Book Reviews
Identifieur interne : 001866 ( Istex/Corpus ); précédent : 001865; suivant : 001867Book Reviews
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- Tempo [ 0040-2982 ] ; 1998-07.
Abstract
Finding the Key: Goehr's Selected Writings Mark Cromar Uncommon Ground, Common Subsoil: Michael Finnissy Geoffrey Alvarez Messiaen, Trait and Tombeau Christopher Dingle Nielsen and Sibelius Peter Palmer Professional Dancer: George Butterworth Lewis Foreman Korngold the Last Prodigy (with a CD roundup) Martin Anderson Bartk Viola Concerto Facsimile Malcolm Gillies Classical Modernism and Frtwngler Peter Palmer The Search for Thomas F. Ward Michael Lister
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DOI: 10.1017/S0040298200006495
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Ward Michael Lister</div></front></TEI><istex><corpusName>cambridge</corpusName><articleId><json:string>00649</json:string></articleId><arkIstex>ark:/67375/6GQ-1QZ56QR5-C</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>book-review</json:string></originalGenre><abstract>Finding the Key: Goehr's Selected Writings Mark Cromar Uncommon Ground, Common Subsoil: Michael Finnissy Geoffrey Alvarez Messiaen, Trait and Tombeau Christopher Dingle Nielsen and Sibelius Peter Palmer Professional Dancer: George Butterworth Lewis Foreman Korngold the Last Prodigy (with a CD roundup) Martin Anderson Bartk Viola Concerto Facsimile Malcolm Gillies Classical Modernism and Frtwngler Peter Palmer The Search for Thomas F. Ward Michael Lister</abstract><qualityIndicators><score>7.756</score><pdfWordCount>9522</pdfWordCount><pdfCharCount>57808</pdfCharCount><pdfVersion>1.5</pdfVersion><pdfPageCount>14</pdfPageCount><pdfPageSize>482.4 x 811.44 pts</pdfPageSize><refBibsNative>true</refBibsNative><abstractWordCount>63</abstractWordCount><abstractCharCount>457</abstractCharCount><keywordCount>0</keywordCount></qualityIndicators><title>Book Reviews</title><pii><json:string>S0040298200006495</json:string></pii><genre><json:string>book-reviews</json:string></genre><host><title>Tempo</title><language><json:string>unknown</json:string></language><issn><json:string>0040-2982</json:string></issn><eissn><json:string>1478-2286</json:string></eissn><publisherId><json:string>TEM</json:string></publisherId><volume>166</volume><issue>205</issue><pages><first>24</first><last>37</last><total>14</total></pages><genre><json:string>journal</json:string></genre></host><ark><json:string>ark:/67375/6GQ-1QZ56QR5-C</json:string></ark><categories><inist><json:string>1 - sciences humaines et sociales</json:string><json:string>2 - linguistique</json:string></inist></categories><publicationDate>1998</publicationDate><copyrightDate>1998</copyrightDate><doi><json:string>10.1017/S0040298200006495</json:string></doi><id>5C680FB899D3C759ED8B8D37785106AEF4D0375B</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/5C680FB899D3C759ED8B8D37785106AEF4D0375B/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/5C680FB899D3C759ED8B8D37785106AEF4D0375B/fulltext/zip</uri></json:item><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/5C680FB899D3C759ED8B8D37785106AEF4D0375B/fulltext/txt</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/5C680FB899D3C759ED8B8D37785106AEF4D0375B/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Book Reviews</title></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><availability><licence><p>Copyright © Cambridge University Press 1998</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</p></availability><date>1998</date></publicationStmt><notesStmt><note type="book-reviews" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-PBH5VBM9-4">book-reviews</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note><note></note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Book Reviews</title><idno type="istex">5C680FB899D3C759ED8B8D37785106AEF4D0375B</idno><idno type="ark">ark:/67375/6GQ-1QZ56QR5-C</idno><idno type="DOI">10.1017/S0040298200006495</idno><idno type="PII">S0040298200006495</idno><idno type="article-id">00649</idno></analytic><monogr><title level="j">Tempo</title><title level="j" type="abbrev">Tempo</title><idno type="pISSN">0040-2982</idno><idno type="eISSN">1478-2286</idno><idno type="publisher-id">TEM</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="1998-07"></date><biblScope unit="volume">166</biblScope><biblScope unit="issue">205</biblScope><biblScope unit="page" from="24">24</biblScope><biblScope unit="page" to="37">37</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1998</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en" style="text-abstract"><p>Finding the Key: Goehr's Selected Writings Mark Cromar Uncommon Ground, Common Subsoil: Michael Finnissy Geoffrey Alvarez Messiaen, Trait and Tombeau Christopher Dingle Nielsen and Sibelius Peter Palmer Professional Dancer: George Butterworth Lewis Foreman Korngold the Last Prodigy (with a CD roundup) Martin Anderson Bartk Viola Concerto Facsimile Malcolm Gillies Classical Modernism and Frtwngler Peter Palmer The Search for Thomas F. Ward Michael Lister</p></abstract></profileDesc><revisionDesc><change when="1998-07">Published</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.2 20060430//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="book-review" dtd-version="2.