Essays on Schubert
Identifieur interne : 001899 ( Istex/Corpus ); précédent : 001898; suivant : 001900Essays on Schubert
Auteurs : George J. BuelowSource :
- Music educators journal [ 0027-4321 ] ; 1967-04.
English descriptors
- Teeft :
- Alto saxophone witb, Ancl schoenberg rcmain, Bach chorales, Baritone models, Basic pstterns, Bass literature, Betwecn schoenberg, Bibliographical knowledge, Blarrc rcifer group, Book cast glances, Bowdoin college barney childs, British schubcrtian scholar, Certain figures, Certain passages, Certain patterns, Choral director, Contemporary concept, Contemporary music, Contemporary music elliott, Creative process, Daily lives, Deep springs college, Definitive sources, Different attitudes, Direction music, Double bass, Double bass players, Double bassist, Editors hiainous, English texts, Esebius hlandyczewski, European music, Excellent analysis, Exciting surprise, Experimental music, Famous picture, First group, Foregoing summary, Franz schubcrt, Frederick zimmermann, George grove, German hymn, Greatest work, Hlca hfusic, Important works, Individual essays, Informative reading, Introductory essay, Introductory notes, Invaluable discussion, Johann sebastian bach, Kirntnerthor theater, Leeds hlusic company, Links stravinsky, Main notions, Main objective, Major sections, Major symphony, Many hours, Modern music, Music educators, Musical esthetics, Musical examples, National symphony orchestra, Next decades, Nicolaus dumba, Orchestral passages, Particular environment, Piano sonatas, Pianoforte sonatas, Posthumous puldication, Practice procedures, Problematical publications considcrcd, Professional features, Proper english translations, Ready identification, Recent american developments, Rene dumont saxophones, Right hand, Schocnbcrg scem, Scholarly investiptions, Significant studies, Solo literature, Sympathetic study, Third section, Unknown easter cantata, Various schubert manuscript sketclics, Various seminaries, Welcome addition, Whole literature, Xiale voices.
Url:
DOI: 10.1177/002743216705300824
Links to Exploration step
ISTEX:3771221309D477448D9839DD4C7425DB6746C55ELe document en format XML
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<pub-date pub-type="ppub"><month>04</month><year>1967</year></pub-date><volume>53</volume><issue>8</issue><fpage>112</fpage><lpage>113</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> characteristically like Stravinsky, notably in the preservation of melody which links Stravinsky to Schoenberg in a more fundamental m a m m than the relatively superficial stylistic resemblance between Straviiisky a d \\ rebcrn. \ Vcbem' s music iS “ ab StKl Ct, ” but Str:ivinsky ancl Schoenberg rcmain “ absolute.” The remaining portions of the book cast glances toward the future and suggest that neither Stravinsky nor Schocnbcrg scem to represent the direction music will take in the next decades, but that such a direction is by no means clear a t present. The new edition of the book has an added chapter on “ Cross-Currents with Expressionism” to balance the parallels drawn betwecn Schoenberg and Cubism. Schoenbcrg himself was closely associated with the Expressionists of Kandinsky' s Blarrc Rcifer group, and analogies between his music and Espressionism are as valid (and more commonly drawn) as those between i Picasso and Cubism. hlitchell rightly, observes that Expressionism can be ‘spoken of in Sclioenbcrg' s works only before the discovery of the XIethod. The foregoing summary of some of the main notions of Xlitchell' s book cannot begin to show the scope and richness of the arguments which sup- port his assertions so brilliantly. Even if one disagrees with some of his notions, one' s understanding of the music of our century cannot but be enriched by the deep and subtle probing of many central problems in this music.-PETER BERGQUIST, Assistari t Professor, SchooZ of Aftrsic, Unicersitg of Oregon, Eugene, Oregon. ESSAYS ON SCHUBERT. By XIaurice J. E. Brown. New York: St. Xlartin' s Press, 1966. 315 pp., $10.00. These fourteen essays by Maurice Brown, distinguished British Schubcrtian scholar, are grouped under three umbrclla-like themes: I. Aftuic, II. The Composer, III. dfanrrscripts arid Editions. In the first group are: “ Drafting the hlasterpicce” (an invaluable discussion of various Schubert manuscript sketclics and what they tell 11s about Schubert' s creative process); “ The Genesis of the Great C Major Symphony” “ The Part-songs for XIale Voices” (which should be read by every choral director); “ The Fantasia in F minor, op. 103” (offering new data regarding the origin and composition of Schubert' s greatest work for piano four-hands); and “ Lazarus, or the Feast of Resurrection” (one of the most significant studies in the volume, concerning Schubert' s generally unknown Easter Cantata). Under the heading of The Composer are found: “ Schubert and the Kirntnerthor Theater” “ Schubcrt' s Portraits” (with reproductions of the pictures); “ Schwind' s Schubert-ribend bei Joseph von Spaun” (an excellent analysis of the most famous picture of Schubert and his friends); and lastly, “ Four Schubertians” (a sympathetic study of Kreissle von Hellborn, George Grove, Nicolaus Dumba, and Esebius hlandyczewski, four of the most devoted champions to the cause of making Schubert' s genius known to the world). The third section includes some cspecially probing discussions of problems involving manuscripts and editions of Schubert' s works: “ Towards an Edition of the Pianoforte Sonatas” “ The Dance-music hlanuscripts” “ Some Problematical Publications Considcrcd” “ Thc Posthumous Puldication of the Songs” and finally, “ The Story of the ‘Trauerwalzer. These essays arc scholarly investiptions by a distinguished Schubertian. One sees in the collcction Brown' s Who offers an Alto