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Identifieur interne : 000B44 ( Istex/Corpus ); précédent : 000B43; suivant : 000B45Books Browsing
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1987-02.
English descriptors
- Teeft :
- Aaron copland, Choral theater, Full tuition, Further information, Hardcover, Hawaiian music, Howard richman, Instrumentsserious educatorsdeserve, Joan allen smith, Lewis award, Music admission, Music education, Northern arizona university, Opera today, Saturday february, Such information, Ucla extension.
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DOI: 10.2307/3400265
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ISTEX:8085EDEC73DF88342F1620474412AECD6A1F946DLe document en format XML
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Stoneburner</json:string><json:string>Charles H. Webb</json:string><json:string>Neil Butterworth</json:string><json:string>Hayden Carruth</json:string><json:string>Mike Judge</json:string><json:string>Victoria Loebell</json:string><json:string>P.O. Box</json:string><json:string>Susan Kujawski</json:string><json:string>Oskar Kokoschka</json:string><json:string>Susan S. 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Laurdella</json:string><json:string>Penny Mahoney</json:string><json:string>Karl Kraus</json:string><json:string>Wee Russell</json:string><json:string>Will Be</json:string><json:string>Ben Webster</json:string><json:string>Raymond E. Meyer</json:string><json:string>Fred Sourcream</json:string><json:string>Dean School</json:string><json:string>Herbert Kupferberg</json:string><json:string>Sebastian Bach</json:string><json:string>Elizabeth Gilpatrick</json:string><json:string>Adolf Loos</json:string><json:string>C. C. Conner</json:string><json:string>Joan Allen</json:string><json:string>K.M.T.I. Director</json:string><json:string>Howard Richman</json:string><json:string>Judith Cole</json:string><json:string>Gustav Mahler</json:string><json:string>Adams St</json:string><json:string>Susie Harries</json:string><json:string>Aaron Copland</json:string><json:string>J. Dox</json:string></persName><placeName><json:string>Iowa City</json:string><json:string>Venice</json:string><json:string>Miami</json:string><json:string>United States</json:string><json:string>Hartford</json:string><json:string>Pittsburgh</json:string><json:string>New The</json:string><json:string>London</json:string><json:string>India</json:string><json:string>EUROPE</json:string><json:string>Europe</json:string><json:string>New Summerhome</json:string><json:string>Los Angeles</json:string><json:string>America</json:string><json:string>Vienna</json:string><json:string>CA</json:string><json:string>York</json:string><json:string>England</json:string></placeName><ref_url></ref_url><ref_bibl><json:string>University of Iowa Press, 1986</json:string></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-Z9DSFL8C-R</json:string></ark><publicationDate>1987</publicationDate><copyrightDate>1987</copyrightDate><doi><json:string>10.2307/3400265</json:string></doi><id>8085EDEC73DF88342F1620474412AECD6A1F946D</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/8085EDEC73DF88342F1620474412AECD6A1F946D/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/8085EDEC73DF88342F1620474412AECD6A1F946D/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/8085EDEC73DF88342F1620474412AECD6A1F946D/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Books Browsing</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1987</date></publicationStmt><notesStmt><note type="other" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Books Browsing</title><idno type="istex">8085EDEC73DF88342F1620474412AECD6A1F946D</idno><idno type="ark">ark:/67375/M70-Z9DSFL8C-R</idno><idno type="DOI">10.2307/3400265</idno><idno type="article-id">10.2307_3400265</idno></analytic><monogr><title level="j">Music educators journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1987-02"></date><biblScope unit="volume">73</biblScope><biblScope unit="issue">6</biblScope><biblScope unit="page" from="58">58</biblScope><biblScope unit="page" to="64">64</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1987</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1987-02">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-10-16">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/8085EDEC73DF88342F1620474412AECD6A1F946D/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="other" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
