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Identifieur interne : 001B48 ( Istex/Corpus ); précédent : 001B47; suivant : 001B49Book browsing
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1978-11.
English descriptors
- Teeft :
- Asta guitar division, Bass clef, Bernard shaw, Bibliography, Broadman, Broadman handbells, Country music, Data bank, Doubleday company, Englewood cliffs, Exposition press, Handbell, Handbell music, Harcourt brace jovanovich, Illinois press, Macmillan publishing, Music examples, Music program, Music research, Note values, Octave, Oxford university press, Text units, Tone educator bells, Treble clef, University microfilms, Vocal score.
Url:
DOI: 10.2307/3395591
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ISTEX:F67BB6E332DB97B201BA1BFEA8824003FBFB0A88Le document en format XML
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Gridley</json:string><json:string>Alexander Fields</json:string><json:string>Larry Munson</json:string><json:string>Donald Sutherland</json:string><json:string>Allen Press</json:string><json:string>Games</json:string><json:string>Ralph Bass</json:string><json:string>A. L. Bacharach</json:string><json:string>Bay Road</json:string><json:string>John Scammon</json:string><json:string>B. B. King</json:string><json:string>Leon Rene</json:string><json:string>John Coltrane</json:string><json:string>Vital Importance</json:string><json:string>Adam Kendon</json:string><json:string>John Gardner</json:string><json:string>David Coplan</json:string><json:string>Jack Larson</json:string><json:string>Donald E. Allured</json:string><json:string>Robert Layton</json:string><json:string>Clare Callahan</json:string><json:string>Naomi Ware</json:string><json:string>John Schneider</json:string><json:string>An Introduction</json:string><json:string>Joan Wall</json:string><json:string>Adrian L'Armand</json:string><json:string>Arnold Shaw</json:string><json:string>Stephen Blum</json:string><json:string>John A. Gibbs</json:string><json:string>P. O. Box</json:string><json:string>A. Rowland-Jones</json:string><json:string>Donald D. 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Tcherepnin</json:string><json:string>Ricky Weatherspoon</json:string><json:string>Bernhard Leitner</json:string><json:string>Margaret Mistak</json:string><json:string>Glen Hammond</json:string><json:string>Marian Chace</json:string><json:string>Raymond Herbek</json:string><json:string>Virgil Thomson</json:string><json:string>Josef Weinberger</json:string><json:string>Colin Matthews</json:string><json:string>Charles Mingus</json:string><json:string>Dolly Parton</json:string><json:string>Donald Mitchell</json:string></persName><placeName><json:string>Veracruz</json:string><json:string>D.C.</json:string><json:string>Tehran</json:string><json:string>San Diego</json:string><json:string>Columbia</json:string><json:string>United States</json:string><json:string>Fresno</json:string><json:string>Washington</json:string><json:string>Nashville</json:string><json:string>New Orleans</json:string><json:string>American</json:string><json:string>New York 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1978</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-7SSKP0HF-D</json:string></ark><publicationDate>1978</publicationDate><copyrightDate>1978</copyrightDate><doi><json:string>10.2307/3395591</json:string></doi><id>F67BB6E332DB97B201BA1BFEA8824003FBFB0A88</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/F67BB6E332DB97B201BA1BFEA8824003FBFB0A88/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/F67BB6E332DB97B201BA1BFEA8824003FBFB0A88/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/F67BB6E332DB97B201BA1BFEA8824003FBFB0A88/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Book browsing</title><respStmt><resp>Références bibliographiques récupérées 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added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/F67BB6E332DB97B201BA1BFEA8824003FBFB0A88/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="other" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
<publisher-name>SAGE Publications</publisher-name>
