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Book Reviews

Identifieur interne : 001179 ( Istex/Corpus ); précédent : 001178; suivant : 001180

Book Reviews

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RBID : ISTEX:9650556145E42F059BBE2FBBC948EB256A65E862

Abstract

Bartk as Ethnomusicologist Malcolm Gillies Barraqu's Debussy Chris Dingle Warlock the Composer Mike Smith Messiaen the Teacher Chris Dingle Arv Prt Peter Quinn

Url:
DOI: 10.1017/S0040298200048907

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ISTEX:9650556145E42F059BBE2FBBC948EB256A65E862

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<p>In conversation with Claude Samuel, Messiaen also characterized Barraqué as being a rebel in the Boulez mode.</p>
</fn>
<fn id="fn02" symbol="page no 23 note 2">
<label>
<sup>page no 23 note 2</sup>
</label>
<p>Particularly regarding rhythm in
<italic>La Met</italic>
.</p>
</fn>
<fn id="fn03" symbol="page no 24 note 1">
<label>
<sup>page no 24 note 1</sup>
</label>
<p>
<citation citation-type="book" id="ref002">
<name name-style="western">
<surname>Samson</surname>
<given-names>Jim</given-names>
</name>
,
<source>Music in Transition: a Study of Tonal Expansion and Atonatlity, 1900–1920</source>
(
<publisher-loc>London</publisher-loc>
:
<publisher-name>Dent</publisher-name>
,
<year>1977</year>
), p.
<fpage>101</fpage>
</citation>
.</p>
</fn>
<fn id="fn04" symbol="page no 24 note 2">
<label>
<sup>page no 24 note 2</sup>
</label>
<p>
<citation citation-type="book" id="ref003">
<name name-style="western">
<surname>Kington</surname>
<given-names>Beryl</given-names>
</name>
, quoting
<name name-style="western">
<surname>Rowley</surname>
<given-names>Alec</given-names>
</name>
(apparently quoting warlock), in
<name name-style="western">
<surname>Cox</surname>
<given-names>David</given-names>
</name>
and
<name name-style="western">
<surname>Bishop</surname>
<given-names>John</given-names>
</name>
(eds),
<source>Peter Warlock: a Centenary Celebration</source>
(
<publisher-loc>London</publisher-loc>
:
<publisher-name>Thames Publishing</publisher-name>
,
<year>1994</year>
), p.
<fpage>217</fpage>
</citation>
.</p>
</fn>
<fn id="fn05" symbol="page 25 note 1">
<label>
<sup>page 25 note 1</sup>
</label>
<p>
<citation citation-type="book" xlink:type="simple" id="ref002-d31788e227">
<source>Musique et Couleur - nouveaux entretiens avec Claude Samuel</source>
by
<name name-style="western">
<surname>Messiaen</surname>
<given-names>Olivier</given-names>
</name>
(
<publisher-loc>Paris</publisher-loc>
,
<year>1986</year>
),
<fpage>41</fpage>
</citation>
.</p>
</fn>
<fn id="fn06" symbol="page 25 note 2">
<label>
<sup>page 25 note 2</sup>
</label>
<p>The entire
<italic>Traité</italic>
is likely to weigh-in at about 5000 pages. According to Jean Leduc, the volume dedicated to birdsong (Tome V) is now going to be split into two parts with a total of 2000 pages.</p>
</fn>
<fn id="fn07" symbol="page 25 note 3">
<label>
<sup>page 25 note 3</sup>
</label>
<p>The dedicatee of
<italic>Technique Je mon langage musical</italic>
.</p>
</fn>
<fn id="fn08" symbol="page 25 note 4">
<label>
<sup>page 25 note 4</sup>
</label>
<p>Director of the paris Conservatoire, 1956–62.</p>
</fn>
<fn id="fn09" symbol="page 26 note 5">
<label>
<sup>page 26 note 5</sup>
</label>
<p>Boivin, p. 293.</p>
</fn>
<fn id="fn10" symbol="page 26 note 6">
<label>
<sup>page 26 note 6</sup>
</label>
<p>
<xref ref-type="bibr" rid="ref002">ibid</xref>
.</p>
</fn>
<fn id="fn11" symbol="page 26 note 7">
<label>
<sup>page 26 note 7</sup>
</label>
<p>Messiaen Traité Tome II, p. 130.</p>
</fn>
<fn id="fn12" symbol="page 26 note 8">
<label>
<sup>page 26 note 8</sup>
</label>
<p>From the film
<citation citation-type="other" xlink:type="simple" id="ref002-d31788e314">
<italic>Messiaen et les oiseaux</italic>
(
<year>1973</year>
) by
<name name-style="western">
<surname>Tual</surname>
<given-names>Denise</given-names>
</name>
and
<name name-style="western">
<surname>Fano</surname>
<given-names>Michel</given-names>
</name>
</citation>
.</p>
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