Sonata, Opus 17. Berlin-Wiesbaden: Bote & Bock, 1957. A watered-down Hindemith without Hindemith' s genius. Some good moments, though the piece is uneven. HAYDN, JOSEPH (1732-1809). Sonata Movement. Rockville Centre, New York: Belwin-Mills, n.d. C. SWINNERTON, HEAP, (1847-1900). Sonata. Leipzig: Brietkopf & Hartel, 1880. Enjoyable but dated. Romantic style. HARRISON, PAMELA (1912). Sonata. HARTECK, LUTZ (contemporary). Sonatina. Basel: Symphonia Verlag, 1957. Won the Boulanger Award in 1965. HAMILTON, IAIN E. (1922). Sonata, Opus 22. London: Schott & 8 Co., 1955. Some nice ideas, though monotonous. HANDEL, G. F. (1685-1759). Sonatas. Paris: Buffet Crampton, 1909; New York: Edition Musicus, 1946; Moscow: State Publishing House. 1933. Handel' s sonatas-two for oboe and six for violin-all are playable on the clarinet and are fine music. The editions above all are good; should one be unable to obtain an edition, he need only obtain the original sonatas and transpose the solo lines. Sonata in G Minor. Arranged by Lurie. Los Angeles: Western International Music, 1970. This single clarinet sonata is made up of parts of each of Handel' s two oboe sonatas. HARDER, PAUL 0. (1923). Sonata 1968. Department of Music, Michigan State University, East Lansing, Michigan 48823: MS., 1968. A clarinet. Serial composition; modern, with a hint of form, but no progressive line. HAISANIDE, ALEXANDRU(193?- ). Sonata. 318/JRME HEBDEN, JOHN (eighteenth century). Sonata in G Minor. Transcribed by Thomas Ayers. Delaware Water Gap, Pennsylvania: Shawnee Press, 1972. HEIDEN, BERNARD (1910). Sonatina (1935). New York: Associated Music Publishers, 1957. An uncomplicated piece, with charm and a measure of brilliance. HEINE, SAMUEL FREDERICH (1764-1821). Sonata, Opus 13. Edited by Lyle Merriman. San Antonio: Southern Music, n.d. Originally published about 1805. With Heine' s Opus 12 and the two Wanhal sonatas, probably the earliest in the literature. Three movements in classical style, pleasant although rather long. Requires a good pianist.). Sonatine (1939). Brussels: Centre Belge de HERBERIGS, ROBERT (1886Documentation Musicale, 1960. United States representative, Henri Elkan. Apparently student work. Weak. HERVIG, RICHARDB. (1917). Sonata (1953). New York: American Music Center, 1956-1958. Distinct character. Modern, effective, difficult. Sonata No. 2 for Clarinet and Piano (1970). Richard B. Hervig, School of Music, The University of Iowa, Iowa City 52240: MS. Two movements, contemporary; fixed register, ostinatos. Difficult for both players. HILL, EDWARD BURLINGAME (1872-1960). Sonata, Opus 32. SPAM, 1927. Representative, Theodore Presser Co. O. P. Attractive and melodious. A clarinet. Sonatine (1952). MS., 1952. A short work appearing at the end of the composer' s distinguished career; not up to his earlier standards. HINDEMITH, PAUL (1895-1964). Sonata. Mainz: Schott & Co., 1940. A fine work in Hindemith' s later style. More played than any other sonata except those of Brahms. ALUN (1929HODDINOTT,). Sonata. London: Oxford University Press. 1968. Very complex; difficult rhythmically and technically. HOFFMAN, RICHARD (1844-1918). Sonatas, Opus 48, Nos. 1 and 2. Leipzig: Siegel, 1885. Useful as studies. HOFFMEISTER, FRANZ ANTON (1754-1812). Sonata. London: Musica Rara, n.d.; New York: Rubank, n.d. Attractive. For A clarinet. HONEGGER, ARTHUR (1892-1955). Sonatine. Paris: Rouart-Lerolle, 1925. Very individual, exciting to play. Finale “ a la jazz.” A clarinet. HOOK, JAMES(1746-1827). English Sonata. Arranged by Joosen. Wormerveer, Holland: Molenaar, n.d. United States representative, Henri Elkan. A good four-movement Baroque sonata arranged for oboe, clarinet, or saxophone. HOWARD, DEAN CLIFTON (1918). Sonata. Washington, D.C.: Library of Congress, 1950. Has some good ideas, but frequently loses interest. HOWDEN, BRUCE EDWARD JR. (1922). Sonata. Washington, D.C.: Library of Congress, 1949. Bass clarinet. Well written for the instrument; musical. HOWELLS, HERBERT (1892). Sonata. London: Boosey & Hawkes, 1954. Tuthill/319 A very fine work in two movements. Difficult, requiring careful study and imaginative performance. Easier for the A clarinet, though the part is for Bb. HOYER, KARL (1891-1936). Sonata, Opus 55. Leipzig: Friedrich Portius, 1934. A good, spirited romantic work worth study and performance. HUMMEL, JOHAN NEPOMUK (1778-1827). Sonata in A, Opus 104. Leipzig: Peters, 1872-80. INGENHOVEN, JAN (1876-1951). Sonata. Cologne: Tischer & Jangenburg, 1916. Modern, directionless. IRELAND, JOHN (1879-1964). Fantasy-Sonata. London: Boosey & Hawkes, 1945. In one movement, as all fantasy sonatas. Difficult for both players. Somewhat disappointing after a promising beginning. GORDON JACOB,). Sonatine for viola or clarinet. London: Novello, (18951949. Very good. Musical, delightful for A clarinet. GUSTAVE JENNER, (1865-1920). Sonata, Opus 5. Leipzig: Breitkopf 8e Hartel, 1900. Very much after Brahms, with whom he studied. Good music for A clarinet.). Sonata. Leipzig: Hoffmeister, 1953. JETrEL, RUDOLPH (1903Thirty minutes long; well-written, pure postromantic. KAREL (1891B. JIRAK,). Sonata, Opus 59. New York: Independent Music Publishers, 1947. A well written work, musically interesting. The ozalid of the manuscript is difficult to read. ANDRE(1905JOLIVET,). Sonatina. London: Boosey & Hawkes, 1964. WERNER(1885JOSTEN,). Sonata. New York: Associated Music Publishers, 1938. Originally for cello and not suited to the clarinet. MIROSLAV(1922JUCHELKA,). Sonatine. Prague: Artia, 1965. JUON, PAUL (1872-1940). Sonata, Opus 82. Berlin: Schlesinger, 1925. Very interesting; one extended movement. VIKTOR KALABIS,). Sonata. Prague: Guild of Czech Composers, n.d. (1923KAREL, LEONCHARLES). Sonata (1958). Leon Charles Karel, State (1919Teachers College, Kirksville, Missouri 63501: MS., 1958. Very good; has difficult spots, and covers the whole range with a bit too much of the high register. Lacks some variety. SIGFRID(1877-1933). Sonata, Opus 139b. KARG-ELERT, Leipzig: Zimmerman, 1924. Difficult, but piquant and expressive. L. KARREN, Sonata d' Eglise with Organ. Paris: Millerau, 1890. Three rather dull slow movements. ARMIN (1902KAUFMAN,). Sonatine, Opus 53. Vienna: Doblinger, n.d. KEATS, DONALD). Sonata for Clarinet and Piano 1948. Donald Keats, (1929Department of Music, Antioch College, Yellow Springs, Ohio 45387: MS, 1948. Three movements: allegro con spirito, andante, presto; neo-classical, moderately difficult. (1960). Indiana: Studio 224, 1969. Imaginative, well-written; difficult, with some barren spots. KOECHLIN, CHARLES (1867-1950). Sonata No. 1, Opus 85. Paris: L' Oiseau Lyre, 1947. KNIGHT, MORRIS (1933- ). Sonata for Clarinet and Piano Lebanon, 320/JRME Completely distinctive. Requires sensitive playing and fine high register technique. Sonata No. 2 (1923). ELLIS(1916). Sonata for Clarinet. New York: Mercury Music, 1956. KOHS, Very well-written. Modern. A Clarinet. M. KORINEK, (1925). Sonatina. Prague: Artia, n.d. Listed in Kroll. EGON (1891-1959). Sonata, Opus 3 in C# Minor. Leipzig: Doblinger, KORNAUTH, 1914. Originally for viola, transposed for A clarinet. Uninspired late romantic. Sonata, Opus 5, Leipzig: Zimmermann, 1922. An unsuccessful striving. C. KRAHMER, (1749- Listed by Orsten. ISA (1904). Sonatine. Prague: Hudebni Matice, c. 1933. KREJCI, ERNST (1900KRENEK,). Sonatine. Rockville Centre, New York: Belwin Mills, 1938-1939. For bass clarinet. GAIL (1914KUBIK,). Sonatina. New York: IMCA Music, 1971. A fine modern neoromantic work, charming; some difficulty of ensemble. Recorded: Contemporary Composers M6013. AGUSTIN). Sonatina, Opus 5a. Vienna: Doblinger, 1963. KUBIZEK, (1918Two short movements originally for viola; a weak imitation of Hindemith, Thomas Ayres has said. FRIEDRICH (1810-1882). Sonata. Leipzig: J. Schuberth, c. 1870. W. KUCHEN, for violin. Parlor-style music expanded into sonata form. Dated, Originally uninteresting. STEFANIA LACHOWSKA, (contemporary). Sonatina. Cracow: Polskie Wydawn Muzyczne, c. 1964. EZRA (1924LADERMAN, University Press, 1970.). Sonata for Clarinet and Piano. New York: Oxford ?). Sonatine. Leidesdorf: Diabelli, ante 1844. Well-constructed, with good melodic development; most triads simultaneously major and minor. PAUL LADMIRAULT, E. (1877-1944). Sonata. Paris: Leduc. 