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</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3395591</article-id><article-id pub-id-type="publisher-id">10.2307_3395591</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Book browsing</article-title></title-group><pub-date pub-type="ppub"><month>11</month><year>1978</year></pub-date><volume>65</volume><issue>3</issue><fpage>14</fpage><lpage>27</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> Book browsing The Psychology of Music. By John Booth Davies. Stanford, California: Stanford University Press, 1978. 240 pp. Diagrams, tables, charts, music examples, bibliography, index. Hard cover, $13.95. Written from the 1's point of view, this book concerns itself with the 1's interaction with music and various theories of music aptitude, aesthetics, and ability. 1's approach is empirical; he believes that music ability is not a mystical quality bestowed only on a chosen few, and that the perception of music as “good” or “sensitive” is a purely subjective process running the gamut from the classical masters to jazz, folk, and pop. Mahler: The Man and His Music. By Egon Gartenberg. New York: Schir-mer Books/Macmillan Publishing Co., Inc., 1978. x + 406 pp. Photographs, music examples, bibliography. Hard cover, $14.95. This book covers, in two sections, both 1's personal history and his development and achievements as a composer. The first section offers a cultural history of fin-de-siecle Vienna, and chronicles 1's connections with Strauss, Brahms, Schoenberg, Bruckner, Tos-canini, Rachmaninoff, and others. It also traces 1's career from his conducting debut in an Austrian spa to his years with the Metropolitan Opera and the New York Philharmonic. The second section of the book analyzes 1's progress as a composer, concentrating upon the symphonies but treating all the works in chronological order. 14 mej/ M. M. Cole is pleased and proud to announce release of This is an innovative, new method which has proven highly successful. Book 2 will be released shortly. These issues contain many features extremely helpful to the band director. Written by eminent teachers who have enjoyed much success with their books. Teachers Manual $6.00 Student Parts $3.00 M. M. COLE PUBLISHING COMPANY PLAYBOY BUILDING 919 N. Michigan Chicago, Illinois 60611 312-787-0804 CONCERT BAND METHOD BOOK I by Albert Stoutamire and Kenneth Henderson We make it easy lor you when your string instrument makes it tough lor you. JHE6W/flf} STRING PLAYERS SURVIVAL KIT Now there s a way to insure against last minute emergencies In one convenient \ kit Hofner, one of the world s finest violin makers, gives you all you need to solve most minor string instrument repair problems Included is a handy Repair Tips' booklet giving you step-by-step directions You can refit pegs, soundposts and tailpieces and repair bridges or simple cracks and more. Quickly and easily. All by yourself. We re offering this fabulous Hofner kit in a neat little pouch for just $19 95. See your local dealer for one. Or send a check or money order to Multivox Corporation Also ask for our complete catalog of Hofner string instruments. 1'k.nMuiK Co liX MoKiog beoutrfui muse o’ over oO veors 370Motor Parkway Hauppauge N V 11787 516?31 7700 Western U S Dtsi J M Sahtern Musc Co San Francrsco415873 3440 The Great Composers: Reviews and Bombardments by Bernard Shaw. Edited by Louis Crompton. Los Angeles: University of California Press, 1978. xxvii + 378 pp. Index. Hard cover, $24.50; soft cover, $5.95. Although Bernard Shaw is primarily known as the creator of Eliza Doolittle and Henry Higgins, Crompton introduces Shaw the music critic. Mendelssohn, Liszt, Tchaikovsky, Meyerbeer, and Rossini, among others, find themselves at the pointed end of 1's critical barb, while Bach, Mozart, Beethoven, and Wagner are obvious favorites. Crompton provides an extensive introduction that explains his organization of the book and selection of reviews, examines the possible motives for 1's music biases, and proposes hypotheses on the effect music had on 1's drama. Watermelon Wine: The Spirit of Country Music. By Frye Gaillard. New York: St. 1's Press, 1978. xv + 236 pp. Photographs, appendix. Hard cover, $10. Country music is in a continuous state of flux; it reflects changes in American society more readily than any other type of music. In this book, Gaillard studies the history and evolution of country music, from its beginnings in black gospel and blues to Loretta 1's ‘The Pill.” Gaillard focuses on such country stars as Dolly Parton, Willie Nelson, Johnny Cash, Kris Kristofferson, and others, analyzing their contributions and influence. The appendix includes the lyrics for most of the songs quoted or discussed in the text. Introduction to the Recorder. By A. Rowland-Jones. New York: Oxford University Press, 1978. 