Reading Berg
Identifieur interne : 000F14 ( Istex/Corpus ); précédent : 000F13; suivant : 000F15Reading Berg
Auteurs : Arved AshbySource :
- Music Analysis [ 0262-5245 ] ; 2002-10.
English descriptors
- Teeft :
- 0blackwell publishing, Adorno, Aesthetic outlook, Alban, Alban berg, Altenberg, American musicological society, Analytical perspectives, Andante amoroso, Anthony pople, Arved, Arved ashby, Arvedashby, Ashby, Atonal, Atonal music, Autograph sources, Berg, Berg reception, Berg scholars, Bergian, Berkeley, Blackwell, Blackwell publishing, Boulez, California press, Cambridge companion, Cambridge companion essay, Cambridge university press, Chamber concerto, Chord, Chord sequence, Chord tones, Compositional, Compositional process, Cyclic, Cyclic collections, Cyclic constructions, Cyclic elements, Cyclic model, David gable, Denaturalised performance, Derrick puffett, Diatonic, Diatonic tonality, Early experiments, Early music, Entire berg oeuvre, First chord, First point, Frank wedekind, Geistigen biographie, General sense, Greenwood press, Harmonic, Harmonic types, Headlam, Hexatonic collection, Historiographical, Ideal type, Identity politics, Interval cycles, Jarman, Judy lochhead, Karl kraus, Lulu, Lyric suite, Many insights, Much music, Music analysis, Musical language, Musical style, Musical terms, Mythical reference point, Opening bars, Order positions, Oxford university press, Patricia hall, Performative, Perle, Piano sonata, Pople, Progression, Reading berg, Same time, Schoenberg, Schoenberg circle, Schoenbergian, Second opera, Second violin, Secondary literature, Smallest link, Sonority, Stage action, Third chord, Tonal, Tonal language, Tonality, Trans, Triad, Twentieth century, Violin concerto, Wedekind, Wozzeck, Yale university press.
Url:
DOI: 10.1111/1468-2249.00171
Links to Exploration step
ISTEX:1A522011A0FCD62CC9E110B92529D14CAA2AE673Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Reading Berg</title>
<author><name sortKey="Ashby, Arved" sort="Ashby, Arved" uniqKey="Ashby A" first="Arved" last="Ashby">Arved Ashby</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:1A522011A0FCD62CC9E110B92529D14CAA2AE673</idno>
<date when="2002" year="2002">2002</date>
<idno type="doi">10.1111/1468-2249.00171</idno>
<idno type="url">https://api.istex.fr/document/1A522011A0FCD62CC9E110B92529D14CAA2AE673/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">000F14</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000F14</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main">R<hi rend="smallCaps">eading</hi>
B<hi rend="smallCaps">erg</hi>
</title>
<author><name sortKey="Ashby, Arved" sort="Ashby, Arved" uniqKey="Ashby A" first="Arved" last="Ashby">Arved Ashby</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j" type="main">Music Analysis</title>
<title level="j" type="alt">MUSIC ANALYSIS</title>
<idno type="ISSN">0262-5245</idno>
<idno type="eISSN">1468-2249</idno>
<imprint><biblScope unit="vol">21</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="383">383</biblScope>
<biblScope unit="page" to="415">415</biblScope>
<biblScope unit="page-count">33</biblScope>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2002-10">2002-10</date>
</imprint>
<idno type="ISSN">0262-5245</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0262-5245</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>0blackwell publishing</term>
<term>Adorno</term>
<term>Aesthetic outlook</term>
<term>Alban</term>
<term>Alban berg</term>
<term>Altenberg</term>
<term>American musicological society</term>
<term>Analytical perspectives</term>
<term>Andante amoroso</term>
<term>Anthony pople</term>
<term>Arved</term>
<term>Arved ashby</term>
<term>Arvedashby</term>
<term>Ashby</term>
<term>Atonal</term>
<term>Atonal music</term>
<term>Autograph sources</term>
<term>Berg</term>
<term>Berg reception</term>
<term>Berg scholars</term>
<term>Bergian</term>
<term>Berkeley</term>
<term>Blackwell</term>
<term>Blackwell publishing</term>
<term>Boulez</term>
<term>California press</term>
<term>Cambridge companion</term>
<term>Cambridge companion essay</term>
<term>Cambridge university press</term>
<term>Chamber concerto</term>