<publisher-name>SAGE Publications</publisher-name>
<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3400265</article-id><article-id pub-id-type="publisher-id">10.2307_3400265</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Books Browsing</article-title></title-group><pub-date pub-type="ppub"><month>02</month><year>1987</year></pub-date><volume>73</volume><issue>6</issue><fpage>58</fpage><lpage>64</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> BOOK BROWSING Hawaiian Music: An Annotated Bibliography. Compiled by Brian C. Stoneburner. Westport, Connecticut: Greenwood, 1986. 100 pp. Appendixes. Hardcover, $29.95. Developed as a tool for scholars and teachers of ethnomusicology as well as music librarians, this comprehensive volume contains more than five hundred annotated listings on Hawaiian music, musicians, and musical life. It contains sources in English, French, Spanish, and German from 1831 to 1985. Included are monographs, dissertations, theses, articles from periodicals and anthologies, pamphlets, unpublished papers, and record reviews. Both critical and historical writings are cited, and entries are arranged alphabetically by author or title. This book differs from previous efforts in that it contains many more entries on topics such as musical genres, styles, instruments, performers, composers, and individual songs. The compiler has provided appendixes on Hawaiian terminology and the location of periodicals referred to in the text. Making Music. Arthur Paxton. New York: Atheneum, 1986. 49 pp. Photographs. Hardcover, $11.95. Written to tell children the story of how music is created, produced, and eventually performed, this book uses simple text and evoca- 58 MEJ/February 87 tive black-and-white photographs to convey the excitement of translating musical ideas into reality. Each step of the process is pictured, using as a model American composer-conductor David Amran. The author, who holds a doctorate in music composition and is also a professional photographer, has selected scenes that show the extent to which music is the result of the combined efforts of many individuals working toward a common (and often uncommon) goal. The story is a useful preparation for children attending a classical concert. The Book of Classical Music Lists. By Herbert Kupferberg. New York: Facts on File Publications, 1986. 252 pp. Hardcover, $17.95. This book is an unusual collection of more than a hundred lists of diverse classical music subjects. A music and trivia lover's delight, it includes such hard-to-find information as all the operas ever performed at New York's Metropolitan, the names of all of Johann Sebastian Bach's twenty children in chronological order, the number of amorous conquests of Don Giovanni (listed by country), and a list of black musicians of renown prior to the twentieth century. Entertaining entries include “Happily and Unhappily Married Composers,” translations into English of composers names (Michael Praetorius = Mike Judge; Bedfich Smetana = Fred Sourcream), and golden rules of various composers offering advice to young musicians. Of interest to music historians are categories like “Musical Epochs and Their Composers,” “Operatic Schools,” and “Musicians Who Escaped the Nazis.” The section on “Forms and Instruments” provides a great deal of factual information on subjects like the seven ancient Greek modes, note values in seven Western languages, the etymology of names of musical instruments, and the numbers and types of instruments in orchestras of various periods in history. The sheer number and variety of facts and figures in this book make it a useful as well as amusing reference. Super Sight-Reading Secrets, revised third edition. By Howard Richman. Newhall, California: Sound Feelings, 1986. 