60 pp. Tables, music examples, photographs. Soft cover (spiral bound), $5. A guide for adult beginners on the descant, treble, or tenor recorder, this book provides an introduction to repertoire and technique. Music examples are provided for practice, and tips are given on breathing, fingering, and holding the instrument. Sound: Space. By Bemhard Leitner. New York: New York University Press, 1978. 109 pp. Technical drawings, tables, photographs. Soft cover, $17.50. Writing in both German and English, Leitner explores the audio-physical experience of space and objects. He analyzes physical areas that are formed by movements of sound, illustrating his ideas by showing how loudspeakers form expressionistic sound shapes within a given area. Leitner studies the sound cube, possible sequences of space, the spatial grid, the sound swing, vertical spaces, and corridor space. 16 mej/ How to Sell Your Songs Like Professionals Do. By Glen Hammond. Washington, D.C.: The David Allen Press, 1978. 72 pp. Music examples, resource list. Soft cover, $4. This book does not claim to give a formula for successful songwriting. It does, however, offer practical advice on promoting songs. Hammond shows the songwriter how to analyze the song market, prepare a lead sheet, make a demo recording, and estimate approximate costs for demo services. Information on copyright, contracts and royalties, and an overview of performance rights societies and their services is also provided. The 1's address is P.O. Box 32223, Washington, D.C. 20007. Honkers and Shouters: The Golden Years of Rhythm and Blues. By Arnold Shaw. New York: Macmillan Publishing Co., Inc., 1978. xxvii + 555 pp. Discography, bibliography, photographs, index. Hard cover, $19.95; soft cover, $9.95. Viewed as vulgar and obscene, banned for corrupting the morals of white youth, “race music” (as rhythm and blues was first called) faced a long and agonizing struggle to gain the wide acceptance that made it a vital link in American music history. Focusing on the artists, writers, and singing groups that created rhythm and blues (R & B), Shaw provides an in-depth look at the prejudices that tainted the music for white audiences from its earliest inception until Elvis Presley incorporated R & 1's essence in rock and roll. Included in the book are interviews with R & B stars Louis Jordan, “T-Bone” Walker, B. B. King, Jimmy Wither-spoon, Johnny Otis, and Ruth Brown, and interviews with the record producers who nurtured R & B throughout its early years: Berle Adams, Leon Rene, Ralph Bass, and Fred Mendelsohn. The Unit Steel Band. By John A. Gibbs. Hicksville, New York: Exposition Press, 1978. 96 pp. Photographs, illustrations, music examples, appendixes, glossary. Hard cover, $7.50. The “island sound” of Caribbean steel bands has been the subject of little serious attention and analysis. This book covers the origin of the instruments and their manufacture and tuning and provides an introduction to the acoustical principles of sound generation from steel omnivibra-phones. The discussion also attempts a correlation of steel band music with that of more conventional orchestras and proposes a method of music notation for steel band instruments. The 1's address is 900 South Oyster Bay Road, Hicksville, New York 11801. A lively new text-workbook in musical fundamentals — r Introductory Musicianship A workbook THEODORE A. LYNN Los Arjgeles Valley College A 8 I B \ Hio MllSM1 nhip % V. Paperbound. 