Manuel de Falla
Identifieur interne : 000E45 ( Istex/Corpus ); précédent : 000E44; suivant : 000E46Manuel de Falla
Auteurs : Eric BlomSource :
- Tempo [ 0040-2982 ] ; 1947-03.
Abstract
The death last November of Manuel de Falla in the Argentine did not remove a figure who had been lately in the minds of musicians and music-lovers. Rather did it bring his picture back to their memories—the almost forgotten picture of a small, dried-up little man looking like some fanatical monk ready to go to the torture for an ideal, right or wrong. Almost forgotten: the man who twenty years ago was in the foreground as the most eminent living Spanish composer had long receded into a baffling obscurity. If he was mentioned at all, there were hints of some mystery or other. Some said his reason had gone, others that he had become a religious recluse, and some concluded from these rumours that there was some truth in both because these things may be interdependent.
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DOI: 10.1017/S0040298200053390
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ISTEX:6872FA7F408ED9E4F30E8715412205E0BF0094A2Le document en format XML
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Rather did it bring his picture back to their memories—the almost forgotten picture of a small, dried-up little man looking like some fanatical monk ready to go to the torture for an ideal, right or wrong. Almost forgotten: the man who twenty years ago was in the foreground as the most eminent living Spanish composer had long receded into a baffling obscurity. If he was mentioned at all, there were hints of some mystery or other. Some said his reason had gone, others that he had become a religious recluse, and some concluded from these rumours that there was some truth in both because these things may be interdependent.</div></front></TEI><istex><corpusName>cambridge</corpusName><author><json:item><name>Eric Blom</name></json:item></author><articleId><json:string>05339</json:string></articleId><arkIstex>ark:/67375/6GQ-77THD8Q6-S</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>research-article</json:string></originalGenre><abstract>The death last November of Manuel de Falla in the Argentine did not remove a figure who had been lately in the minds of musicians and music-lovers. Rather did it bring his picture back to their memories—the almost forgotten picture of a small, dried-up little man looking like some fanatical monk ready to go to the torture for an ideal, right or wrong. Almost forgotten: the man who twenty years ago was in the foreground as the most eminent living Spanish composer had long receded into a baffling obscurity. If he was mentioned at all, there were hints of some mystery or other. 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Rather did it bring his picture back to their memories—the almost forgotten picture of a small, dried-up little man looking like some fanatical monk ready to go to the torture for an ideal, right or wrong. Almost forgotten: the man who twenty years ago was in the foreground as the most eminent living Spanish composer had long receded into a baffling obscurity. If he was mentioned at all, there were hints of some mystery or other. Some said his reason had gone, others that he had become a religious recluse, and some concluded from these rumours that there was some truth in both because these things may be interdependent.</p></abstract></profileDesc><revisionDesc><change when="1947-03">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-09-5">References added</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus cambridge not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="US-ASCII"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.2 20060430//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="research-article" dtd-version="2.2" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">TEM</journal-id><journal-title>Tempo</journal-title><abbrev-journal-title>Tempo</abbrev-journal-title><issn pub-type="ppub">0040-2982</issn><issn pub-type="epub">1478-2286</issn><publisher><publisher-name>Cambridge University Press</publisher-name><publisher-loc>Cambridge, UK</publisher-loc></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1017/S0040298200053390</article-id><article-id pub-id-type="pii">S0040298200053390</article-id><article-id pub-id-type="publisher-id">05339</article-id><title-group><article-title>Manuel de Falla</article-title><alt-title alt-title-type="left-running">TEMPO</alt-title><alt-title alt-title-type="right-running">MANUEL DE FALLA</alt-title></title-group><contrib-group><contrib><name name-style="western"><surname>Blom</surname><given-names>Eric</given-names></name></contrib></contrib-group><pub-date pub-type="ppub"><month>03</month><year>1947</year></pub-date><issue>3</issue><fpage seq="3">1</fpage><lpage>3</lpage><permissions><copyright-statement>Copyright © Cambridge University Press 1947</copyright-statement><copyright-year>1947</copyright-year><copyright-holder>Cambridge University Press</copyright-holder></permissions><abstract abstract-type="text-abstract"><p>The death last November of Manuel de Falla in the Argentine did not remove a figure who had been lately in the minds of musicians and music-lovers. Rather did it bring his picture back to their memories—the almost forgotten picture of a small, dried-up little man looking like some fanatical monk ready to go to the torture for an ideal, right or wrong. Almost forgotten: the man who twenty years ago was in the foreground as the most eminent living Spanish composer had long receded into a baffling obscurity. If he was mentioned at all, there were hints of some mystery or other. 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