CURIOSITY IS LIMITLESS: A LAST INTERVIEW WITH MAURICIO KAGEL
Identifieur interne : 001852 ( Istex/Corpus ); précédent : 001851; suivant : 001853CURIOSITY IS LIMITLESS: A LAST INTERVIEW WITH MAURICIO KAGEL
Auteurs : Juan María SolareSource :
- Tempo [ 0040-2982 ] ; 2009-10.
Abstract
This conversation with Mauricio Kagel took place on 16 April 2008 in the studio of Kagel's house in Cologne. Just by looking at the shelves one could learn a lot, seeing how Kagel organized his scores. Each box included everything related to a single work (or group of works), including the ‘Ur-Manuskript’ (primordial manuscript), as he called it, as well as the working copy with the corrections that arose during rehearsals and the contract with the publishing house. The studio enclosed an unsophisticated upright piano, a huge desk and a corner to receive visits like mine.
Url:
DOI: 10.1017/S0040298209000333
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ISTEX:74F10989DD8EE79D73CE58743DAF085182E5C393Le document en format XML
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As a composer he has written over 300 works; as a pianist, he performed this year in Argentina, London, Berlin, Graz and Geneva. In 1996 he was Mauricio Kagel's last pupil.</note><affiliation>Juan Maria Solare (born Buenos Aires, 1966), composer and pianist, teaches tango music and new music theatre at the University in Bremen (Germany). As a composer he has written over 300 works; as a pianist, he performed this year in Argentina, London, Berlin, Graz and Geneva. 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As a composer he has written over 300 works; as a pianist, he performed this year in Argentina, London, Berlin, Graz and Geneva. In 1996 he was Mauricio Kagel's last pupil.</p></bio></contrib></contrib-group><pub-date pub-type="ppub"><month>10</month><year>2009</year></pub-date><volume>63</volume><issue>250</issue><fpage seq="4">8</fpage><lpage>26</lpage><permissions><copyright-statement>Copyright © Cambridge University Press 2009</copyright-statement><copyright-year>2009</copyright-year><copyright-holder>Cambridge University Press</copyright-holder></permissions><abstract abstract-type="text-abstract"><p>This conversation with Mauricio Kagel took place on 16 April 2008 in the studio of Kagel's house in Cologne. Just by looking at the shelves one could learn a lot, seeing how Kagel organized his scores. Each box included everything related to a single work (or group of works), including the ‘Ur-Manuskript’ (primordial manuscript), as he called it, as well as the working copy with the corrections that arose during rehearsals and the contract with the publishing house. The studio enclosed an unsophisticated upright piano, a huge desk and a corner to receive visits like mine.</p></abstract><counts><page-count count="19"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298209000333a.pdf</meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo><title>CURIOSITY IS LIMITLESS: A LAST INTERVIEW WITH MAURICIO KAGEL</title></titleInfo><titleInfo type="alternative"><title>TEMPO</title></titleInfo><titleInfo type="alternative" contentType="CDATA"><title>CURIOSITY IS LIMITLESS: A LAST INTERVIEW WITH MAURICIO KAGEL</title></titleInfo><name type="personal"><namePart type="given">Juan María</namePart><namePart type="family">Solare</namePart><role><roleTerm type="text">author</roleTerm></role><description>Juan Maria Solare (born Buenos Aires, 1966), composer and pianist, teaches tango music and new music theatre at the University in Bremen (Germany). 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