246 pages Publication: Januaiy 1979 Prepublication examination copies now available. Intended for use in either a one- or two-semester fundamentals course for nonmajors or in an introductory theory course for majors, this new book emphasizes the basic skills of reading and writing music and provides a wealth of rhythmic, melodic, and written exercises. Introductory 1's organization reflects this emphasis and offers you a high degree of flexibility — five text units with worksheets alternate with three units devoted entirely to sight-reading exercises. The 1's five text units present notation, meter, scales and modes, intervals, triads, seventh chords, and the basic principles of accom- ?animent, harmonization, and transposition. he hundreds of rhythmic, melodic, and coordinated melodic-rhythmic exercises in the sight-reading units are carefully graded from easy to difficult; all exercises include and reinforce the material in the preceding text units. Individual units can be covered in any order or omitted and, in addition, alternative approaches are given for several of the topics. EQ H ARCOURT BRACE JOVANOVICH, INC. New York • San Diego • Chicago • San Francisco • Atlanta The MASTER KEY chromatic PITCH WSTRUIMWT ? 3 KEV KRATT PITCH INSTRUMENTS Master Key Made in B U.S.A. \ C CHROMATIC PITCH f INSTRUMENT Choice of 3 models MK1-Scale F to F MK2-Scale C to C MK3-ScaleEMoEo Choose the pitch instrument the professionals use. For over 50 years the Kratt Master Key, created and manufactured in the United States, has been the leading standard of quality and convenience for music supervisors and teachers. Write for complete catalog on instrumental Pitch Pipes. Master Key Pitch instruments, and Harmonicas…. all U.S. made by William Kratt Co. Sold by leading jobbers throughout the country. WM. KRATT CO. 988 Johnson Place, Union, New Jersey 07083 mej/ 19 A SOUND IDEA FOR YOUR BULLETIN BOARD “Types of Music” is a series of four posters that will help your students appreciate the many styles of music they experience every day. Presented on heavy stock, in vibrant colors, these posters are certain to enrich your classroom. The complete set of four is now available for $6.00. Virginia residents add 4% sales tax. • Country & Western • Rock • Ragtime •Music in the Renaissance Music Educators National Conference 1902 Association Drive Reston, VA 22091 NEW VOCAL SCORE OF GUSTAV 1'S SONGS OF A WAYFARER This new vocal score, edited with a new English translation by Colin Matthews and a scholarly introduction by Donald Mitchell, was recently published by Josef Weinberger of London. A new vocal score of the Lieder eines fahrenden Gesellen? And not only new but also, in a very real sense, the first publication of a vocal score which can claim to represent the 1's final intentions — perhaps his final concept of the work. Again for the first time this new edition brings the vocal score into line with the orchestral score. Reduction for low voice and piano — 26 pages: Available at all leading music stores. Orchestration available on hire. BOOSEY & HAWKES P. O. Box 130 Oceanside, New York 11572 $ 10.50 Explorations in Musical Materials: A Working Approach to Making Music. By James Yannatos. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1978. xlii + 252 pp. Bibliographies, music examples, index of music examples, general index. Soft cover, $11.95. An introduction to basic musicianship, theory, and composition, this book is an overview for the student preparing to become a teacher, composer, or performer. The book is divided into four sections: sound, space, time, and the integration of the three. Yannatos stresses active learning—writing, playing, singing, and listening. Music examples, exercises, and projects aim to animate the learning experience. Menotti: A Biography. By John Gruen. New York: Macmillan Publishing Co., Inc., 1978. xiii + 242 pp. Photographs, index. Hard cover, $14.95. Approaching Menotti as something of an enigma, Gruen examines the 1's personality, familial background, and lifestyle. The biography is generously highlighted throughout with 1's reminiscences and opinions, garnered by the author during a stay at 1's home. 1's emphasis is on 1's life, not his works. Music and the Dance. By Elwood Priesing. Hicksville, New York: Exposition Press, 1978. 202 pp. Illustrations, music examples, bibliography, index. Hard cover, $10. This history of dance begins with the sacred rites of primitive man and proceeds through medieval religious dance, court dance, folk dance, and social dance. Priesing examines the relationship between dance and music and demonstrates how the two artistic expressions influence each other. The book includes discussions of the incorporation of the minuet and other dance forms in the works of Haydn, Liszt, Brahms, and Chopin. The 1's address is 900 South Oyster Bay Road, Hicksville, New York 11801. Foundations of the 1's Art. By Victor Alexander Fields. New York: Vantage Press, Inc., 1977. 