Bartók as Man of Letters
Identifieur interne : 001E85 ( Istex/Corpus ); précédent : 001E84; suivant : 001E86Bartók as Man of Letters
Auteurs : Benjamin SuchoffSource :
- Tempo [ 0040-2982 ] ; 1972-09.
Abstract
Bartok's literary efforts range from books and monographs to shorter essays. According to recent findings, there were no less than 119 extant works. Some of them were written in collaboration with Zoltán Kodály or Sandor Reschofsky; others were originally drafted as lectures which were for the most part given on the radio or at educational institutions. Bartók's first essay apparently appeared in print in Budapest in 1904. It is interesting to note that except in 1907 and 1915, at least one of his writings was published each year of his life, in a considerable number of languages, and frequently in widely-known journals. His essays may be divided, according to their topics, into eight basic categories (although there is some overlapping): I. The Investigation of Musical Folklore; II, National Folk Music; III, Comparative Musical Folklore; IV, Book Reviews and Polemics; V, Musical Instruments; VI, The Relation Between Folk Music and Art Music; VII, The Life and Music of Béla Bartók; and VIII, Bartok On Music and Musicians.
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DOI: 10.1017/S0040298200056904
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According to recent findings, there were no less than 119 extant works. Some of them were written in collaboration with Zoltán Kodály or Sandor Reschofsky; others were originally drafted as lectures which were for the most part given on the radio or at educational institutions. Bartók's first essay apparently appeared in print in Budapest in 1904. It is interesting to note that except in 1907 and 1915, at least one of his writings was published each year of his life, in a considerable number of languages, and frequently in widely-known journals. His essays may be divided, according to their topics, into eight basic categories (although there is some overlapping): I. The Investigation of Musical Folklore; II, National Folk Music; III, Comparative Musical Folklore; IV, Book Reviews and Polemics; V, Musical Instruments; VI, The Relation Between Folk Music and Art Music; VII, The Life and Music of Béla Bartók; and VIII, Bartok On Music and Musicians.</div></front></TEI><istex><corpusName>cambridge</corpusName><author><json:item><name>Benjamin Suchoff</name></json:item></author><articleId><json:string>05690</json:string></articleId><arkIstex>ark:/67375/6GQ-SD39Z6WH-T</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>research-article</json:string></originalGenre><abstract>Bartok's literary efforts range from books and monographs to shorter essays. According to recent findings, there were no less than 119 extant works. 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His essay on Bartók's literary output is a revised version of the paper read in Budapest in March 1971, and resulted from his editorial work on Bela Bartók's Essays (Faber and Faber, 1973). Among his previous publications are a Guide to Bartók's Mikrokosmos (revised edition, Boosey and Hawkes, 1971) and editions of Bartók's Rumanian Folk Music and Turkish Folk Music from Asia Minor.</note><affiliation>Dr. Benjamin Suchoh, alter many vears as curator and then director of the New York Bartók Archive, assumed the trusteeship of the Bartók Estate in 1968. His essay on Bartók's literary output is a revised version of the paper read in Budapest in March 1971, and resulted from his editorial work on Bela Bartók's Essays (Faber and Faber, 1973). Among his previous publications are a Guide to Bartók's Mikrokosmos (revised edition, Boosey and Hawkes, 1971) and editions of Bartók's Rumanian Folk Music and Turkish Folk Music from Asia Minor.