50 pp. Music New Australian Product tiaod/UHata Musical Activities for Children by Lorraine Milne and Helen McMahon “Good Timing” is an exciting new music education resource kit suitable for use with both elementary and junior high students. The kit contains- • two books of SCORES and TEACHERS NOTES, 211 pages in all, in a clear illustrated A4 format • 60 PIECES OF MUSIC (traditional and new) recorded on two full C60 CASSETTES • Songs, Listening Pieces, Musical Accompaniments, Ideas and Activities, Photographs of Instruments, Worksheets and Charts The music has been chosen, written and arranged to clearly demonstrate musical concepts. The authors, both well-known music educators in Australia, take the approach that “hands on” participation in a variety of musical experiences is good fun and educationally rewarding. The Australian teachers currently using the kit are delighted with the professional quality of the production (print and audio) and the success they are having with the material. “After 25 years of teaching, it is nice to have something new and fresh to work with…” (Norma Fowler, N.S.W.) “Congratulations on your quality resources…” (Robyn Ryan, Ed. Dept. N.S.W.) “…Good Timing is one of the most valuable resources in my classroom…” (Yvonne Giltinan, NT.) SCHOOL PRICE: $54.00 per kit plus $14.95 (posted SAL) (This price is quoted in Australian dollars) CONTACT US DOWN UNDER -WE'D LOVE TO HEAR FROM YOU FOR YOUR COPY WRITE TO: DUBBLES, Music Materials 148 Curtain Street (P.O.Box 145) North Carlton Victoria 3054 AUSTRALIA Phone: (0011) (613) 347 4950 PLEASE ENCLOSE A CHEQUE FOR AUS$68.95 WITH YOUR ORDER FOR “GOOD TIMING” Study at KCAs ACADEMIC YEAR Enjoy Boston's Cultural Life! Q Certificates • Diplomas and Affiliated Masters Degree Programs KODALY CENTER of America Denise Bacon, Director Study at GREAT WOODS” July 1987 Be a part of this festival! New Summer home of. KCA • Pittsburgh Symphony Boston Ballet • San Francisco Boys' Choii Boston Chamber Music Society — and more! For further information, contact: KCA, 295 Adams St., Newton, MA 02158 (617) 332-2680 Our hands make it easier for their hands. a% W At Meisel, we understand the frustrations of a student learning to play- And, we know that these frustrations can be doubly difficult if their instrument isn't up to par. That's why Meisel violins, violas, cellos, and basses combine the finest craftsmanship with the most detailed setup procedures in the industry. Our skilled hands inspect and adjust every bridge, peg, soundpost and fingerboard, so the instrument is ready for young hands, right out of the case. And, we've been doing it this way since 1878. In addition, Meisel chrome steel strings offer a wide selection of scale lengths, so there's sure to be a set that's perfect for any instrument. From our hands comes the finest old world quality. From their hands comes a bright new world of music. J* examples, drills. Paperback, $9.95. According to Howard Richman, each of us has an innate ability in at least one aspect of music. To become successful musically, we must discover ways to boost other skills artificially until they, too, become “natural.” Encouraging readers not to dwell on mistakes, Rich-man charts a course through some keyboard fundamentals, teaching mnemonic devices for remembering notes on the staff, tips for efficient fingering, and rhythm practices. Sight-reading technique is broken down into manageable components that are easy to master individually. (As in learning any new skill, fifteen minutes practice per day is preferred to two hours once a week.) Many drills for individual study are included. The method, although written for keyboard study, is adaptable to other instruments. Schoenberg and His Circle: A Viennese Portrait. By Joan Allen Smith. New York: Schirmer, 1986. 319 pp. Hardcover, $24.95. In this profile of Arnold Schoenberg based on interviews with contemporaries and documents of the period, author/reporter Joan Allen Smith recreates the intellectual atmosphere of turn-of-the-century Vienna. In the early 1900s, the city was the home of Sigmund Freud, philosopher Ludwig Wittgenstein, and Gustav Mahler, as well as a number of Schoenberg's friends: architect Adolf Loos, painter Oskar Kokosch-ka, and critic Karl Kraus, each of whom appears to have exerted an influence on his music. Four facets of Schoenberg's life are covered: his cultural surroundings, his involvement with performance, his teaching, and the evolution of his twelve-tone method. Smith also discusses the composer's life after the announcement of this technique, which greatly affected twentieth-century music. Schoenberg immigrated to the United States when it became apparent that Hitler's Nazi party would come into power. The group of artists, writers, and intellectuals portrayed in the book bequeathed us modernism. The reader comes away with a broader under- 60 MEJ/February 87 standing of modern music and sensibility. 