Saxophone witb these Professional Features a f Rene Dumont SAXOPHONES Why not see for yourself. You‘re in for an exciting surprise. Tenor and Baritone models available as 112 MUSIC EDUCATORS J O U R N A L A New Look at The Revolution in Contemporary Music CONTEMPORARY COMPOSERS ON CONTEMPORARY MUSIC ELLIOTT SCH WART.?, Bowdoin College BARNEY CHILDS, Deep Springs College Here is a collection of essays by distinguished composers on the nature of contemporary music. The essays-by such noted figures as Debussy, Bartbk, Hindemith, and Prokofiev, Ives, Sessions, Cage, Babbitt–explore different attitudes and approaches involved in the creation and understanding of modern music. Taken together, the essays reflect a concern for the relationship of music to our daily lives, and demonstrate that contemporary music is part of a continuing and vital aesthetic development. The editors include an introductory essay entitled “ The Revolution in Musical Esthetics.” Each essay is preceded by introductory notes on the composer, his important works, and his role in the field of modern music. The volume is divided into two major sections: European Music before 1945, and Experimental Music and Recent American Developments. May 1967 384 PP. $5.95 (tent.) command of the whole literature of and about Schubert, and many of the individual essays will become the definitive sources of information on the problem. Especially noteworthy are the additions to bibliographical knowledge about Schubert' s piano sonatas, his dance-music manuscripts, and the posthumously published songs. However, the essays are clearly written with a concern for non-specialist musicians, and for anyone with a cu' riosity about Franz Schubcrt this book will provide many hours of pleasurable and informative reading. -GEORGE J. BUELOW, Associate Professor of Alasic, Unioersity of California, Rioerside, California. A CONTEMPORARY CONCEPT OF BOWING TECHNIQUE FOR THE DOUBLE BASS. By Frederick Zimmermann. New York: hlCA hfusic, Leeds hlusic Company, 1966. Paperback, 144 pp., $5.00. The book is composed almost entirely of musical examples and etudes aimed at developing and improving the bow arm of the double bassist. As stated in the Preface, the left hand is trained to respond to certain figures such as scales and arpeggios. The fingers learn APRIL, N I N E T E E N SIXTY-SEVEN to move automatically in established patterns. The right hand (bow arm) has no pre-established pattern. hlr. Zimmermann' s aim in this book is, “ To abstract such bowing patterns from their particular environment or passage for ready identification, classifica!; on, communication, and detailed study; and analysis is the main objective considered in organizing the material of this work.” Passages from well-known works are used. Instead of fingerings for all the notes, only two notes, A and E, are indicated. The movement of thc bow across the strings is simulated, however, isolating the bowing problem and, hopefully, increasing the speed with which the passage is learned. T o make this technique understandable, hir. Zimmermann has included charts visually tracing the movement of the bow. He has arbitrarily picked certain passages which fit his system and left out others which are equally important. The musical examples are broken down into a few basic pstterns with suggested practice procedures for each. There are etudes based on certain patterns, plus related orchestral passages, and excerpts from the solo literature. No dynamics are indicated for orchestral passages which are di- rectly correlated with the difficulty of the work. Unfortunately, the t of this book is not always clearly w:en, thus making it difficult to foll J. The graphs presented at the beginning are helpful and good, but soon become overdone and complicated. The bowing technique of double bass players has generally been far below the standards of the violinist, violist, and the cellist. This book is a welcome addition to bass literature and is recommended for tlie serious student. 3 $ –RICHARD L. VEBSTER, Aletnler, Doiblc Bass Section, National Symphony Orchestra, Washington, D.C. THE 371 CHORALES OF JOHANN SEBASTIAN BACH. Edited by Frank D. hlainous and Robert IV. Ottman. New York: Holt, Rinehart and IVinston, Inc., 1966. 366 pp., $7.95, paperback only. This is not a book about music, it is a book of music: Bach Chorales with English texts. Editors hiainous and Ottman requested the aid of professors and librarians from various seminaries, colleges, and universities to help locate proper English translations of the German hymn;. 113 </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Essays on Schubert</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Essays on Schubert</title></titleInfo><name type="personal"><namePart type="given">George J.</namePart><namePart type="family">Buelow</namePart><affiliation>Associate Professor of Music, University of California, Riverside, California</affiliation></name><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1967-04</dateIssued><copyrightDate encoding="w3cdtf">1967</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1967</date><detail type="volume"><caption>vol.</caption><number>53</number></detail><detail type="issue"><caption>no.</caption><number>8</number></detail><extent unit="pages"><start>112</start><end>113</end></extent></part></relatedItem><identifier type="istex">3771221309D477448D9839DD4C7425DB6746C55E</identifier><identifier type="ark">ark:/67375/M70-2RS4C9HQ-1</identifier><identifier type="DOI">10.1177/002743216705300824</identifier><identifier type="ArticleID">10.1177_002743216705300824</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/3771221309D477448D9839DD4C7425DB6746C55E/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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