</affiliation></author><idno type="istex">1297DF44EBF3012724C622ACFCB0BA4194E267D2</idno><idno type="ark">ark:/67375/6GQ-SD39Z6WH-T</idno><idno type="DOI">10.1017/S0040298200056904</idno><idno type="PII">S0040298200056904</idno><idno type="article-id">05690</idno></analytic><monogr><title level="j">Tempo</title><title level="j" type="abbrev">Tempo</title><idno type="pISSN">0040-2982</idno><idno type="eISSN">1478-2286</idno><idno type="publisher-id">TEM</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="1972-09"></date><biblScope unit="volume">21</biblScope><biblScope unit="issue">102</biblScope><biblScope unit="page" from="10">10</biblScope><biblScope unit="page" to="16">16</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1972</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en" style="text-abstract"><p>Bartok's literary efforts range from books and monographs to shorter essays. According to recent findings, there were no less than 119 extant works. Some of them were written in collaboration with Zoltán Kodály or Sandor Reschofsky; others were originally drafted as lectures which were for the most part given on the radio or at educational institutions. Bartók's first essay apparently appeared in print in Budapest in 1904. It is interesting to note that except in 1907 and 1915, at least one of his writings was published each year of his life, in a considerable number of languages, and frequently in widely-known journals. His essays may be divided, according to their topics, into eight basic categories (although there is some overlapping): I. The Investigation of Musical Folklore; II, National Folk Music; III, Comparative Musical Folklore; IV, Book Reviews and Polemics; V, Musical Instruments; VI, The Relation Between Folk Music and Art Music; VII, The Life and Music of Béla Bartók; and VIII, Bartok On Music and Musicians.</p></abstract></profileDesc><revisionDesc><change when="1972-09">Published</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="US-ASCII"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.2 20060430//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="research-article" dtd-version="2.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">TEM</journal-id><journal-title>Tempo</journal-title><abbrev-journal-title>Tempo</abbrev-journal-title><issn pub-type="ppub">0040-2982</issn><issn pub-type="epub">1478-2286</issn><publisher><publisher-name>Cambridge University Press</publisher-name><publisher-loc>Cambridge, UK</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1017/S0040298200056904</article-id><article-id pub-id-type="pii">S0040298200056904</article-id><article-id pub-id-type="publisher-id">05690</article-id><title-group><article-title>Bartók as Man of Letters</article-title><alt-title alt-title-type="left-running">TEMPO</alt-title><alt-title alt-title-type="right-running">BARTÓK AS MAN OF LETTERS</alt-title></title-group><contrib-group><contrib><name name-style="western"><surname>Suchoff</surname><given-names>Benjamin</given-names></name><bio><p>Dr. Benjamin Suchoh, alter many vears as curator and then director of the New York Bartók Archive, assumed the trusteeship of the Bartók Estate in 1968. His essay on Bartók's literary output is a revised version of the paper read in Budapest in March 1971, and resulted from his editorial work on <italic>Bela Bartók's Essays</italic> (Faber and Faber, 1973). Among his previous publications are a <italic>Guide to Bartók's Mikrokosmos</italic> (revised edition, Boosey and Hawkes, 1971) and editions of Bartók's <italic>Rumanian Folk Music and Turkish Folk Music from Asia Minor</italic>.</p></bio></contrib></contrib-group><pub-date pub-type="ppub"><month>09</month><year>1972</year></pub-date><issue>102</issue><fpage seq="4">10</fpage><lpage>16</lpage><permissions><copyright-statement>Copyright © Cambridge University Press 1972</copyright-statement><copyright-year>1972</copyright-year><copyright-holder>Cambridge University Press</copyright-holder></permissions><abstract abstract-type="text-abstract"><p>Bartok's literary efforts range from books and monographs to shorter essays. According to recent findings, there were no less than 119 extant works. Some of them were written in collaboration with Zoltán Kodály or Sandor Reschofsky; others were originally drafted as lectures which were for the most part given on the radio or at educational institutions.</p><p>Bartók's first essay apparently appeared in print in Budapest in 1904. It is interesting to note that except in 1907 and 1915, at least one of his writings was published each year of his life, in a considerable number of languages, and frequently in widely-known journals. His essays may be divided, according to their topics, into eight basic categories (although there is some overlapping): I. The Investigation of Musical Folklore; II, National Folk Music; III, Comparative Musical Folklore; IV, Book Reviews and Polemics; V, Musical Instruments; VI, The Relation Between Folk Music and Art Music; VII, The Life and Music of Béla Bartók; and VIII, Bartok On Music and Musicians.