347 pp. Notes, selected song list, index. Hard cover, $10. Fields examines the ways in which the physiological, musical, technical, mechanical, and artistic elements of singing relate to voice pedagogy. Problems that arise in the preparation of a singing career and basic principles for the guidance of teachers and pupils are discussed. An extensive song list covering music selections for beginning to advanced students is provided. Practical advice on preparing for a recital and using warm-up exercises is also included. 20 mej/ The Broadside Ballad: The Development of the Street Ballad from Traditional Song to Popular Newspaper. By Leslie Shepard. Hatboro, Pennsylvania: Legacy Books, 1978. 205 pp. Photographs, bibliography, selection of recordings, index. Hard cover, $9.95; soft cover, $4-95. Broadsides and chapbooks were the poor persons' source of news between the sixteenth and nineteenth centuries. The broadside presented, in ballad form, a record of activities in the community and also preserved the vernacular of the street people. In this history, Shepard explores the form and meaning of broadside ballads and the possibility of their “metaphysical” origin. The 1's address is P.O. Box 494, Hatboro, Pennsylvania 19040. American String Teachers Association National Guitar Symposium 1977. Edited by Roy Petschauer. ASTA Guitar Division, 1978. 143 pp. Music examples, tables, drawings, photographs. Soft cover, $4.50. Intended for the guitar teacher, this book is comprised of speeches and programs presented at the 1977 ASTA meeting in New Orleans. Symposium topics include tone production, left hand IQ, aleatoric music, the development of technical velocity, lute technique for guitarists, comprehensive musicianship and the beginning guitar class, first lessons for classical guitar, and guitar curriculums at the university level. Contributors to the publication include John Schneider, Larry Munson, John Scammon, Margaret Mistak, James Bogle, Nelson Amos, and Laura Weber. The book can be purchased from Clare Callahan, Educational Consultant, ASTA Guitar Division, College-Conservatory of Music, University of Cincinnati, Cincinnati 45221. The Musical Companion. Edited by A. L. Bacharach and J. R. Pearce. New York: Harcourt Brace Jovanovich, Inc., 1978. 800 pp. Glossary, tables, diagrams, music examples, index. Hard cover, $14.95. Organized into eight sections, this volume is a guide to classical music, both vocal and instrumental, covering its history, development, and structure. The various sections cover the basic elements of music, instruments in the orchestra, opera, the human voice, and chamber music. Contributors include Roger North, John Gardner, Robert Layton, Alan Blyth, Hugo Cole, and David Atherton. First published in England, this American edition is extensively expanded and revised. Technical terms are defined and explained in an effort to make the book useful to both the novice and the professional. Selmer Announces a New Service of Vital Importance to Music Teachers, Music Majors, and Graduate Students MUSIC RESEARCH CLEARED HQJSE: A MUSIC RESEARCH DATA BANK AT YOUR FINGERTIPS Are you working on an accountability plan for your music department? Are you eager to keep pace with new developments in wind instrument technique? Are you writing a seminar paper or dissertation on Josquin des Pres? Are you experimenting with programmed learning for band members, or setting up a curriculum of jazz studies? If you are investigating for any reason any subject within the whole vast field of music and music education, Music Research Clearing House can save you incalculable hours of tedious and often unproductive searching for source materials. You have only to submit the subject of your study to Music Research Clearing House, a free educational service of Selmer. We will send you a custom-made computer printout listing complete bibliographical information on dissertations that deal with your chosen subject. Ordering instructions enclosed with your bibliography make it convenient to purchase the dissertations best suited to your needs. This extraordinary service is made possible by University Microfilms International, publishers of nearly 400,000 