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Schumann Suite No. 1 of Master Service for Young Orchestra

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Schumann Suite No. 1 of Master Service for Young Orchestra

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<meta-value> 44 MUSIC SUPERVISORS' JOURNAL Book and Music Review Conducted by WILL EARHART, Pittsburg, Pa. published with full scores, all carefully-almost prayerfully-consider If the movement represented by ed by their competent editors, as to the three Series described below con- points of musical value, instrumentatinues, the reviewer will soon lose thetion, ease, and typography; and all opportunity to preach, and will be are published with full conductor's constrainedto restrict his remarks to scores. They are not exactly alike an en- and for this we may be thankful; for a bare statement -albeit thusiastic one-of facts. our needs vary, even in our own Music suited to school orchestras situations in successive years, and in point of technical ease, character shades of adaptation are necessary. of artistic content, and instrumentation, has been lacking. Remedial Schumann Suite No. 1 of Master Servicefor Young Orchestra-G. Schireffort has been principally concerned mer, Inc. with technical ease, and has disregarded artistic value or has intro With this Schumann Suite a new duced artistic qualities that could edition of music for school orchestras not be given proper statement by makes its appearance, The music of young people. Instrumentation has the Series is selected and edited by concerned itself with liberal “cues” Dr. Victor L. F. Rebmann and the and with the introduction of substi- music is arranged by Tom Clark. tute and unorthodox instruments Editor, arrangerand publisherare all that do not need, and would better known for their excellence of perfornot receive, such encouragement. mance in the past, and one opens this The Philharmonic Orchestra Series initial publication with most favor(I think I am right in putting this able expectations. It may be said first) published by the Oliver Ditson at once that these expectations are Company, and which was reviewed in no way disappointed. in these columns at the time of its The aim of the authors of this appearance, began and achieved ex- course, as compared with other edicellently, reforms of a vital kind, in tions of public school orchestramusic character of music and instrumenta- seems to be to obtain a higher gradetion, as well as in technical ease. A of genuine musical content, together full conductor's score was published with very modest technical demands, with every number of this Series, This Schumann Suite, for example, which has now reached considerable contains the following well-known proportions. The Easy Edition for little compositions by Schumann: 1. Soldiers' March, Op, 68, No. 2. Orchestra, published by the same 2. Curious Story. Op. 15, No, 2, Company, is somewhat more like 3. The Merry Farmer, Op. 68, easy editions of other publishers, but has much value. No. 10. Now come three other series, all 4. Traumerei, Op. 15, No, 7. NEW MUSIC FOR SCHOOL ORCHESTRAS 44 MUSIC SUPERVISORS' JOURNAL Book and Music Review Conducted by WILL EARHART, Pittsburg, Pa. published with full scores, all carefully-almost prayerfully-consider If the movement represented by ed by their competent editors, as to the three Series described below con- points of musical value, instrumentatinues, the reviewer will soon lose thetion, ease, and typography; and all opportunity to preach, and will be are published with full conductor's constrainedto restrict his remarks to scores. They are not exactly alike an en- and for this we may be thankful; for a bare statement -albeit thusiastic one-of facts. our needs vary, even in our own Music suited to school orchestras situations in successive years, and in point of technical ease, character shades of adaptation are necessary. of artistic content, and instrumentation, has been lacking. Remedial Schumann Suite No. 1 of Master Servicefor Young Orchestra-G. Schireffort has been principally concerned mer, Inc. with technical ease, and has disregarded artistic value or has intro With this Schumann Suite a new duced artistic qualities that could edition of music for school orchestras not be given proper statement by makes its appearance, The music of young people. Instrumentation has the Series is selected and edited by concerned itself with liberal “cues” Dr. Victor L. F. Rebmann and the and with the introduction of substi- music is arranged by Tom Clark. tute and unorthodox instruments Editor, arrangerand publisherare all that do not need, and would better known for their excellence of perfornot receive, such encouragement. mance in the past, and one opens this The Philharmonic Orchestra Series initial publication with most favor(I think I am right in putting this able expectations. It may be said first) published by the Oliver Ditson at once that these expectations are Company, and which was reviewed in no way disappointed. in these columns at the time of its The aim of the authors of this appearance, began and achieved ex- course, as compared with other edicellently, reforms of a vital kind, in tions of public school orchestramusic character of music and instrumenta- seems to be to obtain a higher gradetion, as well as in technical ease. A of genuine musical content, together full conductor's score was published with very modest technical demands, with every number of this Series, This Schumann Suite, for example, which has now reached considerable contains the following well-known proportions. The Easy Edition for little compositions by Schumann: 1. Soldiers' March, Op, 