Prokofieff's Works for Piano Solo
Identifieur interne : 001533 ( Istex/Corpus ); précédent : 001532; suivant : 001534Prokofieff's Works for Piano Solo
Auteurs : Frank MerrickSource :
- Tempo [ 0040-2982 ] ; 1949.
Abstract
For about half my professional life I have been interested in these works, securing one after another as many of them as came on the visible side of my horizon. This interest was first awakened by the study of the Ballad for Cello and Piano, Opus 13, which I was asked to play at a concert in Manchester somewhere round about 1920. The Ballad is a piece in which, for all its comparative immaturity, there are unmistakable traces of a new and highly original personality together with a good deal of fascinating intricacy. To bait the hook still more temptingly for me there was every need to practise a number of the passages both diligently and even ingeniously before it was possible to execute them with a modicum of respectability. Time has in no way staled for me the intriguing delights of this early work.
Url:
DOI: 10.1017/S0040298200042649
Links to Exploration step
ISTEX:9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Prokofieff's Works for Piano Solo</title>
<author><name sortKey="Merrick, Frank" sort="Merrick, Frank" uniqKey="Merrick F" first="Frank" last="Merrick">Frank Merrick</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900</idno>
<date when="1949" year="1949">1949</date>
<idno type="doi">10.1017/S0040298200042649</idno>
<idno type="url">https://api.istex.fr/document/9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">001533</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001533</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Prokofieff's Works for Piano Solo</title>
<author><name sortKey="Merrick, Frank" sort="Merrick, Frank" uniqKey="Merrick F" first="Frank" last="Merrick">Frank Merrick</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Tempo</title>
<title level="j" type="abbrev">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="1949">1949</date>
<biblScope unit="issue">11</biblScope>
<biblScope unit="page" from="26">26</biblScope>
<biblScope unit="page" to="29">29</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">For about half my professional life I have been interested in these works, securing one after another as many of them as came on the visible side of my horizon. This interest was first awakened by the study of the Ballad for Cello and Piano, Opus 13, which I was asked to play at a concert in Manchester somewhere round about 1920. The Ballad is a piece in which, for all its comparative immaturity, there are unmistakable traces of a new and highly original personality together with a good deal of fascinating intricacy. To bait the hook still more temptingly for me there was every need to practise a number of the passages both diligently and even ingeniously before it was possible to execute them with a modicum of respectability. Time has in no way staled for me the intriguing delights of this early work.</div>
</front>
</TEI>
<istex><corpusName>cambridge</corpusName>
<author><json:item><name>Frank Merrick</name>
</json:item>
</author>
<articleId><json:string>04264</json:string>
</articleId>
<arkIstex>ark:/67375/6GQ-BLG68CQ1-Q</arkIstex>
<language><json:string>eng</json:string>
</language>
<originalGenre><json:string>research-article</json:string>
</originalGenre>
<abstract>For about half my professional life I have been interested in these works, securing one after another as many of them as came on the visible side of my horizon. This interest was first awakened by the study of the Ballad for Cello and Piano, Opus 13, which I was asked to play at a concert in Manchester somewhere round about 1920. The Ballad is a piece in which, for all its comparative immaturity, there are unmistakable traces of a new and highly original personality together with a good deal of fascinating intricacy. To bait the hook still more temptingly for me there was every need to practise a number of the passages both diligently and even ingeniously before it was possible to execute them with a modicum of respectability. Time has in no way staled for me the intriguing delights of this early work.</abstract>
<qualityIndicators><score>5.825</score>
<pdfWordCount>2085</pdfWordCount>
<pdfCharCount>10680</pdfCharCount>
<pdfVersion>1.4</pdfVersion>
<pdfPageCount>4</pdfPageCount>
<pdfPageSize>488.88 x 722.88 pts</pdfPageSize>
<refBibsNative>false</refBibsNative>
<abstractWordCount>145</abstractWordCount>
<abstractCharCount>813</abstractCharCount>
<keywordCount>0</keywordCount>
</qualityIndicators>
<title>Prokofieff's Works for Piano Solo</title>
<pii><json:string>S0040298200042649</json:string>
</pii>
<genre><json:string>research-article</json:string>
</genre>
<host><title>Tempo</title>
<language><json:string>unknown</json:string>
</language>
<issn><json:string>0040-2982</json:string>
</issn>
<eissn><json:string>1478-2286</json:string>
</eissn>
<publisherId><json:string>TEM</json:string>
</publisherId>
<issue>11</issue>
<pages><first>26</first>
<last>29</last>
<total>4</total>
</pages>
<genre><json:string>journal</json:string>
</genre>
</host>
<ark><json:string>ark:/67375/6GQ-BLG68CQ1-Q</json:string>
</ark>
<categories><inist><json:string>1 - sciences humaines et sociales</json:string>