dissertations on almost every conceivable subject, whose computers are programmed to retrieve within seconds all those titles relevant to any selected topic. The publications their data bank makes readily accessible represent more than a century of scholarly and scientific research. Only recent advances in computer technology make such highly sophisticated information retrieval practical. By special arrangement with University Microfilms International, Music Research Clearing House is making free access to this data bank available to music educators and students. If you are working on a specific problem or research project, or if you would like more details on the mechanics of this valuable new educational tool, write Music Research Clearing House, 813 West South Street, Kalamazoo, MI 49007. Selmer The Selmer Company Box 310, Elkhart, Indiana 46515 mej/ 23 A Concise History of Avant-Garde Music. By Paul Griffiths. New York: Oxford University Press, 1978. 216 pp. Photographs, drawings, music illustrations, selected bibliography, list of illustrations, index. Hard cover, $11.95; soft cover, $6.95. Avant-garde music challenges the system of major and minor tonalities that has been used in composition since the seventeenth century. Griffiths discusses composers from Debussy to Boulez, examining their philosophies and exploring influences on their music. Eight Urban Musical Cultures. Edited by Bruno Nettl. Urbana, Illinois: University of Illinois Press, 1978. 320 pp. Notes, music examples, tables, diagrams. Hard cover, $15. Musicologists and anthropologists (Stephen Blum, David Coplan, Kathleen and Adrian 1'Armand, Bruno Nettl, Daniel Neu-man, Ronald Riddle, David Stigberg, and Naomi Ware) have contributed their views on how differences between urban and rural settings affect music, music styles, and the direction of traditional music. Essays include studies on the music cultures of Iran (Meshhed, Bojnurd, Tehran), India (Madras, Delhi), Sierra Leone (Freetown), Ghana, Mexico (Veracruz), and the United States (San Francisco). Anyone Can Sing. By Joan Wall and Ricky Weatherspoon. New York: Doubleday & Company, Inc., 1978. xvi + 174 pp. Music examples, diagrams, charts. Soft cover, $5.95. Starting from the premise that everyone can sing, Wall and Weatherspoon have put together a lesson book that is both philosophical and practical. Simple exercises and songs aim to teach the nonsinger that singing is an extension of speech. The book teaches the aesthetics of singing as well as technique, and discusses the elements of music (pitch, rhythm and tempo, harmony, and form). Jazz Styles. By Mark C. Gridley. Engle-wood Cliffs, New Jersey: Prentice-Hall, Inc., 1978. x + 421 pp. Glossary, discography, supplementary reading, index, photographs, drawings, music examples. Hard cover, $12.95; soft cover, $8.95. Intended as a guide to jazz appreciation as well as a historical reference, 1's book explores sixty years of jazz style. Nontechnical explanations of improvisation, chord progressions, modes, tempo, and so on are given. Instruments that make up a jazz ensemble are also discussed. Chapters of the book are devoted to major jazz figures such as Duke Ellington, Count Basie, Miles Davis, Ornette Coleman, Charles Mingus, John Coltrane, and Chick Corea. Music programs thrive with the use of “lone Educator Bells 25 Bell set in deluxe case. Pitch ranges 2 full octaves from G1 thru G3. Bells removable for distribution to class. high costing Handbells are not needed! Tone Educator Bells stimulate classroom enthusiasm from the very beginning of your music program while encouraging pitch sensitivity. They are light weight and easily removable from their case allowing a number of students to participate by sounding a separate bell. Tone Educator Bells can be used with any elementary music text and each set comes with an easy-to-follow instruction booklet. Quality materials and workmanship go into each bell to make it durable. The bells are not affected by moisture. Each note is mounted on its own tone chamber and they are individually hand tuned to ensure perfect pitch. Their sound is full bodied and impressive. Most important, they are an economical addition to a music program when you consider the number of students who can participate and the number of years the set will be a part of