<term>Chord</term>
<term>Chord sequence</term>
<term>Chord tones</term>
<term>Compositional</term>
<term>Compositional process</term>
<term>Cyclic</term>
<term>Cyclic collections</term>
<term>Cyclic constructions</term>
<term>Cyclic elements</term>
<term>Cyclic model</term>
<term>David gable</term>
<term>Denaturalised performance</term>
<term>Derrick puffett</term>
<term>Diatonic</term>
<term>Diatonic tonality</term>
<term>Early experiments</term>
<term>Early music</term>
<term>Entire berg oeuvre</term>
<term>First chord</term>
<term>First point</term>
<term>Frank wedekind</term>
<term>Geistigen biographie</term>
<term>General sense</term>
<term>Greenwood press</term>
<term>Harmonic</term>
<term>Harmonic types</term>
<term>Headlam</term>
<term>Hexatonic collection</term>
<term>Historiographical</term>
<term>Ideal type</term>
<term>Identity politics</term>
<term>Interval cycles</term>
<term>Jarman</term>
<term>Judy lochhead</term>
<term>Karl kraus</term>
<term>Lulu</term>
<term>Lyric suite</term>
<term>Many insights</term>
<term>Much music</term>
<term>Music analysis</term>
<term>Musical language</term>
<term>Musical style</term>
<term>Musical terms</term>
<term>Mythical reference point</term>
<term>Opening bars</term>
<term>Order positions</term>
<term>Oxford university press</term>
<term>Patricia hall</term>
<term>Performative</term>
<term>Perle</term>
<term>Piano sonata</term>
<term>Pople</term>
<term>Progression</term>
<term>Reading berg</term>
<term>Same time</term>
<term>Schoenberg</term>
<term>Schoenberg circle</term>
<term>Schoenbergian</term>
<term>Second opera</term>
<term>Second violin</term>
<term>Secondary literature</term>
<term>Smallest link</term>
<term>Sonority</term>
<term>Stage action</term>
<term>Third chord</term>
<term>Tonal</term>
<term>Tonal language</term>
<term>Tonality</term>
<term>Trans</term>
<term>Triad</term>
<term>Twentieth century</term>
<term>Violin concerto</term>
<term>Wedekind</term>
<term>Wozzeck</term>
<term>Yale university press</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
</TEI>
<istex><corpusName>wiley</corpusName>
<keywords><teeft><json:string>berg</json:string>
<json:string>tonality</json:string>
<json:string>headlam</json:string>
<json:string>schoenberg</json:string>
<json:string>blackwell publishing</json:string>
<json:string>alban</json:string>
<json:string>music analysis</json:string>
<json:string>alban berg</json:string>
<json:string>cyclic</json:string>
<json:string>pople</json:string>
<json:string>performative</json:string>
<json:string>reading berg</json:string>
<json:string>lulu</json:string>
<json:string>ashby</json:string>
<json:string>wozzeck</json:string>
<json:string>arved</json:string>
<json:string>bergian</json:string>
<json:string>adorno</json:string>
<json:string>altenberg</json:string>
<json:string>lyric suite</json:string>
<json:string>atonal</json:string>
<json:string>wedekind</json:string>
<json:string>schoenbergian</json:string>
<json:string>perle</json:string>
<json:string>arvedashby</json:string>
<json:string>interval cycles</json:string>
<json:string>california press</json:string>
<json:string>trans</json:string>
<json:string>jarman</json:string>
<json:string>diatonic</json:string>
<json:string>historiographical</json:string>
<json:string>cambridge companion</json:string>
<json:string>chamber concerto</json:string>
<json:string>compositional</json:string>
<json:string>boulez</json:string>
<json:string>violin concerto</json:string>
<json:string>arved ashby</json:string>
<json:string>cambridge companion essay</json:string>
<json:string>0blackwell publishing</json:string>
<json:string>analytical perspectives</json:string>
<json:string>cambridge university press</json:string>
<json:string>autograph sources</json:string>
<json:string>musical language</json:string>
<json:string>blackwell</json:string>
<json:string>sonority</json:string>
<json:string>berkeley</json:string>
<json:string>triad</json:string>
<json:string>anthony pople</json:string>
<json:string>atonal music</json:string>
<json:string>order positions</json:string>
<json:string>oxford university press</json:string>
<json:string>schoenberg circle</json:string>
<json:string>karl kraus</json:string>