1949. Meandering and thin. A very weak Saint-Sains. LANE, RICHARD (1933). Sonata. Eastman School of Music: MS., n.d. Based on American folk songs; charming, playable. LANGE, GUSTAVE (1830-1889). Sonatine. Philadelphia: J. W. Pepper, n.d. A single movement in late Classical style. Frequent doubling by the piano. LAQUAI, REINHOLD(1894-1957). Sonata. of clarinet part Listed by Foster. Publishing LEDENEV, ROMAN SEMENOVICH(1930- ). Sonata, Opus 1. Moscow: State House, 1960. LEFEVRE, JEAN XAVIER Three well-written movements; rhythmically interesting. (1763-1829). Sonata in E Minor. Geneva: Editions du Siecle Musical, 1949. Sonatas Nos. 3 and 5. Geneva: E. Richli, 1949, 1951. Especially attractive when the accompaniment small organ. is played by harpsichord or Tuthil 1/321 VICTOR LEGLEY,). Sonata, Opus 4, No. 3. Brussels: Centre Beige de (1915Documentation Musicale, 1959. United States representative, Henri Elkan. Some good, well-developed ideas. LEVY, FRANK (contemporary). Sonata. New York: Seesaw Press, 1968. Good development on an intervallic idea. Modern, dissonant. LOTHAR, MARK (1902). Sonata, Opus 74. Kassel: Barenreiter Verlag, n.d. Listed by Kroll. WILLIAM(1922LOVELOCK,). Sonatina. London: Chappell, 1960. Three movements: playable, conservative, charming. Fun. Some good ideas. Effective. M. LUCAS, A. (1882-1852). Sonata. London: Hinrichsen Edition, n.d. LUENING, OTro (1900). Fantasia Brevis. New York: New Music, 1937. A single movement in the composer' s early style. Dated. MACKAY, HARPER(contemporary). Sonatina for Bass Clarinet. Los Angeles: Western International Music, 1968. Not very interesting; very limited range. AURELIO MAGNANI, (1856-1921). Three Sonatas. Paris: Evette Schaeffer, n.d. Mentioned by Rendall. BENEDETTO MARCELLO, (1686-1759). Sonata. Probably arranged from an oboe sonata. Recorded: Music Minus One 116. C. (1915MAREK, ROBERT). Sonatina for Clarinet and Piano. Route 2, Vermillion, South Dakota 57069: MS., 1953. Three movements idiomatically well suited to the clarinet; moderately difficult. MARTINU, BOHUSLAV (1890-1962). Sonatine. Paris: Leduc, 1957. Pleasant and well written, though it loses direction. Some demanding spots. DANIELGREGORY MASON, (1873-1953). Sonata, Opus 14. SPAM, 1920. Representative, Theodore Presser Co. Very interesting and effectively written for both instruments, with a scherzo based on the whole-tone scale. Unfortunately out of print. Write to Presser. RICHARD MAXFIELD, (contemporary). Sonatas Nos. I and 2. Composer' s prints, 1954. Both in distraught modern style. Demanding, though offering dubious rewards. MCKAY, GEORGE(1899). Sonatine. Paris: Heugel, 1930. United States representative, Theodore Presser Co. Two very pleasant movements; though the score is marked “ for harmonium or string orchestra,” the music is attractive on the piano. MENDELSSOHN, FELIX (1809-1847). Sonata. New York: Leeds Music Corp., 1941. Discovered in the Berlin Library, later published in New York. Rather dull, but possibly good for teaching first steps in sonata playing. MENEDEZ, JULIAN (arranger) (contemporary). 12 Sonatas de Autores Clasicos. Volumes 1 and 2. Madrid: Union Musical Espanola, 1959 and 1961. Beautiful Baroque violin sonatas with the solo part transposed-not always idiomatically-for clarinet. Corelli, Rebel, Walter, Veracini, and Porpora are included. MEULEMANS, ARTHUR (1884LUCAS, J. MICHAEL. (contemporary). Sonata (1962). MS., 1962. 