<json:string>2 - histoire des sciences et des techniques</json:string>
</inist>
</categories>
<publicationDate>1949</publicationDate>
<copyrightDate>1949</copyrightDate>
<doi><json:string>10.1017/S0040298200042649</json:string>
</doi>
<id>9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900</id>
<score>1</score>
<fulltext><json:item><extension>pdf</extension>
<original>true</original>
<mimetype>application/pdf</mimetype>
<uri>https://api.istex.fr/document/9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900/fulltext/pdf</uri>
</json:item>
<json:item><extension>zip</extension>
<original>false</original>
<mimetype>application/zip</mimetype>
<uri>https://api.istex.fr/document/9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900/fulltext/zip</uri>
</json:item>
<json:item><extension>txt</extension>
<original>false</original>
<mimetype>text/plain</mimetype>
<uri>https://api.istex.fr/document/9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900/fulltext/txt</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Prokofieff's Works for Piano Solo</title>
<respStmt><resp>Références bibliographiques récupérées via GROBID</resp>
<name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name>
</respStmt>
</titleStmt>
<publicationStmt><authority>ISTEX</authority>
<publisher scheme="https://publisher-list.data.istex.fr">Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<availability><licence><p>Copyright © Cambridge University Press 1949</p>
</licence>
<p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</p>
</availability>
<date>1949</date>
</publicationStmt>
<notesStmt><note type="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note>
<note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note>
</notesStmt>
<sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Prokofieff's Works for Piano Solo</title>
<author xml:id="author-0000"><persName><forename type="first">Frank</forename>
<surname>Merrick</surname>
</persName>
</author>
<idno type="istex">9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900</idno>
<idno type="ark">ark:/67375/6GQ-BLG68CQ1-Q</idno>
<idno type="DOI">10.1017/S0040298200042649</idno>
<idno type="PII">S0040298200042649</idno>
<idno type="article-id">04264</idno>
</analytic>
<monogr><title level="j">Tempo</title>
<title level="j" type="abbrev">Tempo</title>
<idno type="pISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<idno type="publisher-id">TEM</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="1949"></date>
<biblScope unit="issue">11</biblScope>
<biblScope unit="page" from="26">26</biblScope>
<biblScope unit="page" to="29">29</biblScope>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
<profileDesc><creation><date>1949</date>
</creation>
<langUsage><language ident="en">en</language>
</langUsage>
<abstract xml:lang="en" style="text-abstract"><p>For about half my professional life I have been interested in these works, securing one after another as many of them as came on the visible side of my horizon. This interest was first awakened by the study of the Ballad for Cello and Piano, Opus 13, which I was asked to play at a concert in Manchester somewhere round about 1920. The Ballad is a piece in which, for all its comparative immaturity, there are unmistakable traces of a new and highly original personality together with a good deal of fascinating intricacy. To bait the hook still more temptingly for me there was every need to practise a number of the passages both diligently and even ingeniously before it was possible to execute them with a modicum of respectability. Time has in no way staled for me the intriguing delights of this early work.</p>
</abstract>
</profileDesc>
<revisionDesc><change when="1949">Published</change>
<change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-09-5">References added</change>
</revisionDesc>
</teiHeader>
</istex:fulltextTEI>
</fulltext>
<metadata><istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="US-ASCII"</istex:xmlDeclaration>
<istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.2 20060430//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType>
<istex:document><article article-type="research-article" dtd-version="2.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">TEM</journal-id>
<journal-title>Tempo</journal-title>
<abbrev-journal-title>Tempo</abbrev-journal-title>
<issn pub-type="ppub">0040-2982</issn>
<issn pub-type="epub">1478-2286</issn>
<publisher><publisher-name>Cambridge University Press</publisher-name>
<publisher-loc>Cambridge, UK</publisher-loc>
</publisher>
</journal-meta>
<article-meta><article-id pub-id-type="doi">10.1017/S0040298200042649</article-id>
<article-id pub-id-type="pii">S0040298200042649</article-id>
<article-id pub-id-type="publisher-id">04264</article-id>
<title-group><article-title>Prokofieff's Works for Piano Solo</article-title>
<alt-title alt-title-type="left-running">TEMPO</alt-title>
<alt-title alt-title-type="right-running">PROKOFIEFF'S WORKS FOR PIANO SOLO</alt-title>
</title-group>
<contrib-group><contrib><name name-style="western"><surname>Merrick</surname>
<given-names>Frank</given-names>
</name>
</contrib>
</contrib-group>
<pub-date pub-type="ppub"><season>Spring</season>
<year>1949</year>