<json:string>same time</json:string>
<json:string>chord sequence</json:string>
<json:string>second violin</json:string>
<json:string>harmonic</json:string>
<json:string>chord</json:string>
<json:string>first chord</json:string>
<json:string>denaturalised performance</json:string>
<json:string>opening bars</json:string>
<json:string>twentieth century</json:string>
<json:string>musical style</json:string>
<json:string>american musicological society</json:string>
<json:string>smallest link</json:string>
<json:string>stage action</json:string>
<json:string>secondary literature</json:string>
<json:string>cyclic constructions</json:string>
<json:string>cyclic elements</json:string>
<json:string>diatonic tonality</json:string>
<json:string>andante amoroso</json:string>
<json:string>mythical reference point</json:string>
<json:string>tonal language</json:string>
<json:string>harmonic types</json:string>
<json:string>berg scholars</json:string>
<json:string>identity politics</json:string>
<json:string>hexatonic collection</json:string>
<json:string>patricia hall</json:string>
<json:string>compositional process</json:string>
<json:string>third chord</json:string>
<json:string>cyclic model</json:string>
<json:string>chord tones</json:string>
<json:string>cyclic collections</json:string>
<json:string>early experiments</json:string>
<json:string>musical terms</json:string>
<json:string>first point</json:string>
<json:string>general sense</json:string>
<json:string>much music</json:string>
<json:string>ideal type</json:string>
<json:string>aesthetic outlook</json:string>
<json:string>david gable</json:string>
<json:string>berg reception</json:string>
<json:string>early music</json:string>
<json:string>many insights</json:string>
<json:string>geistigen biographie</json:string>
<json:string>entire berg oeuvre</json:string>
<json:string>second opera</json:string>
<json:string>frank wedekind</json:string>
<json:string>yale university press</json:string>
<json:string>judy lochhead</json:string>
<json:string>piano sonata</json:string>
<json:string>derrick puffett</json:string>
<json:string>greenwood press</json:string>
<json:string>tonal</json:string>
<json:string>progression</json:string>
</teeft>
</keywords>
<author><json:item><name>ARVED ASHBY</name>
</json:item>
</author>
<articleId><json:string>MUSA4</json:string>
</articleId>
<arkIstex>ark:/67375/WNG-86144QCP-L</arkIstex>
<language><json:string>eng</json:string>
</language>
<originalGenre><json:string>miscellaneous</json:string>
</originalGenre>
<qualityIndicators><score>7.012</score>
<pdfWordCount>12617</pdfWordCount>
<pdfCharCount>74893</pdfCharCount>
<pdfVersion>1.3</pdfVersion>
<pdfPageCount>33</pdfPageCount>
<pdfPageSize>504 x 720 pts</pdfPageSize>
<refBibsNative>true</refBibsNative>
<abstractWordCount>1</abstractWordCount>
<abstractCharCount>0</abstractCharCount>
<keywordCount>0</keywordCount>
</qualityIndicators>
<title>Reading Berg</title>
<genre><json:string>other</json:string>
</genre>
<host><title>Music Analysis</title>
<language><json:string>unknown</json:string>
</language>
<doi><json:string>10.1111/(ISSN)1468-2249</json:string>
</doi>
<issn><json:string>0262-5245</json:string>
</issn>
<eissn><json:string>1468-2249</json:string>
</eissn>
<publisherId><json:string>MUSA</json:string>
</publisherId>
<volume>21</volume>
<issue>3</issue>
<pages><first>383</first>
<last>415</last>
<total>33</total>
</pages>
<genre><json:string>journal</json:string>
</genre>
</host>
<namedEntities><unitex><date></date>
<geogName></geogName>
<orgName></orgName>
<orgName_funder></orgName_funder>
<orgName_provider></orgName_provider>
<persName></persName>
<placeName></placeName>
<ref_url></ref_url>
<ref_bibl></ref_bibl>
<bibl></bibl>
</unitex>
</namedEntities>
<ark><json:string>ark:/67375/WNG-86144QCP-L</json:string>
</ark>
<categories><wos></wos>
<scienceMetrix><json:string>1 - arts & humanities</json:string>
<json:string>2 - visual & performing arts</json:string>
<json:string>3 - music</json:string>
</scienceMetrix>
<scopus><json:string>1 - Social Sciences</json:string>
<json:string>2 - Arts and Humanities</json:string>
<json:string>3 - Music</json:string>
</scopus>
</categories>