1964. Many rhythmic quirks and dull spots. Piano part very weak. ). Sonata Concertante. Brussells: Ce BeDem, 322/JRME HANSF. (1902MICHEELSON,). Sonatine. Kassell: Barenreiter Verlag, 1938. A sonata for recorder, flute, oboe, or clarinet. MIDDLETON, B. (contemporary). Sonata. MS, 1940. J. Virgil Thompson has commented on this Sonata: “ Its three movements are charming harmonically and musically. Its Americanism is complete. It has wit, charm, and clearly differentiated emotional meanings.” MARCEL MIHALOVICI,). Sonata, Opus 78. Paris: Huegel, 1959. (1892Modern, slightly reflecting Hindemith. Worth performing, though requiring study for good rhythmic ensemble. DARIUS(1892). Sonatine. Paris: Durand, 1927. MILHAUD, In Milhaud' s most dissonant style, with some very charming spots in the slow movement. Other movements are marked “ tres rude.” LUDOVICUS). Sonata. Paris: Leduc, 1938. MIRANDOLLE, (1904. Sonatine. Paris: Leduc, 1940. Rather vague and wandering. Both of the above works require virtuoso technique and good ensemble. ALBERT(1897MOESCHINGER,). Sonatina, Opus 65. London: Boosey & Hawkes, 1947. The music seems to search after something elusive; finale the best. WOLFGANG AMADEUS MOZART, (1756-1791). Six Sonatas. Transcribed by Gabucci. Milan: Carisch, n.d. Originally for violin. HERMAN MULDER, (contemporary). Sonata No. 3. Amsterdam: Donemus, 1950. Mildly modern, unsuccessful. PAUL (1898MULLER,). Petite Sonata, Opus 37. Geneva: Henn, n.d. Some good ideas but full of meaningless technical wanderings. Too much high register. NEELY, KILFORD (1923-1961). Sonata. MS., n.d. A sparse modern score with many points of interest. LAZAR(1922NIKOLOV,). Sonata (1962). MS., 1962. “ Complex musical language,” Nicolas Slonimsky has commented. NORTH, ROGER(1913). Sonata in G Minor. London: J. & W. Chester, 1959. United States representative, Marks Music Corp. Difficult. Very tricky rhythmically and fairly dissonant. GEORGE ALEXANDER OSBORNE, (1806-1893). Sonata. MS., n.d. OSIEK, HANS (1910). Sonatine. Amsterdam: Donemus, 1952. Written for viola or clarinet, but not really suited to the latter. Continually dissonant. Published in manuscript; very hard to read. REINE CAKCO (contemporary). Sonatina 1948. Amsterdam: OSORIO-SWAB, Donemus, 1958. Two movements; modern, but with a melodic line and some variety. Worth performing. VLADIMIR PADWA, (1900). Sonata for Clarinet and Piano Summer 1963, on Martha' s Vineyard. Vladimir Padwa, 736 Riverside Drive, New York City 10031: MS., 1963. Short, not difficult; good listening. PAQUOT, PHILIPPE. Sonata: after Beethoven. Paris: Evette Schaeffer, n.d. G. PERGOLESI, B. (1710-1736). Sonata No. 12. New York: Edition Musicus, 1958. Evidently a violin sonata arranged for the clarinet (or flute or oboe). Good music, though more comfortable for instruments with a higher tessitura than Tuthill/323 the clarinet. In some places, the clarinet part is wisely transposed down an octave. PILLIN, BORIS(1940). Sonata. Los Angeles: Western International Music, 1968. Good, difficult, rather many high notes. Recorded: WIMR 1. PINKHAM, DANIEL (1923). Sonata. New York: American Composers Alliance, 1949. Written in 1946 and revised in 1949; difficult, with an especially good finale. PISK, PAULA. (1893). Sonata for Clarinet and Piano, Opus 59. New York: Composers Facsimile Edition, American Composers Alliance, 1951. Very direct, serious, and rather angular; heavy on dissonance. IGNAZ (1757-1821). Sonata, Opus 1. Paris: Imbault, 1801. PLEYEL, J. Sonatas, Opus 2 and 3. Paris: Leduc, 1791. Darmstadt, Germany: Darmstadt Library. PETER (1910PODKOVIROV,). Sonata. New York: MCA, 1966. Simple; not important. POGGE, HANS. Sonata, Opus 14. Leipzig: Ernest Eulenberg, 1912. POLIFRONE, (contemopary). Sonata. MS., 1962. JON Short, romantic, pleasing, Harry Gee has commented. GEORGES PONORIDIS,). Sonata (1962). MS., 1962. (1892POOT, MARCEL). Sonatine. Paris: Leduc, 1965. (1901Concerto style. Musically weak. HANS (1917POSER,). Sonata, Opus 30. Hamburg: Sikorski, 1956. FRANCIS(1899-1964). Sonata. London: Chester, 1918. POULENC, Much charm but little depth. Recorded Nonesuch H 7i033. EBENEZER PROUT, (1835-1909). Sonata, Opus 26. London: Augener, 1886. A clarinet. Late classical style, graceful and brilliant, in spite of being rather stiff. HENRY(1659-1695). Sonata in G Minor. New York: Edition Musicus, PURCELL, 1950. Originally a violin sonata; needs further editing to allow for breathing. PYLE, FRANCIS (contemporary). Arabesque for Bb Clarinet and Piano. Paris: J. Leduc, 1953. Sonata in Eb. Los Angeles: Western International Music, 1969. A serious, well-constructed modern work requiring much practice on the ensemble of the slower movement. QUECKEMEYER, BEVERLY. Sonata. MS., 1939. A good student work with a charming rondo. NICOLAI(1908RAKOV,). Sonata (1956). Moscow: State Publishing House, 1953. Two movements, the first charming and well-developed, the second, based on material less inspired, is effective if played fast. RAMVOS, PRIMOZ (1921). Sonata and Sonatina. Ljubljana, Yugoslavia: 1958, 1960. Of uneven interest. Sonatina is the better. Thomas Ayers. Delaware Water Gap, Pennsylvania: Shawnee Press, 1970. Originally published about 1735 as the final flute sonata in a series of eight. Good Baroque music. RAPHAEL, GUNTHER (1903-1960). Sonata, Opus 65, No. 3. Wiesbaden: Breitkopf & Hartel, 1951. RANISH, JOHN FREDERICK (early eighteenth century) Sonata in F. Edited by 324/JRME Offering character and some excitement, requires some facility and a sense of humor-the last movement is preceded by the verse, “ Not for the cat-but for a duck did I compose the final movement.” REGER, MAX (1873-1916). Sonatas, Opus 49, Nos. 1 and 2 in F# Minor for Clarinet in A. Munich: Universal, 1903. Sonata, Opus 107 in Bb. Berlin: Bote & Bock, 1909. Three fine works too often neglected; in the class of the Brahms sonatas, requiring a high degree of musicianship and tone control. Difficult piano part. REINECKE, CARL (1824-1910). Undine Sonata, Opus 167. New York: International Music Corp., c. 1960. Originally for flute, well reset for clarinet. Pleasant romantic music, but dated.). Sonatine. Vienna: Doblinger, 1963. REITER, ALBERT (1905Effective, though bland. RHEINBERGER, JOSEPH (1829-1901). Sonata, Opus 105. Leipzig: Kistner 1893. Good to play at home; but in a rather mean key. RIES, FERDINAND (1784-1838). Sonata, Opus 29. Bonn: Simrock, c. 1820; republished more recently; listed in catalog of Blackwell' s, Oxford. Good, musical, after Ries' master, Beethoven. Method is good, though greatness is lacking. Piano part important, brilliant; eclipses the clarinet in the coda. Sonata Sentimental, Opus 169. No date, no publisher. Unoriginal, dull. RIETHMULLER, HELMUT (1912- ). Sonata in Bb. Leipzig: Peters, 1950. A dull flashback to the nineteenth century.). Sonata. Wolfenbuttel: Moseler Verlag, 1955. ROHWER, JENS (1914Some pleasant ideas interspersed with unfortunate dry passages. N.). Sonatina, Opus 49. Brussels: Centre Belge de ROUSSEAU, (1907Documentation Musicale, 1963. United States representative, Henri Elkan. Contrived, gloomy. RUDOLPH, J. J. R. ERZHERZOGVON OSTERREICH (1788-1831). Sonata, Opus 2 in A. Vienna: Tobias Hasslinger, ante 1844. Rusu, LIVIU(contemporary). Sonata (1951) Bucharest: Editura Musicala, 1958. Odd rhythms; does not flow. RUYNEMAN, DANIEL (1886- ). Sonata (1936). Amsterdam: Donemus, 1948. Contrived, very difficult. RYELANDT, JOSEPH (1870-1965). Sonata. SAINT-SAENS, CAMILLE (1835-1921). Sonata, Opus 167. Paris: Durand, 1924. Light, effective. Good for concert performance. SANCAN, PIERRE (1916- ). Sonatine. Bryn Mawr, Pennsylvania: Elkan-Vogel, 1963. Excellent, light; three connected movements, seven minutes. Difficult. SANDERS, ROBERTLEVIN (1906- ). Sonata for Clarinet and Piano. 