‘The Mime of Mick, Nick and the Maggies’
Identifieur interne : 000F30 ( Istex/Corpus ); précédent : 000F29; suivant : 000F31‘The Mime of Mick, Nick and the Maggies’
Auteurs : John BullerSource :
- Tempo [ 0040-2982 ] ; 1977-12.
Abstract
The Mime of Mick, Nick and the Maggies—on Part II of Finnegans Wake by James Joyce—lasts about an hour. It is for soprano, tenor and baritone, seven female voices and six male, with an instrumental group of 13 players: flutes, oboes, clarinet (doubling contrabass clarinet), bassoons, 2 horns, trumpet, 2 trombones, percussion, keyboards, cello and bass. There is also a ‘Manager’—either ‘live’ or on tape. The text selected is from a comparatively self-contained section of Finnegans Wake, separately published by Joyce as a fragment under this name in 1934 but now just the first section of Part 11, sometimes referred to as the Children's Night Games. It fuses children's games with life/sexual games, describing humiliation and extreme loneliness and the realizing creative power of building from these with the mythologies of the fall, of parenthood and of the family, with jealousy and incest, closing with the almost central Joycean prayer: ‘Loud, heap miseries upon us yet entwine our arts with laughters low’. In it, the two sons of HCE, Shem and Shaun, now as children called Glugg and Chuff, are outside their father's pub in the evening with their sister Issy and her seven girl friends (though they sometimes disturbingly multiply into a lunar monthly 28). The game is Angels and Devils and Glugg is the devil, Chuff Saint Michael, whilst the girl/angels or harpy/maggies think of a colour—but twist it to the colour of their knickers. Heliotrope is the rather unlikely colour and three times Glugg is allowed to advance and try three guesses.
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DOI: 10.1017/S0040298200029570
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It is for soprano, tenor and baritone, seven female voices and six male, with an instrumental group of 13 players: flutes, oboes, clarinet (doubling contrabass clarinet), bassoons, 2 horns, trumpet, 2 trombones, percussion, keyboards, cello and bass. There is also a ‘Manager’—either ‘live’ or on tape. The text selected is from a comparatively self-contained section of Finnegans Wake, separately published by Joyce as a fragment under this name in 1934 but now just the first section of Part 11, sometimes referred to as the Children's Night Games. It fuses children's games with life/sexual games, describing humiliation and extreme loneliness and the realizing creative power of building from these with the mythologies of the fall, of parenthood and of the family, with jealousy and incest, closing with the almost central Joycean prayer: ‘Loud, heap miseries upon us yet entwine our arts with laughters low’. In it, the two sons of HCE, Shem and Shaun, now as children called Glugg and Chuff, are outside their father's pub in the evening with their sister Issy and her seven girl friends (though they sometimes disturbingly multiply into a lunar monthly 28). The game is Angels and Devils and Glugg is the devil, Chuff Saint Michael, whilst the girl/angels or harpy/maggies think of a colour—but twist it to the colour of their knickers. Heliotrope is the rather unlikely colour and three times Glugg is allowed to advance and try three guesses.</div></front></TEI><istex><corpusName>cambridge</corpusName><author><json:item><name>John Buller</name></json:item></author><articleId><json:string>02957</json:string></articleId><arkIstex>ark:/67375/6GQ-QSRG48MN-B</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>research-article</json:string></originalGenre><abstract>The Mime of Mick, Nick and the Maggies—on Part II of Finnegans Wake by James Joyce—lasts about an hour. It is for soprano, tenor and baritone, seven female voices and six male, with an instrumental group of 13 players: flutes, oboes, clarinet (doubling contrabass clarinet), bassoons, 2 horns, trumpet, 2 trombones, percussion, keyboards, cello and bass. There is also a ‘Manager’—either ‘live’ or on tape. The text selected is from a comparatively self-contained section of Finnegans Wake, separately published by Joyce as a fragment under this name in 1934 but now just the first section of Part 11, sometimes referred to as the Children's Night Games. It fuses children's games with life/sexual games, describing humiliation and extreme loneliness and the realizing creative power of building from these with the mythologies of the fall, of parenthood and of the family, with jealousy and incest, closing with the almost central Joycean prayer: ‘Loud, heap miseries upon us yet entwine our arts with laughters low’. In it, the two sons of HCE, Shem and Shaun, now as children called Glugg and Chuff, are outside their father's pub in the evening with their sister Issy and her seven girl friends (though they sometimes disturbingly multiply into a lunar monthly 28). The game is Angels and Devils and Glugg is the devil, Chuff Saint Michael, whilst the girl/angels or harpy/maggies think of a colour—but twist it to the colour of their knickers. 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It is for soprano, tenor and baritone, seven female voices and six male, with an instrumental group of 13 players: flutes, oboes, clarinet (doubling contrabass clarinet), bassoons, 2 horns, trumpet, 2 trombones, percussion, keyboards, cello and bass. There is also a ‘Manager’—either ‘live’ or on tape. The text selected is from a comparatively self-contained section of Finnegans Wake, separately published by Joyce as a fragment under this name in 1934 but now just the first section of Part 11, sometimes referred to as the Children's Night Games. It fuses children's games with life/sexual games, describing humiliation and extreme loneliness and the realizing creative power of building from these with the mythologies of the fall, of parenthood and of the family, with jealousy and incest, closing with the almost central Joycean prayer: ‘Loud, heap miseries upon us yet entwine our arts with laughters low’. In it, the two sons of HCE, Shem and Shaun, now as children called Glugg and Chuff, are outside their father's pub in the evening with their sister Issy and her seven girl friends (though they sometimes disturbingly multiply into a lunar monthly 28). The game is Angels and Devils and Glugg is the devil, Chuff Saint Michael, whilst the girl/angels or harpy/maggies think of a colour—but twist it to the colour of their knickers. Heliotrope is the rather unlikely colour and three times Glugg is allowed to advance and try three guesses.