<publicationDate>2002</publicationDate>
<copyrightDate>2002</copyrightDate>
<doi><json:string>10.1111/1468-2249.00171</json:string>
</doi>
<id>1A522011A0FCD62CC9E110B92529D14CAA2AE673</id>
<score>1</score>
<fulltext><json:item><extension>pdf</extension>
<original>true</original>
<mimetype>application/pdf</mimetype>
<uri>https://api.istex.fr/document/1A522011A0FCD62CC9E110B92529D14CAA2AE673/fulltext/pdf</uri>
</json:item>
<json:item><extension>zip</extension>
<original>false</original>
<mimetype>application/zip</mimetype>
<uri>https://api.istex.fr/document/1A522011A0FCD62CC9E110B92529D14CAA2AE673/fulltext/zip</uri>
</json:item>
<istex:fulltextTEI uri="https://api.istex.fr/document/1A522011A0FCD62CC9E110B92529D14CAA2AE673/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main">R<hi rend="smallCaps">eading</hi>
B<hi rend="smallCaps">erg</hi>
</title>
</titleStmt>
<publicationStmt><authority>ISTEX</authority>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<availability><licence>Blackwell Publishers Ltd 2002</licence>
</availability>
<date type="published" when="2002-10"></date>
</publicationStmt>
<notesStmt><note type="content-type" subtype="other" source="miscellaneous" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</note>
<note type="publication-type" subtype="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note>
</notesStmt>
<sourceDesc><biblStruct type="other"><analytic><title level="a" type="main">R<hi rend="smallCaps">eading</hi>
B<hi rend="smallCaps">erg</hi>
</title>
<author xml:id="author-0000"><persName><forename type="first">ARVED</forename>
<surname>ASHBY</surname>
</persName>
</author>
<idno type="istex">1A522011A0FCD62CC9E110B92529D14CAA2AE673</idno>
<idno type="ark">ark:/67375/WNG-86144QCP-L</idno>
<idno type="DOI">10.1111/1468-2249.00171</idno>
<idno type="unit">MUSA4</idno>
<idno type="toTypesetVersion">file:MUSA.MUSA4.pdf</idno>
</analytic>
<monogr><title level="j" type="main">Music Analysis</title>
<title level="j" type="alt">MUSIC ANALYSIS</title>
<idno type="pISSN">0262-5245</idno>
<idno type="eISSN">1468-2249</idno>
<idno type="book-DOI">10.1111/(ISSN)1468-2249</idno>
<idno type="book-part-DOI">10.1111/musa.2002.21.issue-3</idno>
<idno type="product">MUSA</idno>
<idno type="publisherDivision">ST</idno>
<imprint><biblScope unit="vol">21</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="383">383</biblScope>
<biblScope unit="page" to="415">415</biblScope>
<biblScope unit="page-count">33</biblScope>
<publisher>Blackwell Publishing Ltd</publisher>
<pubPlace>Oxford, UK</pubPlace>
<date type="published" when="2002-10"></date>
</imprint>
</monogr>
</biblStruct>
</sourceDesc>
</fileDesc>
</teiHeader>
</istex:fulltextTEI>
<json:item><extension>txt</extension>
<original>false</original>
<mimetype>text/plain</mimetype>
<uri>https://api.istex.fr/document/1A522011A0FCD62CC9E110B92529D14CAA2AE673/fulltext/txt</uri>
</json:item>
</fulltext>
<metadata><istex:metadataXml wicri:clean="Wiley, elements deleted: body"><istex:xmlDeclaration>version="1.0" encoding="UTF-8" standalone="yes"</istex:xmlDeclaration>
<istex:document><component version="2.0" type="serialArticle" xml:lang="en"><header><publicationMeta level="product"><publisherInfo><publisherName>Blackwell Publishing Ltd</publisherName>
<publisherLoc>Oxford, UK</publisherLoc>
</publisherInfo>
<doi origin="wiley" registered="yes">10.1111/(ISSN)1468-2249</doi>
<issn type="print">0262-5245</issn>
<issn type="electronic">1468-2249</issn>
<idGroup><id type="product" value="MUSA"></id>
<id type="publisherDivision" value="ST"></id>
</idGroup>
<titleGroup><title type="main" sort="MUSIC ANALYSIS">Music Analysis</title>
</titleGroup>
</publicationMeta>
<publicationMeta level="part" position="10003"><doi origin="wiley">10.1111/musa.2002.21.issue-3</doi>
<numberingGroup><numbering type="journalVolume" number="21">21</numbering>
<numbering type="journalIssue" number="3">3</numbering>
</numberingGroup>
<coverDate startDate="2002-10">October 2002</coverDate>
</publicationMeta>
<publicationMeta level="unit" type="miscellaneous" position="4" status="forIssue"><doi origin="wiley">10.1111/1468-2249.00171</doi>
<idGroup><id type="unit" value="MUSA4"></id>
</idGroup>
