The Commodification of Time in Two Art Worlds
Identifieur interne : 001B23 ( Istex/Corpus ); précédent : 001B22; suivant : 001B24The Commodification of Time in Two Art Worlds
Auteurs : D. Angus VailSource :
- Symbolic Interaction [ 0195-6086 ] ; 1999-11.
English descriptors
- Teeft :
- Abbreviated versions, Americana collectors, Americana tattooing, Americana tattoos, Applause breaks, Appropriate education, Appropriate ways, Artistic consumption, Audience member, Autodidactic time, Becker, Bourdieu, California press, Chicago press, Claim expert status, Collective action, Collector, Comfortable shoes, Commodification, Common complaints, Complete recording, Conceptual wholes, Considerable time, Consumption time, Contiguous, Contiguous consumption time, Different performances, Educational time, Elitist, Emotional character, Englewood cliffs, Everyday life, Experience time, Experiential treatments, Field notes, Flaherty, Free press, French operas, Frequent resolution, Further research, Harvard university press, Intellectual satisfaction, Interpersonal influence, Italian opera, Italian opera fans, Italian operas, Japanese body suit, Japanese body suits, Legitimate education, Leitmotif, Little utility, Mature works, Mein leben, More people, Multiple recordings, Musical themes, Musicdrama, Musicdramas, Obsessive consumption, Opera news, Other hand, Other things, Other words, Painful time, Participant observation, Perpetual melody, Physical discomfort, Puccini fans, Relative legitimacy, Relative merits, Richard wagner, Ring festival, Season ticket holder, Signature tunes, Similar kinds, Social organization, Social psychology, Sociological treatments, Symbolic interaction, Symbolic interaction volume, Tattoo, Tattoo collector, Tattoo collectors, Tattoo world, Tattooing, Temporal commodification, Temporality, Transition motifs, Wagner fans, Wagnerian, Wagnerian musicdrama, World participants, York city, Zerubavel.
Abstract
This article examines how people successfully claim expert status in the art worlds of tattooing and opera by commodifying the time they have spent becoming experts in those art worlds. Temporal commodification happens along five dimensions: educational time, autodidactic time, consumption time, contiguous consumption time, and painful time. In essence, aesthetically‐oriented individuals can successfully claim expert status in a given art world when they can convince others that they have learned about a particular kind of art, that they have learned from a legitimate source, that they have spent sufficient time consuming this art, that they have spent this time in contiguous chunks, and that they appreciate the pain (both physical and affective) that often accompanies such consumption.
Url:
DOI: 10.1016/S0195-6086(00)87400-7
Links to Exploration step
ISTEX:1ADF78D84775364EA1935FD0C5C4EF96443BCF7FLe document en format XML
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Angus Vail</name><affiliation><mods:affiliation>University of Connecticut</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: DAV94002@UCONNVM.UCONN.EDU</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">Symbolic Interaction</title><title level="j" type="alt">SYMBOLIC INTERACTION</title><idno type="ISSN">0195-6086</idno><idno type="eISSN">1533-8665</idno><imprint><biblScope unit="vol">22</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="325">325</biblScope><biblScope unit="page" to="344">344</biblScope><biblScope unit="page-count">20</biblScope><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="1999-11">1999-11</date></imprint><idno type="ISSN">0195-6086</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0195-6086</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Abbreviated versions</term><term>Americana collectors</term><term>Americana tattooing</term><term>Americana tattoos</term><term>Applause breaks</term><term>Appropriate education</term><term>Appropriate ways</term><term>Artistic consumption</term><term>Audience member</term><term>Autodidactic time</term><term>Becker</term><term>Bourdieu</term><term>California press</term><term>Chicago press</term><term>Claim expert status</term><term>Collective action</term><term>Collector</term><term>Comfortable shoes</term><term>Commodification</term><term>Common complaints</term><term>Complete recording</term><term>Conceptual wholes</term><term>Considerable time</term><term>Consumption time</term><term>Contiguous</term><term>Contiguous consumption time</term><term>Different performances</term><term>Educational time</term><term>Elitist</term><term>Emotional character</term><term>Englewood cliffs</term><term>Everyday life</term><term>Experience time</term><term>Experiential treatments</term><term>Field notes</term><term>Flaherty</term><term>Free press</term><term>French operas</term><term>Frequent resolution</term><term>Further research</term><term>Harvard university press</term><term>Intellectual satisfaction</term><term>Interpersonal influence</term><term>Italian opera</term><term>Italian opera fans</term><term>Italian operas</term><term>Japanese body suit</term><term>Japanese body suits</term><term>Legitimate education</term><term>Leitmotif</term><term>Little