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">TEM</journal-id><journal-title>Tempo</journal-title><abbrev-journal-title>Tempo</abbrev-journal-title><issn pub-type="ppub">0040-2982</issn><issn pub-type="epub">1478-2286</issn><publisher><publisher-name>Cambridge University Press</publisher-name><publisher-loc>Cambridge, UK</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1017/S0040298200006495</article-id><article-id pub-id-type="pii">S0040298200006495</article-id><article-id pub-id-type="publisher-id">00649</article-id><title-group><article-title>Book Reviews</article-title><alt-title alt-title-type="left-running">Book Reviews</alt-title><alt-title alt-title-type="right-running">Book Reviews</alt-title></title-group><pub-date pub-type="ppub"><month>07</month><year>1998</year></pub-date><issue>205</issue><fpage seq="16">24</fpage><lpage>37</lpage><product></product><permissions><copyright-statement>Copyright © Cambridge University Press 1998</copyright-statement><copyright-year>1998</copyright-year><copyright-holder>Cambridge University Press</copyright-holder></permissions><abstract abstract-type="text-abstract"><p><list list-type="simple"><list-item><p>Finding the Key: Goehr's Selected Writings <italic>Mark Cromar</italic></p></list-item><list-item><p>Uncommon Ground, Common Subsoil: Michael Finnissy <italic>Geoffrey Alvarez</italic></p></list-item><list-item><p>Messiaen, Trait and Tombeau <italic>Christopher Dingle</italic></p></list-item><list-item><p>Nielsen and Sibelius <italic>Peter Palmer</italic></p></list-item><list-item><p>Professional Dancer: George Butterworth <italic>Lewis Foreman</italic></p></list-item><list-item><p>Korngold the Last Prodigy (with a CD roundup) <italic>Martin Anderson</italic></p></list-item><list-item><p>Bartk Viola Concerto Facsimile <italic>Malcolm Gillies</italic></p></list-item><list-item><p>Classical Modernism and Frtwngler <italic>Peter Palmer</italic></p></list-item><list-item><p>The Search for Thomas F. Ward <italic>Michael Lister</italic></p></list-item></list></p></abstract><counts><page-count count="14"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298200006495a.pdf</meta-value></custom-meta><custom-meta><meta-name>dispart</meta-name><meta-value>Book Reviews</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>1</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>New Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><fn id="fn01" symbol="page 26 note 1"><label><sup>page 26 note 1</sup></label><p>Messiaen omitted th e concertos for two and three pianos (K365 and K242) and Mozart's arrangements of sonata movements by other composers (K37, K39, K40 & K41). He includes the Concert Rondo in D (K382) but omits the Concert Rondo in A (K386).</p></fn><fn id="fn02" symbol="page 26 note 2"><label><sup>page 26 note 2</sup></label><p><citation citation-type="other" id="ref003"><name name-style="western"><surname>Messiaen</surname><given-names>Olivier</given-names></name>: <italic>Musiaue et Couleur</italic>, p. <fpage>194</fpage></citation>.</p></fn><fn id="fn03" symbol="page 26 note 3"><label><sup>page 26 note 3</sup></label><p>7 November-19 December, 1964. The conductors were Pierre Boulez, Bruno Maderna and Louis Martin.</p></fn><fn id="fn04" symbol="page 26 note 4"><label><sup>page 26 note 4</sup></label><p>Written within months of completing the <italic>Quatre études de rythme</italic>.</p></fn><fn id="fn05" symbol="page 26 note 5"><label><sup>page 26 note 5</sup></label><p><citation citation-type="other" id="ref004"><name name-style="western"><surname>Messiaen</surname><given-names>Olivier</given-names></name>: <italic>Traité, Tome IV</italic>, p. <fpage>129</fpage></citation>.</p></fn><fn id="fn06" symbol="page 27 note 6"><label><sup>page 27 note 6</sup></label><p><citation citation-type="journal" id="ref005"><source>La Revue Musicale</source>, no. <volume>166</volume> (<month>06</month>, <year>1936</year>), supplement</citation>.</p></fn><fn id="fn07" symbol="page 27 note 7"><label><sup>page 27 note 7</sup></label><p><citation citation-type="journal" id="ref006"><source>La Revue Musicale</source>, no. <volume>166</volume> (<month>06</month>, <year>1936</year>), pp. <fpage>79</fpage>–<lpage>86</lpage></citation>.</p></fn><fn id="fn08" symbol="page 27 note 8"><label><sup>page 27 note 8</sup></label><p><citation citation-type="book" id="ref007"><name name-style="western"><surname>Hill</surname><given-names>Peter</given-names></name> (ed.): <source>The Messiaen companion</source> (<publisher-loc>London</publisher-loc>, <year>1995</year>), p. <fpage>288</fpage></citation>. One of the works apparently to be revised is <italic>Trois petites liturgies de la Présence Divine</italic>.</p></fn><fn symbol="page 29 note 1" id="fn01-d31493e298"><label><sup>page 29 note 1</sup></label><p>Chandos CHAN 9586, conducted by Alasdair Mitchell.</p></fn><fn symbol="page 29 note 2" id="fn02-d31493e306"><label><sup>page 29 note 2</sup></label><p>Some of the issues were discussed in my review in <italic>Tempo 168</italic>, pp.46–8 of the revival of <citation citation-type="other" id="ref002"><name name-style="western"><surname>Elegy</surname><given-names>Kelly's</given-names></name> in <italic>Memoriam Rupert Brooke</italic> in the St Martin's-in-the-Fields Armistice Festival on 11 <month>11</month>