<countGroup><count type="pageTotal" number="33"></count>
</countGroup>
<titleGroup><title type="tocHeading1">Critical Forum</title>
</titleGroup>
<copyright>Blackwell Publishers Ltd 2002</copyright>
<eventGroup><event type="firstOnline" date="2003-10-06"></event>
<event type="publishedOnlineFinalForm" date="2003-10-06"></event>
<event type="xmlConverted" agent="Converter:BPG_TO_WML3G version:2.3.5 mode:FullText source:HeaderRef result:HeaderRef" date="2010-04-09"></event>
<event type="xmlConverted" agent="Converter:WILEY_ML3G_TO_WILEY_ML3GV2 version:3.8.8" date="2014-02-03"></event>
<event type="xmlConverted" agent="Converter:WML3G_To_WML3G version:4.1.7 mode:FullText,remove_FC" date="2014-10-31"></event>
</eventGroup>
<numberingGroup><numbering type="pageFirst" number="383">383</numbering>
<numbering type="pageLast" number="415">415</numbering>
</numberingGroup>
<linkGroup><link type="toTypesetVersion" href="file:MUSA.MUSA4.pdf"></link>
</linkGroup>
</publicationMeta>
<contentMeta><countGroup><count type="referenceTotal" number="31"></count>
<count type="linksCrossRef" number="0"></count>
</countGroup>
<titleGroup><title type="main">R<sc>eading</sc>
B<sc>erg</sc>
</title>
</titleGroup>
<creators><creator creatorRole="author" xml:id="cr1"><personName><givenNames>ARVED</givenNames>
<familyName>ASHBY</familyName>
</personName>
</creator>
</creators>
</contentMeta>
</header>
</component>
</istex:document>
</istex:metadataXml>
<mods version="3.6"><titleInfo lang="en"><title>Reading Berg</title>
</titleInfo>
<titleInfo type="alternative" contentType="CDATA" lang="en"><title>Reading Berg</title>
</titleInfo>
<name type="personal"><namePart type="given">ARVED</namePart>
<namePart type="family">ASHBY</namePart>
<role><roleTerm type="text">author</roleTerm>
</role>
</name>
<typeOfResource>text</typeOfResource>
<genre type="other" displayLabel="miscellaneous" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre>
<originInfo><publisher>Blackwell Publishing Ltd</publisher>
<place><placeTerm type="text">Oxford, UK</placeTerm>
</place>
<dateIssued encoding="w3cdtf">2002-10</dateIssued>
<copyrightDate encoding="w3cdtf">2002</copyrightDate>
</originInfo>
<language><languageTerm type="code" authority="rfc3066">en</languageTerm>
<languageTerm type="code" authority="iso639-2b">eng</languageTerm>
</language>
<physicalDescription><extent unit="references">31</extent>
<extent unit="linksCrossRef">0</extent>
</physicalDescription>
<relatedItem type="host"><titleInfo><title>Music Analysis</title>
</titleInfo>
<genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre>
<identifier type="ISSN">0262-5245</identifier>
<identifier type="eISSN">1468-2249</identifier>
<identifier type="DOI">10.1111/(ISSN)1468-2249</identifier>
<identifier type="PublisherID">MUSA</identifier>
<part><date>2002</date>
<detail type="volume"><caption>vol.</caption>
<number>21</number>
</detail>
<detail type="issue"><caption>no.</caption>
<number>3</number>
</detail>
<extent unit="pages"><start>383</start>
<end>415</end>
<total>33</total>
</extent>
</part>
</relatedItem>
<identifier type="istex">1A522011A0FCD62CC9E110B92529D14CAA2AE673</identifier>
<identifier type="ark">ark:/67375/WNG-86144QCP-L</identifier>
<identifier type="DOI">10.1111/1468-2249.00171</identifier>
<identifier type="ArticleID">MUSA4</identifier>
<accessCondition type="use and reproduction" contentType="copyright">Blackwell Publishers Ltd 2002</accessCondition>
<recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-L0C46X92-X">wiley</recordContentSource>
<recordOrigin>Blackwell Publishing Ltd</recordOrigin>
</recordInfo>
</mods>
<json:item><extension>json</extension>
<original>false</original>
<mimetype>application/json</mimetype>
<uri>https://api.istex.fr/document/1A522011A0FCD62CC9E110B92529D14CAA2AE673/metadata/json</uri>
</json:item>
</metadata>
<serie></serie>
</istex>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000F14 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000F14 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Istex |étape= Corpus |type= RBID |clé= ISTEX:1A522011A0FCD62CC9E110B92529D14CAA2AE673 |texte= Reading Berg }}
This area was generated with Dilib version V0.6.33. |