</pub-date>
<issue>11</issue>
<issue-title>Prokofieff Number</issue-title>
<fpage seq="8">26</fpage>
<lpage>29</lpage>
<permissions><copyright-statement>Copyright © Cambridge University Press 1949</copyright-statement>
<copyright-year>1949</copyright-year>
<copyright-holder>Cambridge University Press</copyright-holder>
</permissions>
<abstract abstract-type="text-abstract"><p>For about half my professional life I have been interested in these works, securing one after another as many of them as came on the visible side of my horizon. This interest was first awakened by the study of the <italic>Ballad for Cello and Piano</italic>
, Opus 13, which I was asked to play at a concert in Manchester somewhere round about 1920. The Ballad is a piece in which, for all its comparative immaturity, there are unmistakable traces of a new and highly original personality together with a good deal of fascinating intricacy. To bait the hook still more temptingly for me there was every need to practise a number of the passages both diligently and even ingeniously before it was possible to execute them with a modicum of respectability. Time has in no way staled for me the intriguing delights of this early work.</p>
</abstract>
<counts><page-count count="4"></page-count>
</counts>
<custom-meta-wrap><custom-meta><meta-name>pdf</meta-name>
<meta-value>S0040298200042649a.pdf</meta-value>
</custom-meta>
<custom-meta><meta-name>series</meta-name>
<meta-value>1</meta-value>
</custom-meta>
<custom-meta><meta-name>seriesText</meta-name>
<meta-value>New Series</meta-value>
</custom-meta>
</custom-meta-wrap>
</article-meta>
</front>
</article>
</istex:document>
</istex:metadataXml>
<mods version="3.6"><titleInfo lang="en"><title>Prokofieff's Works for Piano Solo</title>
</titleInfo>
<titleInfo type="alternative"><title>TEMPO</title>
</titleInfo>
<titleInfo type="alternative" lang="en" contentType="CDATA"><title>Prokofieff's Works for Piano Solo</title>
</titleInfo>
<name type="personal"><namePart type="given">Frank</namePart>
<namePart type="family">Merrick</namePart>
<role><roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre>
<originInfo><publisher>Cambridge University Press</publisher>
<place><placeTerm type="text">Cambridge, UK</placeTerm>
</place>
<dateIssued encoding="w3cdtf">1949</dateIssued>
<copyrightDate encoding="w3cdtf">1949</copyrightDate>
</originInfo>
<language><languageTerm type="code" authority="iso639-2b">eng</languageTerm>
<languageTerm type="code" authority="rfc3066">en</languageTerm>
</language>
<abstract type="text-abstract" lang="en">For about half my professional life I have been interested in these works, securing one after another as many of them as came on the visible side of my horizon. This interest was first awakened by the study of the Ballad for Cello and Piano, Opus 13, which I was asked to play at a concert in Manchester somewhere round about 1920. The Ballad is a piece in which, for all its comparative immaturity, there are unmistakable traces of a new and highly original personality together with a good deal of fascinating intricacy. To bait the hook still more temptingly for me there was every need to practise a number of the passages both diligently and even ingeniously before it was possible to execute them with a modicum of respectability. Time has in no way staled for me the intriguing delights of this early work.</abstract>
<relatedItem type="host"><titleInfo><title>Tempo</title>
</titleInfo>
<titleInfo type="abbreviated"><title>Tempo</title>
</titleInfo>
<genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre>
<identifier type="ISSN">0040-2982</identifier>
<identifier type="eISSN">1478-2286</identifier>
<identifier type="PublisherID">TEM</identifier>
<part><date>1949</date>
<detail type="title"><title>Prokofieff Number</title>
</detail>
<detail type="issue"><caption>no.</caption>
<number>11</number>
</detail>
<extent unit="pages"><start>26</start>
<end>29</end>
<total>4</total>
</extent>
</part>
</relatedItem>
<identifier type="istex">9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900</identifier>
<identifier type="ark">ark:/67375/6GQ-BLG68CQ1-Q</identifier>
<identifier type="DOI">10.1017/S0040298200042649</identifier>
<identifier type="PII">S0040298200042649</identifier>
<identifier type="ArticleID">04264</identifier>
<accessCondition type="use and reproduction" contentType="copyright">Copyright © Cambridge University Press 1949</accessCondition>
<recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-G3RCRD03-V">cambridge</recordContentSource>
<recordOrigin>Copyright © Cambridge University Press 1949</recordOrigin>
</recordInfo>
</mods>
<json:item><extension>json</extension>
<original>false</original>
<mimetype>application/json</mimetype>
<uri>https://api.istex.fr/document/9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900/metadata/json</uri>
</json:item>
</metadata>
<serie></serie>
</istex>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001533 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 001533 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Istex |étape= Corpus |type= RBID |clé= ISTEX:9BE942A2ED72833D4C3D8CE7AD0D643DB1A1D900 |texte= Prokofieff's Works for Piano Solo }}
![]() | This area was generated with Dilib version V0.6.33. | ![]() |