utility</term><term>Mature works</term><term>Mein leben</term><term>More people</term><term>Multiple recordings</term><term>Musical themes</term><term>Musicdrama</term><term>Musicdramas</term><term>Obsessive consumption</term><term>Opera news</term><term>Other hand</term><term>Other things</term><term>Other words</term><term>Painful time</term><term>Participant observation</term><term>Perpetual melody</term><term>Physical discomfort</term><term>Puccini fans</term><term>Relative legitimacy</term><term>Relative merits</term><term>Richard wagner</term><term>Ring festival</term><term>Season ticket holder</term><term>Signature tunes</term><term>Similar kinds</term><term>Social organization</term><term>Social psychology</term><term>Sociological treatments</term><term>Symbolic interaction</term><term>Symbolic interaction volume</term><term>Tattoo</term><term>Tattoo collector</term><term>Tattoo collectors</term><term>Tattoo world</term><term>Tattooing</term><term>Temporal commodification</term><term>Temporality</term><term>Transition motifs</term><term>Wagner fans</term><term>Wagnerian</term><term>Wagnerian musicdrama</term><term>World participants</term><term>York city</term><term>Zerubavel</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">This article examines how people successfully claim expert status in the art worlds of tattooing and opera by commodifying the time they have spent becoming experts in those art worlds. 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Angus</forename><surname>Vail</surname></persName><affiliation><orgName type="institution">University of Connecticut</orgName></affiliation><affiliation>Direct all correspondence to: D. Angus Vail, Department of Sociology, Box U‐68, University of Connecticut, Storrs, CT 06269; e‐mail: DAV94002@UCONNVM.UCONN.EDU.</affiliation></author><idno type="istex">1ADF78D84775364EA1935FD0C5C4EF96443BCF7F</idno><idno type="ark">ark:/67375/WNG-R9V26Q1V-0</idno><idno type="DOI">10.1016/S0195-6086(00)87400-7</idno><idno type="unit">SYMB1063</idno><idno type="toTypesetVersion">file:SYMB.SYMB1063.pdf</idno></analytic><monogr><title level="j" type="main">Symbolic Interaction</title><title level="j" type="alt">SYMBOLIC INTERACTION</title><idno type="pISSN">0195-6086</idno><idno type="eISSN">1533-8665</idno><idno type="book-DOI">10.1002/(ISSN)1533-8665</idno><idno type="book-part-DOI">10.1002/symb.1999.22.issue-4</idno><idno type="product">SYMB</idno><idno type="publisherDivision">ST</idno><imprint><biblScope unit="vol">22</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="325">325</biblScope><biblScope unit="page" to="344">344</biblScope><biblScope unit="page-count">20</biblScope><publisher>Blackwell Publishing Ltd</publisher><pubPlace>Oxford, UK</pubPlace><date type="published" when="1999-11"></date></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><abstract xml:lang="en" style="main"><p>This article examines how people successfully claim expert status in the art worlds of tattooing and opera by commodifying the time they have spent becoming experts in those art worlds. Temporal commodification happens along five dimensions: educational time, autodidactic time, consumption time, contiguous consumption time, and painful time. In essence, aesthetically‐oriented individuals can successfully claim expert status in a given art world when they can convince others that they have learned about a particular kind of art, that they have learned from a legitimate source, that they have spent sufficient time consuming this art, that they have spent this time in contiguous chunks, and that they appreciate the pain (both physical and affective) that often accompanies such consumption.</p></abstract><textClass><keywords rend="tocHeading1"><term>Article</term></keywords></textClass><langUsage><language ident="en"></language></langUsage></profileDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/1ADF78D84775364EA1935FD0C5C4EF96443BCF7F/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="Wiley, elements deleted: body"><istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration><istex:document><component version="2.0" type="serialArticle" xml:lang="en"><header><publicationMeta level="product"><publisherInfo><publisherName>Blackwell Publishing Ltd</publisherName><publisherLoc>Oxford, UK</publisherLoc></publisherInfo><doi origin="wiley" registered="yes">10.1002/(ISSN)1533-8665</doi><issn type="print">0195-6086</issn><issn type="electronic">1533-8665</issn><idGroup><id type="product" value="SYMB"></id><id type="publisherDivision" value="ST"></id></idGroup><titleGroup><title type="main" sort="SYMBOLIC INTERACTION">Symbolic Interaction</title></titleGroup></publicationMeta><publicationMeta level="part" position="11104"><doi origin="wiley">10.1002/symb.1999.22.issue-4</doi><numberingGroup><numbering type="journalVolume" number="22">22</numbering><numbering type="journalIssue" number="4">4</numbering></numberingGroup><coverDate startDate="1999-11">November 1999</coverDate></publicationMeta><publicationMeta level="unit" type="article" position="3" status="forIssue"><doi origin="wiley">10.1016/S0195-6086(00)87400-7</doi><idGroup><id