1987 Music Teachers Appointment Book. Virginia Newsome and Clarence N. Blake. Miami, Florida: Bellwin Mills, 1986. 258 pp. Illustrations, spiral-bound paperback, $9.95. An informative appointment/ address book for the professional music teacher, musician, or music lover, this 7” x 10” volume is filled with unusual quotes, musical facts, musicians' birthdates and places, and other trivia to entertain the reader. Supplementary sections include a daily lesson listing, a selected performance glossary, and a music competition list for both the United States and Canada with information on eligibility, categories, deadlines, awards, and addresses. Black-and-white illustrations complement a highly readable text and a key signature chart rounds out this useful and amusing scheduling tool. Sitting In: Selected Writings on Jazz, Blues and Related Topics. By Hayden Carruth. Iowa City, Iowa: University of Iowa Press, 1986. 204 pp. Hardcover, $22.50. Poet and critic Hayden Carruth is one of jazz's most careful listeners. He observes these arts both as a listener and a philosopher, witnessing the “astonishing eruption of both individual and communal genius” afforded America by a singular group of highly devoted musicians. The book is a collection of poems, short essays and musings, on the subjects of jazz, esthetic experience, art, and the question of ethnic Afro-American culture in the context of the larger North America civilization. Also explored are the origin of the blues, the formal idea of jazz, and the works of such musicians as Pee Wee Russell and Ben Webster. Carruth concerns himself with the influence of jazz on our writing and culture, and touches on the subject of the artistic imagination in general. Written with affection and insight, the book looks at the critical importance of spontaneity, the nature of the blues scale, what expressiveness means, and types of fraud that can damage our receptivity to music and language. The Music of Aaron Copland. By Neil Butterworth. New York: Toccata, 1986. 262 pp. Illustrations, music MUSIC _ix EDUCATION AT HARTT: UNIQUE Comprehensive Training in Teaching and Research UNDERGRADUATE: *Bachelor of Music in Music Education Bachelor of Music in Engineering (Acoustics) *Kodaly Certificate GRADUATE: *Master of Music Education (Thesis or Non-Thesis) *Kodaly Certificate *Doctor of Musical Arts FLEXIBLE CURRICULAR EMPHASES: *Choral or Instrumental Conducting *Kodaly with K.M.T.I. *Laban Movement Pedagogy and Rhythm Training *Music Learning Theory *Orff Performance Special Education Composition FACULTY: Manuel Alvarez Laurdella F. Bodolay, Director, K.M.T.I. Paul Cappers Susan S. Engle Alexander Farkas Sarah Ferrebee Douglas Jackson James M. Jordan, Chair, Music Education Victoria Loebell Gerald Mack Richard Rusack Doreen Veazie William C. Willett, Chair Emeritus UNDERGRADUATE SCHOLARSHIPS GRADUATE ASSISTANTSHIPS Information: James Jacobs, Admissions Director University of Hartford Hartt School of Music West Hartford, CT 06117 (203) 243-4465 UMVERSTTY iFHARTFORD HARTT School of Music YOU DESERVE SCHROETTER STRING SECTIONS. Because Jacqueryn Dilkm sets Schnxttcr standirxk & hn etter standards are set by Ms. JacqueKii Dillon, noted authority in the Held of stringed instru ment education and per formance Her standards of quality and adjustment make Schroetter the most prestigit his (i student stringed iastruments. Ms Dillon has applied more than a quarter century of expenei designing ideal student stringed iastruments and bows. Her Vhrc tetter instruments have the durability t(I take student use in stride They have Hional playing char acteristk I ft I help students develop their greatest potential. And they are designed and quality con trolled under Ms Dillons watchful r Please judge the results for yourself. Ask ft I play V hfl etter