</p></abstract></profileDesc><revisionDesc><change when="1977-12">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-09-5">References added</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="US-ASCII"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.2 20060430//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="research-article" dtd-version="2.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">TEM</journal-id><journal-title>Tempo</journal-title><abbrev-journal-title>Tempo</abbrev-journal-title><issn pub-type="ppub">0040-2982</issn><issn pub-type="epub">1478-2286</issn><publisher><publisher-name>Cambridge University Press</publisher-name><publisher-loc>Cambridge, UK</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1017/S0040298200029570</article-id><article-id pub-id-type="pii">S0040298200029570</article-id><article-id pub-id-type="publisher-id">02957</article-id><title-group><article-title>‘The Mime of Mick, Nick and the Maggies’</article-title><alt-title alt-title-type="left-running">TEMPO</alt-title><alt-title alt-title-type="right-running">BULLER'S ‘MIME’</alt-title></title-group><contrib-group><contrib><name name-style="western"><surname>Buller</surname><given-names>John</given-names></name></contrib></contrib-group><pub-date pub-type="ppub"><month>12</month><year>1977</year></pub-date><issue>123</issue><fpage seq="7">24</fpage><lpage>29</lpage><permissions><copyright-statement>Copyright © Cambridge University Press 1977</copyright-statement><copyright-year>1977</copyright-year><copyright-holder>Cambridge University Press</copyright-holder></permissions><abstract abstract-type="text-abstract"><p><italic>The Mime of Mick, Nick and the Maggies</italic>—on Part II of <italic>Finnegans Wake</italic> by James Joyce—lasts about an hour. It is for soprano, tenor and baritone, seven female voices and six male, with an instrumental group of 13 players: flutes, oboes, clarinet (doubling contrabass clarinet), bassoons, 2 horns, trumpet, 2 trombones, percussion, keyboards, cello and bass. There is also a ‘Manager’—either ‘live’ or on tape. The text selected is from a comparatively self-contained section of <italic>Finnegans Wake</italic>, separately published by Joyce as a fragment under this name in 1934 but now just the first section of Part 11, sometimes referred to as the Children's Night Games. It fuses children's games with life/sexual games, describing humiliation and extreme loneliness and the realizing creative power of building from these with the mythologies of the fall, of parenthood and of the family, with jealousy and incest, closing with the almost central Joycean prayer: ‘Loud, heap miseries upon us yet entwine our arts with laughters low’. In it, the two sons of HCE, Shem and Shaun, now as children called Glugg and Chuff, are outside their father's pub in the evening with their sister Issy and her seven girl friends (though they sometimes disturbingly multiply into a lunar monthly 28). The game is Angels and Devils and Glugg is the devil, Chuff Saint Michael, whilst the girl/angels or harpy/maggies think of a colour—but twist it to the colour of their knickers. Heliotrope is the rather unlikely colour and three times Glugg is allowed to advance and try three guesses.</p></abstract><counts><page-count count="6"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298200029570a.pdf</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>1</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>New Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><fn id="fn01" symbol="1"><label><sup>1</sup></label><p>To be premièred on 6 February 1978 in a BBC concert at The Roundhouse.</p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>‘The Mime of Mick, Nick and the Maggies’</title></titleInfo><titleInfo type="alternative"><title>TEMPO</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>‘The Mime of Mick, Nick and the Maggies’</title></titleInfo><name type="personal"><namePart type="given">John</namePart><namePart type="family">Buller</namePart><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">1977-12</dateIssued><copyrightDate encoding="w3cdtf">1977</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract" lang="en">The Mime of Mick, Nick and the Maggies—on Part II of Finnegans Wake by James Joyce—lasts about an hour. It is for soprano, tenor and baritone, seven female voices and six male, with an instrumental group of 13 players: flutes, oboes, clarinet (doubling contrabass clarinet), bassoons, 2 horns, trumpet, 2 trombones, percussion, keyboards, cello and bass. There is also a ‘Manager’—either ‘live’ or on tape. The text selected is from a comparatively self-contained section of Finnegans Wake, separately published by Joyce as a fragment under this name in 1934 but now just the first section of Part 11, sometimes referred to as the Children's Night Games. It fuses children's games with life/sexual games, describing humiliation and extreme loneliness and the realizing creative power of building from these with the mythologies of the fall, of parenthood and of the family, with jealousy and incest, closing with the almost central Joycean prayer: ‘Loud, heap miseries upon us yet entwine our arts with laughters low’. In it, the two sons of HCE, Shem and Shaun, now as children called Glugg and Chuff, are outside their father's pub in the evening with their sister Issy and her seven girl friends (though they sometimes disturbingly multiply into a lunar monthly 28). The game is Angels and Devils and Glugg is the devil, Chuff Saint Michael, whilst the girl/angels or harpy/maggies think of a colour—but twist it to the colour of their knickers. 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