</p></abstract><counts><page-count count="7"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298200056904a.pdf</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>1</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>New Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><title>NOTES</title><fn id="fn01" symbol="1."><label>1.</label><p>According to the Bibliography in <italic>Béla Bartók Essays</italic> (compiled and edited by Benjamin Suchoff), to be published by Faber & Faber (London) and St. Martin's Press (New York) in 1973. Hungarian readers will find a listing in <italic>Bartók Béla összegyüjtött irásai</italic> (edited by András Szőllősy), Zenemükiadó vállalat, Budapest, 1966, pp. 929 – 937. Another reference work, in English, appears in Halsey Stevens's well-known biography, <citation citation-type="other" id="ref001"><italic>The Life and Music of Bála Bartók</italic> (revised edition), Oxford University Press, New York, <year>1964</year>, pp. <fpage>337</fpage>–<lpage>343</lpage>.</citation></p></fn><fn id="fn02" symbol="2."><label>2.</label><p>The interested reader should refer to the sources listed above in Note 1, since it has been deemed impractical to cite other than the more important essays discussed in this paper.</p></fn><fn id="fn03" symbol="3."><label>3.</label><p>‘Kossuth. Szinfónai költemány,’ <italic>Zeneközlöny</italic> (Budapest).</p></fn><fn id="fn04" symbol="4."><label>4.</label><p><citation citation-type="other" id="ref002"><italic>A magyar népdal</italic> (<year>1924</year>)</citation>, <citation citation-type="other" id="ref003"><italic>Slowakische Volkslieder</italic> (<year>1959</year>, <year>1970</year>)</citation>, <citation citation-type="other" id="ref004"><italic>Die Volksmusik der Rumänen von Maramures</italic> (<year>1923</year>)</citation> and <italic>Die Melodien der rumänischen Colinde</italic> (<citation citation-type="other" id="ref005"><italic>Weihnachtslieder</italic>, <year>1935</year>).</citation></p></fn><fn id="fn05" symbol="5."><label>5.</label><p>‘Wegierska muzyka ludowa,’ <italic>Muzyka</italic> (Warsaw).</p></fn><fn id="fn06" symbol="6."><label>6.</label><p>See Note 5.</p></fn><fn id="fn07" symbol="6."><label>6.</label><p>‘Folk Song Research in Eastern Europe’, <italic>Musical America</italic> (New York). This title appears on the MS. draft; the printed version is ‘Bartók Views Folk-music Wealth of Hungary.’</p></fn><fn id="fn08" symbol="8."><label>8.</label><p>Published by Columbia University Press in 1951.</p></fn><fn id="fn09" symbol="9."><label>9.</label><p>This essay is printed on the dust cover of the three volumes comprising Bartok's <italic>Rumanian Folk Music study</italic> (see note 14 below).</p></fn><fn id="fn10" symbol="10."><label>10.</label><p>Published in <italic>Szimfónia</italic> (Budapest) and, in an extended revision, in <italic>Zeitschrift für Musikwissenschaft</italic> (Leipzig).</p></fn><fn id="fn11" symbol="11."><label>11.</label><p><citation citation-type="other" id="ref006">‘Zum Kongress für Arabische Musik—Cairo, 1932’, <italic>Zeitschrift für vaghichende Musikwissenschaft</italic> (Berlin), <year>1933</year>.</citation></p></fn><fn id="fn12" symbol="12."><label>12.</label><p>Published in <citation citation-type="other" id="ref007"><italic>Enekszó</italic> (Budapest) in <year>1938</year>.</citation></p></fn><fn id="fn13" symbol="13."><label>13.</label><p><citation citation-type="other" id="ref008"><italic>Rávai Nagy Lexikona</italic>, Budapest, Vol. <volume>21</volume>.</citation></p></fn><fn id="fn14" symbol="14."><label>14.</label><p>Edited by Benjamin Suchoff and published by Martinus Nijhoff, The Hague, 1967.</p></fn><fn id="fn15" symbol="15."><label>15.</label><p>This work, in revised form under the title [Rumanian] <italic>Carols and Christmas Songs</italic> (Colinde), will soon appear as Vol. IV of <italic>Rumanian Folk Music</italic> (<xref ref-type="bibr" rid="ref008">ibid.</xref>); the revised Maramureş County study as Vol V.</p></fn><fn id="fn16" symbol="16."><label>16.</label><p>Published in <italic>Uj Elet</italic>, Budapest.</p></fn><fn id="fn17" symbol="17."><label>17.</label><p><italic>Musikblätter des Anbruch</italic>, Vienna.</p></fn><fn id="fn18" symbol="18."><label>18.</label><p>In three Budapest publications: <italic>Zenei Szemle, Ethnografia</italic>, and <italic>Magyar Tudományos Akadémia Kiadása</italic>.</p></fn><fn id="fn19" symbol="19."><label>19.