68, No. 2. Orchestra, published by the same 2. Curious Story. Op. 15, No, 2, Company, is somewhat more like 3. The Merry Farmer, Op. 68, easy editions of other publishers, but has much value. No. 10. Now come three other series, all 4. Traumerei, Op. 15, No, 7. NEW MUSIC FOR SCHOOL ORCHESTRAS MUSIC SUPERVISORS' JOURNAL 45 5. Little Romance, Op. 68, No. 19 6. Hunting Song, Op. 68, No. 7. The musical quality here is unquestionable, yet in no case do the violin parts run above the first position, and each of the lower string and wind parts, without sacrificeof musical quality, is treated with scrupulous regard for the technical capabilities of young players, Other good qualities are also noticeable. Pre-eminent among these in my opinion, is the fact that the music is within the artistic comprehension of the players, Several times in these columns I have alluded to the fact that simplifiedarrangements for school orchestras often represented only a tcehnical simplification of music, the content of which was foreign to the artistic idiom of children and young people. We do not want or need simplifications of Debussy, but rather need perfect presentations of Humperdinck. W h e t h e r young people enter into and sympathize with the thought of the composer is quite as important as whether they can play the notes that express his thought. Such misguided “simplification” has lead to the publication, for “amateur” orchestras, of an enormous amount of tawdry adult music, as well as inappropriate good music. The instrumentation is excellent. In addition to the standard 16 parts and piano, there are parts for alto and tenor saxophones, the horn parts are duplicated (transposed) for E flat altos, and third and fourth violin parts are added. The lower violin parts are predominantly melodic, and the four violin parts taken together would often give a good ensemble in themselves. The fingerings and bowings are carefully and wisely marked. A full score is provided for NEW CARL FISCHER JUNIOR ORCHESTRA ALBUMS containing classical and popular compositions, folk-songs, overtures, dances, marches, etc. Selected and arranged byCHARLES J. ROBERTS Editor-in-chief of the Carl Fischer Orchestra Publications IN 2 VOLUMES Price of Each Piano (conductor)……………………. 75c Any other part……………………………….40c CARL FISCHER, Inc. Cooper Square, NEW YORK BOSTON CHICAGO The Ideal Combination FOR TEACHING THE APPRECIATION OF MUSIC The AMPICO and Dr. Sigmund Spaeth's epoch-making stimulator- The Common Sense of Music TEACHERS MANUAL now ready for free distribution. Apply to AMPICO Educational Department 437 Fifth Avenue NEW YORK CITY 46 MUSIC SUPERVISORS' JOURNAL the conductor. A C melody saxo- addition-and with a third violin phone part will be added in all future part in substitution for viola, to be scores, It does not appear in the played in absence of viola, and which score of the Schumann Suite but the I also refuse to accept as an addition. part is nevertheless published for Numbers 4, 5, and 6, however, are this Suite also. each for 4 violins, 2 ‘cellos and piano, and must prove very lovely and de The Laurel School Orchestra-C. C. sirable numbers in that setting. Birchard & Co., Boston. But let us not be diverted from our This Series is now extended to thought of the Series by the argueleven numbers, the last five of ment about the number of parts. which are before the reviewer. It The principal thing to say is that the may not be amiss to give the titles of music, as it is, is not only as good as all issued thus far, in order to get the the title suggests and of a character artistic range. consonant with youth, but is given 1. The Album. extremely good effect in the arrange2. The Happy Wanderer ments. The pieces are not all of 3. Twilight equal difficulty and are marked as to 4. In the Woods grade in three divisions, I to III. 5. On the Mountain The Series as a whole will, therefore, 6. Entre' acte have a wide range of usefulness. As 7. Mazurka mentioned above, a full conductor's 8. (a) Norwegian Serenade score is published for each number. (b) Matrosenlied 9. Ethiopian Dance Symphony Series of Programs for 10. Romance Orchestras Schooland Community 11. (a) Miniature Burdett & Company. Silver, (b) Menuet Ancient. The editors and arrangers of this The orchestrations of the last five numbers have been done by either Series are Frederick Stock, Conduc Laurence Powell or Henry F. Gilbert. tor of the Chicago Symphony Or They are done in the informed and chestra, George Dasch and Osbourne musicianly way that might be ex- Mc Conathy. It is therefore not something made primarily to sell, pected of such arrangers. The instrumentation is usually for but something made with conscience, our American “Full Orchestra” (16 skill and labor that spares no detail. A unique feature of this edition is parts) and piano. This does not agree with the statement on the title that a number of selections of appage, which says that it is for 18 proximately the same grade, and parts and piano, while a statement that would all go well on one program on the inside of the cover states that are printed as one issue. This feathe Series is for “Full American ture, implied in the title of the series, Orchestra,” 14 parts and piano. I will undoubtedly relieve conductors beg the readerto take my word for it of school orchestras from much that the instrumentation is for 16 searching through separate pieces parts and piano, with the horn parts for many compositions of equal grade of difficulty but of such variety and duplicated for E flat altos-which substitution I refuse to accept as an kind of interest as will make them </meta-value>
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