Serveur d'exploration Debussy

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Identifieur interne : 000C56 ( Istex/Corpus ); précédent : 000C55; suivant : 000C57

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RBID : ISTEX:C931C72784DEA5FA9847D01F5F79B35AAB0130A6

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Url:
DOI: 10.2307/3394370

Links to Exploration step

ISTEX:C931C72784DEA5FA9847D01F5F79B35AAB0130A6

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<article-id pub-id-type="doi">10.2307/3394370</article-id>
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<month>10</month>
<year>1973</year>
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<volume>60</volume>
<issue>2</issue>
<fpage>80</fpage>
<lpage>82</lpage>
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<meta-value> book browsing The Compositional Process of). S. Bach: A Study of the Autograph Scores of the Vocal Works, Volumes I and II. By Robert Lewis Marshall. “Princeton Studies in Music,” No. 4. Princeton, New Jersey: Princeton University Press, 1972. 271 pp. and 170 pp., respectively. Music examples, bibliography, appendixes, index. Hard cover set, $35. A scholarly and in-depth examination of Bach's vocal works, this study concentrates on the composer's handwritten scores to determine the stages of his creative process. By identifying and interpreting changes that occur from one autograph version to another, the author theorizes about the technical and aesthetic considerations that prompted the various alterations. Volume I contains Marshall's analysis with music examples. Volume II comprises transcriptions of Bach's autograph sketch material. Classical Polyphony. By P. Samuel Rubio. Translated from the original Spanish by Thomas Rive. Buffalo, New York: University of Toronto Press, 1973.178 pp. Music examples, bibliography, appendix, indexes. Hard cover, $10. Photographic plates of music manuscripts serve as a twelve-page introduction to Rubio's scholarly, annotated examination of polyphonic music forms. Paleographical considerations—notation conventions, modality, chromatic progression, and other aspects of handwritten and printed editions—are detailed in the first part. The second section contains discussions of classical polyphonic forms. The Social Harp. By John Gordon McCurry. Edited by Daniel W. Patterson and John F. Garst. Athens: University of Georgia Press, 1973. 268 pp. Music examples, indexes. Hard cover, $9.00. A reprint of the original 1855 edition, this anthology contains a variety of folksongs by John McCurry and others who lived in Hart County, Georgia. McCurry designed his collection for use in singing schools as well as churches, and prefatory sections on “the rudiments of music” and the “art of musical composition” are of particular interest. A newly prepared introduction provides updated information on the author and his times. A Simplified Guide to Writing & Arranging Songs for Swing & Show Choirs & Small Instrumental Groups. By Jack Smalley. Basic Modal Improvisation Techniques for Keyboard instruments. By Jack Wheaton. Arranging Concepts: A Guide to Writing Arrangements for Stage Band Ensembles. By Dick Grove. Studio City, California: First Place Music Publications, Inc., 1972. Music examples. Soft cover. Each spiral-bound manual illustrates textual material with extensive music examples. Smalley's 92-page handbook sets forth techniques for transposition, two- to four-part writing, and other harmonic, melodic, and rhythmic aspects of arranging. Sections on choreography, stage settings, lighting, lyrics, and transcribing from a record are also included. Jack Wheaton's volume on keyboard improvisation begins with an analysis of the basic differences between jazz and rock and outlines fundamental rhythm patterns and individual modes and scales. The eighty-page study also supplies a table of harmonic and melodic devices. Divided into six major sections, Dick Grove's 442-page guide devotes detailed attention to technical elements of arranging, melodic handling and variation, harmony, density, scoring, and arranging styles. A supplementary cassette featuring music examples from the book is available from the publisher. The Operas of Verdi: From Oberto to Rigoletto. By Julian Budden. New York: Praeger Publishers, Inc., 1973. 524 pp. Music examples, index. Hard cover, $20. The volume opens with two chapters surveying operatic forms before Verdi and characteristics of the composer's early works. Seventeen succeeding chapters concentrate on individual Verdi operas and examine the music, plot lines, historical context, and critical assessments of each work. Discussions are illustrated with numerous music examples. 80 Black Black American Music: Past and Present Illustrated Discography Chronological list of Composers & Publishers Bibliography Indexed Hardbound Paperback Publication Date: October 15, 1973 $7.50 $5.00 CRESCENDO PUBLISHING COMPANY 50 Melrose Street, Boston, Mass. 02116 (Please send for full catalogue.) Orthodontics and Wind Instrument Performance Glenn Uliesner Daniel Bnlbach merrill Ulilson Purposes and Goals of Orthodontic Treatment Physical Adjustment to Wind Instruments Mouthpiece Pressure Choice of Instrument Protective Appliances Appliances for the Untreated Case Retainers Psychological Adjustment $3.00 For teachers, dentists, students, parents Order from MENC Publications Sales, 1201 Sixteenth Street N.W., Washington, D.C. 20036. Include payment with all orders. Allow four to six weeks for delivery. MUSIC TRANSPARENCIES Teach Symphonic Form—Opera—Folk Music Christmas Carols—Theory With Prepared Transparency Units. Write: EDUC0M, LTD. Box 388 Dept. J Mount Kisco, New York 10549 PIANO TUNING Learn Piano tuning and repair with easy to follow home study course. Wide open field with good earnings. Makes excellent “extra” job. Write American School of Piano Tuning 17050 Telfer Dr., Dept. R Morgan Hill, CA 95037 Rock Music: Where It's Been, What It Means, Where It's Going. By William J. Schafer. Minneapolis, Minnesota: Augsburg Publishing House, 1972. 128 pp. Illustrations, discographies, bibliography. Soft cover, $2.95. Divided into three main parts, this annotated survey analyzes the beginnings of rock music, the meaning and social implications of the genre, and trends for the future. Several photographs of prominent rock personalities, two discographies, and a suggested reading list are included. Kagok: A Traditional Korean Vocal Form. By Coralie Rockwell. Providence, Rhode Island: Brown University, Asian Music Publications, 1972. 302 pp. Music examples, illustrations, bibliography, appendix. Soft cover, $5.00. The history and structure of kagok, a vocal genre whose name translates literally as “lyric song,” are the focus of this study. Instruments, notation, and performance techniques of the kagok ensemble are discussed, as well as the relationship of mode and text in the art form. Ziegfried's Wine Journey Continued from page 57 1. Calm Sea and Prosperous Voyage 2. Lohengrin 3. Concierto Andaluz 4. Bartok's Dance Suite 5. Toccata and Fugue in D Minor for Organ 6. Fete 7. Songs of a Wayfarer 8. Enigma Variations 9. Thieving Magpie 10. “Siegfried's Rhine Journey” 11. Wagner's Tannhauser 12. Poulenc's Gloria 13. Ormandy 14. Mahler's “Symphony of a Thousand” performed by Dmitri Mitropoulos 15. No telling who was the conductor, other than that his first name was Andrew. 16. “Brunnhilde's Immolation” is part of Wagner's Got-terdammerung. 17. Mazurka No. 14 by Chopin 18. Hovhaness 19. Debussy 20. Faure's EJegie 21. Offenbach 22. Motets 23. Gershwin's Porgy and Bess 24. Copland's Lincoln Portrait (This one is also interesting because Copland's family name was originally Kaplan.) </meta-value>
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