1920 South Ocean Bowl, Delray Beach, Florida: MS., 1969. Not available for purchase. A fine work, original, rewarding. (1685-1737). Four Sonatas. Moscow: State Publishing SCARLATTI, DOMENICO House, n.d. New York: International Music Corporation, n.d. Evidently arrangements of keyboard sonatas. Unavailable. K. SCHMIDEK, (contemporary). Sonatine, Opus 30. Vienna: Doblinger, 1963. Three movements idiomatically written; melodious; not especially difficult. Tuthill/325 ). Sonatine. Los Angeles: Western International (1926Music, 1969. Dissonant, rhythmic, challenging. Should come across well.). Sonatine. MS., n.d. SCHMUTZ, ALBERTD. (1887but is not musically interesting. Requires facility, OTHMAR (1886-1957). Sonata, Opus 41. Leipzig: Breitkopf & Hartel, SCHOECK, 1931. Bass clarinet; postromantic, complex. Requires a low D. ARNOLD (1874-1951). Sonata, Opus 26. Vienna: Universal Edition, SCHOENBERG, 1926. An arrangement from the wind quartet, Opus 26, for high instrument and piano; obviously too high for clarinet. SCHOLLUM, ROBERT (1913). Sonata, Opus 55, No. 4. Vienna: Doblinger, 1956. Twelve-tone, very complicated, dissonant. Sonatine, Opus 42, No. 1. Vienna: Doblinger, c. 1969. Perhaps of academic interest; not tuneful. FRANZ (1797-1828). Sonata-Concerto in G Minor (1824). Arranged SCHUBERT, by S. Bellison. New York: Carl Fischer, Inc., 1940. A concerto for arpeggione. Originally for stringed instrument, transcribed idiomatically for the clarinet. Sonatina, Opus 137, Number 3. Arranged by David Hite. San Antonio: Southern Music, n.d. Excellent. The last of three sonatinas for violin and piano. VIRGINIA SEAY, (contemporary). Sonata, Opus 8. Palo Alto, California: MS., n.d. S. SEIFFERT, Sonata, Opus 2 in Eb. Bonn: Simrock, ante 1844. GIACOMO (1868-1925). Sonata, Opus 31. Milan: Ricordi, 1921. SETACCIOLI, Well written; many novel effects.). Sonata. London: Novello, 1958. SHAW, CHRISTOPHER (1914Undistinctive, rhythmically uninteresting. SCHMIDT, WILLIAM SHERMAN, ELNA (contemporary). Sonata posers Alliance, n.d. Lyrica. New York: American Com- A student work with too much doubling of the clarinet by the piano. DAVID STANLEY (1877-1949). Sonata, Opus 84. (1942, 1944). MS. SMITH, Very good; idiomatically well suited to the clarinet. SMITH, WILLIAM 0. SIEBERT, ROBERT (contemporary). Sonata. MS., n.d. William O. Smith, School of Music, University of Washington, Seattle: MS., 1948. ANTONIO SOLER, (1729-1783). Sonata. Stanford, Connecticut: Jack Spratt, 1952. Short, attractive; an arrangement of an eighteenth century Spanish sonata, probably for violin. SOWERBY, LEO (1895). Sonata. SPAM, 1939. Representative, Theodore Presser Co., n.d. A very fine work of superior musical value, requiring musicianship and good dynamic control. Third movement is a canon; the finale achieves a good musical climax. WILLIAMETrA SPENCER,). Sonata. Washington, D.C.: Library of (1927Congress, 1952. Quite good, in three movements. (1926- ). Sonata for Clarinet and Piano (1948). 326/JRME FRITZ SPINDLER, (1817-1905). Sonata in F., Opus 129. St. Louis: Siegel, n.d. SIR VILLIERS STANFORD, CHARLES (1852-1924). Sonata, Opus 129. London: Stainer & Bell, 1918. Very satisfying; musical, with a moving caoine for the slow movement. VLADIMIR STASTNY, (1824-1906). Easy Concertino, Opus 32. Prague: Artia, 1948. For clarinet or violin. Very easy; a beginner' s piece. Sonatina. The Hague: Musikhandel Alberson, n.d. FRANCOIS. STEENHUIS,). Sonata. School of Music, University of ROBERT (1916STEVENSON, California of Los Angeles: MS., n.d. Four interesting movements, well contrasted and integrated; worth study. Requires good ensemble. GERALD STRANG,). Sonata in One Movement. MS., n.d. (1908Very good, but originally for the violin, and properly belonging to that instrument. P. STRUCK, (c. 1775-1823). Sonatas, Opus 17, Nos. 1 and 2. Bonn: Simrock, ante 1844. For clarinet and two horns. Eitner lists the work without horns. BRUNO (1892-1958). Sonata, Opus 73. Heidelberg: W. Muller, 1957. STURMER, Originally for viola, but transferred well to the clarinet. Coherent, fluent. ROBERT SUTER,). Sonatina, 1937. Geneva: Henn, 1957. (1919A single twelve-tone movement, clear and musical. Difficult.). Sonata. Edited by Richard Webster. GLORIA SWISHER, (Wilson) (c. 1935Washington, D.C.: Library of Congress, 1959. Some well-developed good musical ideas; not at all easy, but delightful.). Duo. New York: American Music Center, n.d. WILLIAM SYDEMAN, (1928Two very dissonant, rather abstruse movements with some motivic development. Sometimes the motion almost stops. FERENC(1902-1969). Sonata alla Rapsodia. Budapest: Zenemukiado, SZABO, 1965. SZALOWSKI, ANTONI(1907- ). Sonatina. New York: Omega, 1948. attractive, a modern classic. Not difficult, but most musical. A good Very concert number. Recorded by Kell. TANEYEV. I. SERGIUS (1856-1915). Sonata. Moscow: State Publishing House, 1959. Originally for violin, but lies well for clarinet; lacks depth and excitement. TARTINI, GIUSEPPE (1692-1770). Sonata in G Minor. Transcribed and edited by David Hite. San Antonio: Southern Music, 1963. A transcription of an excellent and famous Italian violin sonata. G. TELEMANN, F. (1681-1767). Sonata. New York: International Music, c. 1960. Originally for flute. A splendid sonata well transcribed for the clarinet. Sonata No. 2 in C Minor. From Methodische Sonaten, 1732. Edited by Himie Voxman, Chicago: Rubank, 1963; transcribed by A. Gabucci: Florence: Edition Saporetti, 1950. A good Baroque sonata. TEMPLETON, ALEC Some rather pleasant romantic spots; runs out of ideas. (1909-1963). Pocket Size Sonata. New York: Leeds Music, 1949. Three brief, attractive movements in mild jazz style. Not difficult. Recorded by Kell. Pocket Size Sonata No. 2. Delaware Water Gap, Pennsylvania: Shawnee, 1964. Tuthill/327 Three brief, popular style movements. The printed version has a piano part; the Library of Congress MS does not, but specifies drums throughout and a bass in the finale; but no parts are provided. TOVEY, DONALD(1875-1940). Sonata, Opus 16. London: Schott, 1912. An uninteresting and weak imitation of Brahms. C. (1888TUTHILL, BURNET). Fantasy Sonata, Opus 3. New York: Carl Fischer, 1936. The essentials of four-movement sonata concentrated into a single nine-minute movement all built on the materials of the first and second themes. Requires good musicianship of both players. ROBERT (contemporary). Sonata in Eb. Long Beach State College, E. TYNDALL, California: MS, 1948. 1735). Four sonatas. London: Musica Rara, n.d. Listed by Musica Rara. Unobtainable. ARTHUR. Sonata, Opus 37 (1942). MS., 1942. VALLENTINE, VAN BOER, BERTIL (contemporary). Sonata in Three Movements. MS., n.d. Modern, with irregular rhythms. VINCI, LEONARDO (1690-1730). Sonata in Bb. Arranged by George Waln. Chicago: Kjos, 1961. Two Baroque-style movements. Very good, requiring breath control and smooth technique. Recorded: MRS 32638, Kendor Music. Sonatine. Prague: Hudebni Matice, n.d. VOGEL, JAROSLAV. VON KREISLER, ALEXANDER (contemporary). Sonatina. San Antonio: Southern Music, 1967. Romantic, very cliched; lacks variety. Difficult. VORISEK HUGO (1781-1825). Sonata. Prague: Rovnost, (WORZISCHEK), JOHANN 1957. WAGNER, JOSEPHFREDERICK). Sonatine. New York: Boosey & c Hawkes, (19001942. A single movement; melodious, piquant. Grade II. WALCHIERS, EUGENE(1789-1866). Sonata, Opus 98. Paris: Costallat, c 1860. WANHAL, B. (1739-1813). Sonata No. 2. Bonn: Simrock, c. 1810. San AnJ. tonio: Southern Music, 1968. Classical style, rather dull and long. Sonata in Bb. Edited by Burnet Tuthill. New York: Mc Ginnis & Marx, 1948. A good sonata of the Classic period, with good balance of parts; well worth its frequent use as a recital number. Mc Ginnis & Marx edition