type="unit" value="SYMB1063"></id></idGroup><countGroup><count type="pageTotal" number="20"></count></countGroup><titleGroup><title type="tocHeading1">Article</title></titleGroup><copyright>1999 Society for the Study of Symbolic Interaction</copyright><eventGroup><event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:3.0.1 mode:FullText" date="2011-12-15"></event><event type="firstOnline" date="2011-12-22"></event><event type="publishedOnlineFinalForm" date="2011-12-22"></event><event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-02-10"></event><event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-11-03"></event></eventGroup><numberingGroup><numbering type="pageFirst" number="325">325</numbering><numbering type="pageLast" number="344">344</numbering></numberingGroup><correspondenceTo>Direct all correspondence to: D. Angus Vail, Department of Sociology, Box U‐68, University of Connecticut, Storrs, CT 06269; e‐mail: <email>DAV94002@UCONNVM.UCONN.EDU</email>.</correspondenceTo><linkGroup><link type="toTypesetVersion" href="file:SYMB.SYMB1063.pdf"></link></linkGroup></publicationMeta><contentMeta><countGroup><count type="figureTotal" number="0"></count><count type="tableTotal" number="0"></count><count type="formulaTotal" number="0"></count><count type="referenceTotal" number="45"></count><count type="linksCrossRef" number="75"></count></countGroup><titleGroup><title type="main">The Commodification of Time in Two Art Worlds</title></titleGroup><creators><creator creatorRole="author" xml:id="cr1" affiliationRef="#a1" corresponding="yes"><personName><givenNames>D. Angus</givenNames><familyName>Vail</familyName></personName></creator></creators><affiliationGroup><affiliation xml:id="a1" countryCode="US"><unparsedAffiliation>University of Connecticut</unparsedAffiliation></affiliation></affiliationGroup><abstractGroup><abstract type="main" xml:lang="en"><p>This article examines how people successfully claim expert status in the art worlds of tattooing and opera by commodifying the time they have spent becoming experts in those art worlds. Temporal commodification happens along five dimensions: educational time, autodidactic time, consumption time, contiguous consumption time, and painful time. 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Angus</namePart><namePart type="family">Vail</namePart><affiliation>University of Connecticut</affiliation><affiliation>E-mail: DAV94002@UCONNVM.UCONN.EDU</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="article" displayLabel="article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-6N5SZHKN-D">article</genre><originInfo><publisher>Blackwell Publishing Ltd</publisher><place><placeTerm type="text">Oxford, UK</placeTerm></place><dateIssued encoding="w3cdtf">1999-11</dateIssued><copyrightDate encoding="w3cdtf">1999</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><extent unit="figures">0</extent><extent unit="tables">0</extent><extent unit="formulas">0</extent><extent unit="references">45</extent><extent unit="linksCrossRef">75</extent></physicalDescription><abstract lang="en">This article examines how people successfully claim expert status in the art worlds of tattooing and opera by commodifying the time they have spent becoming experts in those art worlds. Temporal commodification happens along five dimensions: educational time, autodidactic time, consumption time, contiguous consumption time, and painful time. In essence, aesthetically‐oriented individuals can successfully claim expert status in a given art world when they can convince others that they have learned about a particular kind of art, that they have learned from a legitimate source, that they have spent sufficient time consuming this art, that they have spent this time in contiguous chunks, and that they appreciate the pain (both physical and affective) that often accompanies such consumption.</abstract><relatedItem type="host"><titleInfo><title>Symbolic Interaction</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0195-6086</identifier><identifier type="eISSN">1533-8665</identifier><identifier type="DOI">10.1002/(ISSN)1533-8665</identifier><identifier type="PublisherID">SYMB</identifier><part><date>1999</date><detail type="volume"><caption>vol.</caption><number>22</number></detail><detail type="issue"><caption>no.</caption><number>4</number></detail><extent unit="pages"><start>325</start><end>344</end><total>20</total></extent></part></relatedItem><identifier type="istex">1ADF78D84775364EA1935FD0C5C4EF96443BCF7F</identifier><identifier type="ark">ark:/67375/WNG-R9V26Q1V-0</identifier><identifier type="DOI">10.1016/S0195-6086(00)87400-7</identifier><identifier type="ArticleID">SYMB1063</identifier><accessCondition type="use and reproduction" contentType="copyright">1999 Society for the Study of Symbolic Interaction</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-L0C46X92-X">wiley</recordContentSource><recordOrigin>Blackwell Publishing Ltd</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/1ADF78D84775364EA1935FD0C5C4EF96443BCF7F/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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