</label><p>In <citation citation-type="other" id="ref009"><italic>Zeitschrift füt Musikwissenschaft</italic> (Leipzig, <year>1931</year>)</citation> and <citation citation-type="other" id="ref010"><italic>Ungarische Jahrbücher</italic> (Berlin, <year>1932</year>).</citation></p></fn><fn id="fn20" symbol="20."><label>20.</label><p>‘The Relation of Folk Song to the Development of the Art Music of Our Time,’ <italic>The Sackbut</italic> (London).</p></fn><fn id="fn21" symbol="21."><label>21.</label><p>‘Onéletrajz,’ published in the <italic>Budapesti Ujságirók Egyesülete Almanachja</italic>, and ‘My Activities During the War’, which appeared in <italic>Belgium</italic> under the title ‘I Salute the Valiant Belgian People.’</p></fn><fn id="fn22" symbol="22."><label>22.</label><p>Letter from Bartók to Hubert Foss (Oxford University Press, London), dated 20 May 1931, published in <citation citation-type="other" id="ref011"><italic>Bála Bartók Letters</italic> (edited by János Demény), Faber and Faber, London, <year>1971</year>, p. <fpage>209</fpage>.</citation></p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Bartók as Man of Letters</title></titleInfo><titleInfo type="alternative"><title>TEMPO</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Bartók as Man of Letters</title></titleInfo><name type="personal"><namePart type="given">Benjamin</namePart><namePart type="family">Suchoff</namePart><role><roleTerm type="text">author</roleTerm></role><description>Dr. Benjamin Suchoh, alter many vears as curator and then director of the New York Bartók Archive, assumed the trusteeship of the Bartók Estate in 1968. His essay on Bartók's literary output is a revised version of the paper read in Budapest in March 1971, and resulted from his editorial work on Bela Bartók's Essays (Faber and Faber, 1973). Among his previous publications are a Guide to Bartók's Mikrokosmos (revised edition, Boosey and Hawkes, 1971) and editions of Bartók's Rumanian Folk Music and Turkish Folk Music from Asia Minor.</description></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">1972-09</dateIssued><copyrightDate encoding="w3cdtf">1972</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract" lang="en">Bartok's literary efforts range from books and monographs to shorter essays. According to recent findings, there were no less than 119 extant works. Some of them were written in collaboration with Zoltán Kodály or Sandor Reschofsky; others were originally drafted as lectures which were for the most part given on the radio or at educational institutions. Bartók's first essay apparently appeared in print in Budapest in 1904. It is interesting to note that except in 1907 and 1915, at least one of his writings was published each year of his life, in a considerable number of languages, and frequently in widely-known journals. His essays may be divided, according to their topics, into eight basic categories (although there is some overlapping): I. The Investigation of Musical Folklore; II, National Folk Music; III, Comparative Musical Folklore; IV, Book Reviews and Polemics; V, Musical Instruments; VI, The Relation Between Folk Music and Art Music; VII, The Life and Music of Béla Bartók; and VIII, Bartok On Music and Musicians.</abstract><relatedItem type="host"><titleInfo><title>Tempo</title></titleInfo><titleInfo type="abbreviated"><title>Tempo</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0040-2982</identifier><identifier type="eISSN">1478-2286</identifier><identifier type="PublisherID">TEM</identifier><part><date>1972</date><detail type="volume"><caption>vol.</caption><number>21</number></detail><detail type="issue"><caption>no.</caption><number>102</number></detail><extent unit="pages"><start>10</start><end>16</end><total>7</total></extent></part></relatedItem><identifier type="istex">1297DF44EBF3012724C622ACFCB0BA4194E267D2</identifier><identifier type="ark">ark:/67375/6GQ-SD39Z6WH-T</identifier><identifier type="DOI">10.1017/S0040298200056904</identifier><identifier type="PII">S0040298200056904</identifier><identifier type="ArticleID">05690</identifier><accessCondition type="use and reproduction" contentType="copyright">Copyright © Cambridge University Press 1972</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</recordContentSource><recordOrigin>Copyright © Cambridge University Press 1972</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/1297DF44EBF3012724C622ACFCB0BA4194E267D2/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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