your program. SCIENTIFIC MUSIC INDUSTRIES, a division 823 S. WABASH AVE. CHICAGO, IL 60605 built to last of THE GABRIEL CO., INC. DEPT ME1178 312/427-4438 SCIENTIFIC MUSIC INDUSTRIES, a division of THE GABRIEL CO., INC. DEPT ME1178, 823 S. WABASH AVE. CHICAGO, IL 60605 SendgS Catalog’ NAME SCHOOL DEPT. GRADE SCHOOL ADDRESS CITY_____________ _STATE_ ZIP_ mej/ 25 MAKE LEARNING FUN-WITH GAMES! TEACH MUSIC AT INDIVIDUALIZED LEVELS OF DIFFICULTY to groups of 2-5 children—even if you have 30 in a class! • Excellent for Special Ed, EMR • Colorful, durable playing boards • Easy to understand instructions • Answer sheets for self checking • Immediate reinforcement of correct answers • Immediate correction of incorrect answers • Attractively boxed (20x14x1 Va) “BASS” BALL teaches the names of lines and spaces of the bass clef, as players name notes they land on. Advancement is determined by drawing cards written in baseball language. This is a favorite game of older elementary boys (girls, too!). 2 to 5 players. $11.00 TREBLE TREK, uses dice to carry the players over a giant treble clef sign. This game teaches notes of the treble clef, dynamic markings and note values. Good for middle and upper grades. 2 to 5 players. $16.00 ‘I- 1 • -. IT RHYTHM REVIEW is one of the easiest games and is useful with younger elementary children or many special education classes. In playing this game, the player learns to recognize note values as the dice move him down the rhythm path. 2 to 5 players.$11.00 Games not shown include: • STUSTEGOSAURUS, the delight of second and third grade students, teaches note values and other musical signs while traveling through a “pre-historic swamp.” 2 to 5 players. $11.00 • SOCCER SAGA follows the path to the “Center Off” while reviewing note values, rests and teaching I, IV, and V chords in various keys. This is a favorite of older elementary boys and girls as soccer becomes the new sports craze in your town. 2 to 5 players. $16.00 • BLAST OFF, the versatility of teaching five musical concepts makes this game popular. Set one teaches the notes of the treble clef. Two teaches the notes of the bass clef. Three teaches note values. Four teaches the I, IV, and V chords in the keys of C, G, F, B, and D Major. Five teaches the triads that make the I, IV, and V chords in the keys of C, F, Bb, Eb, Ab, G, D, and A Major. 2 players. $11.00 • NONSENSE LIMERICKS AND STORIES, a set of twelve ditto masters containing limericks and stories to help make note reading fun and faster. Treble, bass and alto clef included. $11.95 P.O. Box 1802, Dept. 11 Columbia, Missouri 65205 314/449-6094 Complete set $68.00 plus $4.50 shipping/handling. Bonus: Extra BLAST OFF Board with complete sets! Individual games add $1.50 shipping/handling. For LIMERICKS, add $11.95—not included in set price. Making Musical Instruments. By Irving Sloane. New York: E. P. Dutton, 1978. 159 pp. Photographs, drawings, bibliography, appendix of suppliers. Hard cover, $17.95. In this advanced “how to” book, Sloane covers the artistic aspects of instrument construction for six instruments: snare drum, tambourine, banjo, dulcimer, Hardanger fiddle, and alto recorder. For the most part, the instruments are of folk origin and require above-average carpentry skills. The dulcimer is the easiest instrument in the book, and the recorder, by virtue of its exacting measurements, is the most difficult. The author covers the lamination of veneers into hoops and shells for banjo, drum, and tambourine construction and explains most of the decorative and mechanical processes encountered in building. Therapy in Motion. Edited by Maureen Needham Costonis. Urbana, Illinois: University of Illinois Press, 1978. xix + 278 pp. Charts, tables, bibliographies, list of contributors, index. Hard cover, $12.50. In this book, movement and dance are studied as therapeutic and creative mediums for both children and adults. Movement as a form of communication, dance as a motivating force for expanding behavioral repertoire, and the relationship between dance and body awareness are discussed. Various methods of dance therapy are presented by contributors in the fields of psychology, child study, physical education, recreation and occupational therapy, nursing, and social work. Among the contributors are Jarl Dyrud, Trudi Schoop, Albert Pesso, Marian Chace, and Adam Kendon. ‘Parnassus: Poetry in Review.” Edited by Herbert Leibowitz. New York: Poetry in Review Foundation, Spring/ Summer 1977, Volume 5, Number 2. 