THE SEVEN THEMES OF MUSIC GEOGRAPHY
Identifieur interne : 001791 ( Istex/Corpus ); précédent : 001790; suivant : 001792THE SEVEN THEMES OF MUSIC GEOGRAPHY
Auteurs : Peter H. Nash ; George O. CarneySource :
- Canadian Geographer / Le Géographe canadien [ 0008-3658 ] ; 1996-03.
English descriptors
- Teeft :
- Alternative rock culture hearth, American geographers, American music, Annual meeting, Auditory sense, Canadian association, Canadian country music, Canadian geographer, Carney, Country music, Country music radio stations, Cultural diffusion, Cultural geography, Departmentof geography, Geographe canadien, Geographer, Geography, Geomusical growth, Global music, Human geography, Illinois press, Major themes, Miami sound, Middle ages, Music geography, Music regions, Musical activities, Musique globale, Nash, Neumatic notation, Next theme, Popular music, Regional music, Source areas, Sources regionales, Spatial aspects, Spatial dimensions, Subject matter, Technological innovations, Vander linden, Western polyphony, White gospel quartets, World music, Zydeco music.
Abstract
Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact of music on landscapes; and VII ‐ global music. A view is offered of how an eighth theme (technological innovations) might develop on the basis of recent observations. La géographiede la musique est apparueau début comme un sous‐domaine de la géographie de la culture aux alentours de 1970. Au cours des vingt‐cinq dernières années, un grand nombre de travaux sur ce sujet a été publié dans des revues scientifiques, des livres et des ouvrages de référence. On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques. Mots‐clés:géographie de la musique, géographie de la culture, sources régionales, paysage sonore, musique globale.
Url:
DOI: 10.1111/j.1541-0064.1996.tb00433.x
Links to Exploration step
ISTEX:04B82ACA61728F7C2DD043A1B693F6A2C2490BCBLe document en format XML
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On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques. 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On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. 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Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact of music on landscapes; and VII ‐ global music. A view is offered of how an eighth theme (technological innovations) might develop on the basis of recent observations.</p><p>La géographiede la musique est apparueau début comme un sous‐domaine de la géographie de la culture aux alentours de 1970. Au cours des vingt‐cinq dernières années, un grand nombre de travaux sur ce sujet a été publié dans des revues scientifiques, des livres et des ouvrages de référence. On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques.</p><p>Mots‐clés:géographie de la musique, géographie de la culture, sources régionales, paysage sonore, musique globale.</p></abstract></abstractGroup></contentMeta><noteGroup><note xml:id="fn1" numbered="no"><p>*This article is an expansion and refinement of an illustrated talk by the senior author at the annual meeting of the Canadian Association of Geographers on 20 May 1994 at Wilfrid Laurier University, Waterloo, Ontario, entitled ‘Evolutionary Stages of Music Geography: Themes and Variations’.</p></note></noteGroup></header></component></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>THE SEVEN THEMES OF MUSIC GEOGRAPHY</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>THE SEVEN THEMES OF MUSIC GEOGRAPHY*</title></titleInfo><name type="personal"><namePart type="given">PETER H.</namePart><namePart type="family">NASH</namePart><affiliation>Department of Geography, Faculty of Environmental Studies, University of Waterloo, Waterloo, Ontario, Canada N2L 3G1</affiliation><role><roleTerm type="text">author</roleTerm></role></name><name type="personal"><namePart type="given">GEORGE O.</namePart><namePart type="family">CARNEY</namePart><affiliation>Department of Geography, Oklahoma State University, Stillwater, Oklahoma, U.S.A. 74078</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="article" displayLabel="article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-6N5SZHKN-D">article</genre><originInfo><publisher>Blackwell Publishing Ltd</publisher><place><placeTerm type="text">Oxford, UK</placeTerm></place><dateIssued encoding="w3cdtf">1996-03</dateIssued><edition>Submitted 04/95 Revised 10/95 Accepted 10/95</edition><copyrightDate encoding="w3cdtf">1996</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><physicalDescription><extent unit="references">52</extent><extent unit="linksCrossRef">3</extent></physicalDescription><abstract lang="en">Music geography first emerged as a subfield of cultural geography c. 1970, During the past 25 years, a significant body of research has been published in scholarly journals, books, and reference works. Seven major themes are outlined in the formation of music geography: I ‐ origins (non‐‘geographical’); II ‐ world distribution and types; III ‐ location analysis; IV‐source areas of musical activities; V ‐ trends based on electricity; VI ‐ impact of music on landscapes; and VII ‐ global music. A view is offered of how an eighth theme (technological innovations) might develop on the basis of recent observations. La géographiede la musique est apparueau début comme un sous‐domaine de la géographie de la culture aux alentours de 1970. Au cours des vingt‐cinq dernières années, un grand nombre de travaux sur ce sujet a été publié dans des revues scientifiques, des livres et des ouvrages de référence. On peut cerner sept thèmes principauxdans la formation de la géographie de la musique: 1. les origines (non ‘géographiques’); 2. la répartition mondiale et les genres; 3. /‘analyse de /‘emplacement; 4. les sources régionales des activités musicales; 5. les tendances fondées sur l'électricité; 6. l'impact de la musique sur les paysages; 7. la musique globale. À partir de récentes observations, on propose une perspective sur l'élaboration éventuelle d'un huitième thème, à savoir les innovations technologiques. Mots‐clés:géographie de la musique, géographie de la culture, sources régionales, paysage sonore, musique globale.</abstract><note type="content">**This article is an expansion and refinement of an illustrated talk by the senior author at the annual meeting of the Canadian Association of Geographers on 20 May 1994 at Wilfrid Laurier University, Waterloo, Ontario, entitled ‘Evolutionary Stages of Music Geography: Themes and Variations’.</note><subject lang="en"><genre>keywords</genre><topic>music geography</topic><topic>cultural geography</topic><topic>source areas</topic><topic>soundscape</topic><topic>global music</topic></subject><relatedItem type="host"><titleInfo><title>Canadian Geographer / Le Géographe canadien</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0008-3658</identifier><identifier type="eISSN">1541-0064</identifier><identifier type="DOI">10.1111/(ISSN)1541-0064</identifier><identifier type="PublisherID">CAG</identifier><part><date>1996</date><detail type="volume"><caption>vol.</caption><number>40</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>69</start><end>74</end><total>6</total></extent></part></relatedItem><identifier type="istex">04B82ACA61728F7C2DD043A1B693F6A2C2490BCB</identifier><identifier type="ark">ark:/67375/WNG-7N3PB0TK-P</identifier><identifier type="DOI">10.1111/j.1541-0064.1996.tb00433.x</identifier><identifier type="ArticleID">CAG69</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-L0C46X92-X">wiley</recordContentSource><recordOrigin>Blackwell Publishing Ltd</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/04B82ACA61728F7C2DD043A1B693F6A2C2490BCB/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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