<year>1988</year></citation>.</p></fn><fn symbol="page 29 note 3" id="fn03-d31493e335"><label><sup>page 29 note 3</sup></label><p><citation citation-type="book" xlink:type="simple" id="ref003-d31493e343"><name name-style="western"><surname>Copley</surname><given-names>Ian</given-names></name>, <source>George Butterworth and his music – a centennial tribute</source>, <publisher-name>Thames Publishing</publisher-name>, nd[<year>1985</year>]</citation>.</p></fn><fn symbol="page 30 note 4" id="fn04-d31493e362"><label><sup>page 30 note 4</sup></label><p><citation citation-type="book" xlink:type="simple" id="ref004-d31493e370"><name name-style="western"><surname>Boyes</surname><given-names>Georgina</given-names></name>, <source>The Imagined Village: culture, ideology and the English folk revival</source>, <publisher-name>Manchester University Press</publisher-name>, <year>1993</year></citation>.</p></fn><fn symbol="page 30 note 5" id="fn05-d31493e388"><label><sup>page 30 note 5</sup></label><p><citation citation-type="book" xlink:type="simple" id="ref005-d31493e396"><name name-style="western"><surname>Harker</surname><given-names>David</given-names></name>, <source>Fakesong: the manufacture of British ‘folksong’ 1700 to the present day</source>, <publisher-loc>Milton Keynes</publisher-loc>: <publisher-name>Open University Press</publisher-name>, <year>1985</year></citation>.</p></fn><fn symbol="page 36 note 1" id="fn01-d31493e417"><label><sup>page 36 note 1</sup></label><p>See <citation citation-type="journal" xlink:type="simple" id="ref002-d31493e425"><name name-style="western"><surname>Stenzl</surname><given-names>J.</given-names></name>, ‘<source>In Search of a History of Musical Interpretation</source>’, in <name name-style="western"><surname>Quarterly</surname><given-names>Musical</given-names></name>
<volume>79</volume> (<year>1995</year>), pp. <fpage>683</fpage>–99</citation>.</p></fn><fn symbol="page 36 note 2" id="fn02-d31493e453"><label><sup>page 36 note 2</sup></label><p>This topic and that of Furtwangler among the Nazis were touched on in my review, ‘Recent Furtwangler Books’, <italic>Tempo 184</italic>, pp. 35–36.</p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Book Reviews</title></titleInfo><titleInfo type="alternative"><title>Book Reviews</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Book Reviews</title></titleInfo><typeOfResource>text</typeOfResource><genre type="book-reviews" displayLabel="book-review" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-PBH5VBM9-4">book-reviews</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">1998-07</dateIssued><copyrightDate encoding="w3cdtf">1998</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract" lang="en">Finding the Key: Goehr's Selected Writings Mark Cromar Uncommon Ground, Common Subsoil: Michael Finnissy Geoffrey Alvarez Messiaen, Trait and Tombeau Christopher Dingle Nielsen and Sibelius Peter Palmer Professional Dancer: George Butterworth Lewis Foreman Korngold the Last Prodigy (with a CD roundup) Martin Anderson Bartk Viola Concerto Facsimile Malcolm Gillies Classical Modernism and Frtwngler Peter Palmer The Search for Thomas F. Ward Michael Lister</abstract><note></note><relatedItem type="host"><titleInfo><title>Tempo</title></titleInfo><titleInfo type="abbreviated"><title>Tempo</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0040-2982</identifier><identifier type="eISSN">1478-2286</identifier><identifier type="PublisherID">TEM</identifier><part><date>1998</date><detail type="volume"><caption>vol.</caption><number>166</number></detail><detail type="issue"><caption>no.</caption><number>205</number></detail><extent unit="pages"><start>24</start><end>37</end><total>14</total></extent></part></relatedItem><identifier type="istex">5C680FB899D3C759ED8B8D37785106AEF4D0375B</identifier><identifier type="ark">ark:/67375/6GQ-1QZ56QR5-C</identifier><identifier type="DOI">10.1017/S0040298200006495</identifier><identifier type="PII">S0040298200006495</identifier><identifier type="ArticleID">00649</identifier><accessCondition type="use and reproduction" contentType="copyright">Copyright © Cambridge University Press 1998</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</recordContentSource><recordOrigin>Copyright © Cambridge University Press 1998</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/5C680FB899D3C759ED8B8D37785106AEF4D0375B/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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