536 pp. Photographs, drawings, music examples. Soft cover, $7. This fifth anniversary issue is dedicated to American composer Virgil Thomson on the occasion of his eighty-first birthday. Interviews with Thomson, reproductions of his music manuscripts, and essays celebrating Thomson and his music are included in more than 100 pages dedicated to the composer. Several articles by Thomson on his views of jazz and swing music are included, as well as essays on 1's operas The Mother of Us All, Four Saints in Three Acts, and Lord Byron. Other essays are written by friends and students of Thomson, including Ivan Tcherepnin, Donald Sutherland, Maurice Grosser, and Jack Larson. The 1's address is 205 West Eighty-ninth Street, New York City 10024. 26 mej/ An Introduction to Scientific Guitar Design. By Donald Brosnac. Fresno, California: Donald Brosnac Music Co., 1978.104 pp. Illustrations, tables, charts, graphs, bibliography, index. Soft cover, $10. The potential of tones possible with popular instruments and the economic possibilities of a career in instrument construction form a basis for 1's book. The physics of guitar sound is examined to introduce the reader to a scientific approach to guitar designing and building. The material Brosnac covers includes the behavior of sound waves, electric guitar circuitry, and guitar research and development programs. Contact the publisher, P.O. Box 1383, Fresno, California 93716. The Living Tradition: Art, Music, and Ideas in the Western World. By Henry Vyverberg. New York: Harcourt Brace Jovanovich, Inc., 1978. xii + 385 pp. Photographs, color plates, glossary, index. Soft cover, $12.95. Starting with the ancient worlds of Greece and Rome and proceeding through the Renaissance and the Romantic period to present times, Vyverberg explores the major developments in Western civilization. The reader is presented with a capsulized study of each age— its history, music, philosophy, art, literature, and ideas—designed to impart an understanding of the evolution of Western humanities. The Boy Who Dared to Rock: The Definitive Elvis. By Paul Lichter. New York: Doubleday & Company, Inc., 1978. 304 pp. Photographs, dis-cography. Soft cover, $7.95. The first part of this book is an account of 1's life and career. The second part offers a complete listing of 1's films, concerts (dates, location, number of shows), recording sessions (dates, record number, songs, studio, musicians), and recordings (label and number, selections, history on the charts, album cover photographs, rare issues, and bootleg recordings). Listening to Jazz. By Jerry Coker. Eng-lewood Cliffs, New Jersey: Prentice-Hall, Inc., 1978. xii + 148 pp. Selected discography, examples, appendixes. Hard cover, $8.95; soft cover, $3.45. This book is not a historical review of the bands and musicians that made jazz great, but rather a guide to understanding the creative pulse of jazz—improvisation. Writing for the lay person with little music background, Coker examines jazz structure by using recorded examples taken from the Smithsonian 1's Smithsonian Collection of Jazz. Appendixes include a chronology of players, an overview of jazz history, and a glossary. </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Book browsing</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Book browsing</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1978-11</dateIssued><copyrightDate encoding="w3cdtf">1978</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1978</date><detail type="volume"><caption>vol.</caption><number>65</number></detail><detail type="issue"><caption>no.</caption><number>3</number></detail><extent unit="pages"><start>14</start><end>27</end></extent></part></relatedItem><identifier type="istex">F67BB6E332DB97B201BA1BFEA8824003FBFB0A88</identifier><identifier type="ark">ark:/67375/M70-7SSKP0HF-D</identifier><identifier type="DOI">10.2307/3395591</identifier><identifier type="ArticleID">10.2307_3395591</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/F67BB6E332DB97B201BA1BFEA8824003FBFB0A88/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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