from the first edition (c. 1800) of Simrock; another reprint by Nakladatelsvi-Rovnost v Brne. DAVID (contemporary). Sonatina. Cleveland, Ohio: Ludwig, 1958. WARREN, CARL MARIA VON(1786-1826). Grand Duo Concertante, Opus 48. Berlin: WEBER, Schlesinger; Vogel. Lemoine H & Cie., n.d. United States representative, ElkanVALENTINEINGELESE(1715or VALENTINO, possibly ROBERTVALENTINE ROBERTO Very brilliant, sonata form; best show piece in the literature for both instruments, using all the resources of the clarinet. Weber' s best music for clarinet. WEINBERGER,). Sonatine. New York: Carl Fischer, 1940. JAROMIR (1896One of a set of four sonatas for woodwinds. A charming teaching piece. 328/JRME WEIS, FLEMING (1898). Sonata. Leipzig: Kistner & Siegel, 1935. Sonata. Berlin: Birnbach, 1941. Sonata (1949). Amsterdam: Donemus, Many blank spots; unsatisfying. WEISMANN, JULIUS (1879-1950). Late romantic; pleasant but not inspired. WIJNGAARDEN, J. VAN (contemporary). n.d. Very weak, dated. WILDER, ALEC (1907- ). Sonata. New York: Sam Fox, 1968.). Sonatina in B Minor. Vienna: Doblinger, Very American; bogs down in sterile counterpoint. Very disappointing. WILDGANS, FRIEDRICH (1913- 1963. Three short, well-conceived movements; the folklike second movement is thin-textured and austere. Delightful finale. WILLIS, RICHARD (1929). Sonatina for Clarinet and Piano (1965). School of Music, Baylor University, Waco, Texas 76703: MS., 1965. Attractive, with a slow movement and an allegro. Well written and not difficult. WILSON, THOMAS States representative, Associated Music Publishers. Three simple and original short movements. Mildly modern, easy. WINSLOW, THORNTON (contemporary). Sonatine. New York: Belwin-Mills, Sikorski, 1955. 1939. (contemporary). Sonatina. Mainz: Schott, 1962. United Bass clarinet. Unmusical. (1912- WIRTH, HELMUTH A clarinet. Lacks ideas and variety. WISSMER, PIERRE (1915- ). Sonata. Hamburg: WYNER, YEHUDI (1929- ). Sonatina (1941).). Cadenza! for Clarinet and Piano. New York: Associated Music Publishers, 197-. Four movements: cadenze, canzona, dodecadenza, decadenza. Difficult for both instruments. Short Sonata for Clarinet and Piano. New York: American Composers Alliance, 195-. Some interesting ideas; well wrought and worth performing, though the piano part in the finale could be more interesting. ZACHARA, FRANCISZEK. Sonata, Opus 72. Kenosha, Wisconsin: Leblanc, 1964. Dated. ZECH, FREDERICK (1858-1926). Two Sonatas. </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Sonatas for Clarinet and Piano: Annotated Listings</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Sonatas for Clarinet and Piano: Annotated Listings</title></titleInfo><name type="personal"><namePart type="given">Burnet C.</namePart><namePart type="family">Tuthill</namePart></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1972-10</dateIssued><copyrightDate encoding="w3cdtf">1972</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Journal of research in music education</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0022-4294</identifier><identifier type="eISSN"></identifier><identifier type="PublisherID">JRM</identifier><identifier type="PublisherID-hwp">spjrm</identifier><part><date>1972</date><detail type="volume"><caption>vol.</caption><number>20</number></detail><detail type="issue"><caption>no.</caption><number>3</number></detail><extent unit="pages"><start>308</start><end>328</end></extent></part></relatedItem><identifier type="istex">CF8089222A60600655D19B589DAECC95A683CEF6</identifier><identifier type="ark">ark:/67375/M70-6TQZ214G-R</identifier><identifier type="DOI">10.2307/3343885</identifier><identifier type="ArticleID">10.2307_3343885</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/CF8089222A60600655D19B589DAECC95A683CEF6/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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