stringed instni mentsatyourl Hawkes dealer Today! BLMIHRWIPtjrs Northern Arizona University in Flagstaff ORFF-SCHULWERK CERTIFICATION 1987 SUMMER COURSES - DEPARTMENT OF MUSIC CRACE C. NASH and Master Faculty it's Our Tenth Anniversary Karen Logbeck, pedagogy & recorder Elizabeth Cilpatrick, recorder & pedagogy Jean Graham, percussion Susan Kujawski, Introductory Course & coordinator Judith Cole & Penny Mahoney, Rhythmic Movement & Folk Dance INTRODUCTORY COURSE-JUNE 8-17 NAU's Orff Emphasis Master's Degree Available Special Level I for Non-Music Teachers Certification in Levels I, II, ill On-Campus Housing & Meals FOP INFORMATION WRITE TO LISA FACKLER - NAU BOX 6041 - NORTHERN ARIZONA UNIVERSITY - FLAGSTAFF, AZ S6011 June 17 - July 8 w I ISO f*” pi *- I 1 FAST • EASY • ACCURATE • RUGGED TOTALLY NEW TUNING SYSTEM, FOR…. ….THE BEST PERFORMANCE ….EAR TRAINING ….FAST SETUP AND CHANGES • Automatic full-scale chromatic tuner • System handles up to 5 drums • Tune quietly, independent of surrounding sound • Quartz Crystal Accuracy HERE'S HOW IT WORKS! Non-Contact Infra-red optical pickup on each timpani senses head vibration. The tuner, mountea under the music stand, displays the note, with a strobe-like bar pattern showing intonation. TIMP-TUNER's Liquid Crystal Display, with built-in light, is easily read at a distance and in all lighting conditions. Made in USA i rotune PO Box 1808 • Poughkeepsie. NY 126C1 Send Coupon for information and dealer list. • (914)462-6452 BOOK BROWSING examples. Hardcover, $17.95. In the preface of this book, Andre Previn says of Aaron Copland, “He is a great man, and no one connected with music can be anything but grateful for his presence.” One of the twentieth century's most distinguished and popular composers, Copland has long been admired both in the United States and abroad, and has won the acclaim of musicologists and music lovers alike. Born in 1900 in Brooklyn, where he began his musical career, he moved to Paris in the 1920s. At the end of that decade he returned to the United States, where he began to produce a series of works that could leave no doubt that American composers were capable of producing music equal to that of their European counterparts. But-terworth's chronological survey of Copland's entire output is the first to appear in thirty years, during which time Copland has written some of his most important works. Copiously illustrated with music examples, the volume includes an interview with the composer on the subject of his piano music, as well as a number of excellent photographs. Opera Today. Meirion and Susie Harries. New York: St. Martin's, 1986. 328 pp. Hardcover, $19.95. Opera is one of the most complex and glamorous of all performing arts. This in-depth look at the art form gives the reader an overview of the total effort involved in today's productions and the people who create them. Hundreds of people and hours are necessary to realize a single evening's entertainment, and it is seemingly miraculous that any opera ever reaches the public: the financial investment is colossal, the logistical challenges staggering, and the interplay of creative personalities often precarious. Opera Today examines in turn such critical elements as administration, singer, conductor, producer or director, designer, and composer. The authors interview leading practitioners in each category who discuss opera companies from Venice to St. Louis. The book presents a well-rounded look at the current 62 MEJ/February 87 opera scene, accompanied by numerous superb black-and-white photographs. American Oratorios and Cantatas: A Catalog of Works Written in the United States from Colonial Times to 1985. By Thurston J. Dox. Metuchen, New Jersey: Scarecrow, 1986. 1,330 pp., two vols. Hardcover, $97.50. A useful reference for both choral conductors and historians of American music, this two-volume catalog lists 3,450 choral works by over 1,000 composers. Included is basic “title-page” information for each work: length, description of necessary performing forces, and location of the score. Occasional comments about the composers themselves are a helpful added feature. Both sacred and secular works are listed, and the catalog is divided into four major sections: oratorios, choral cantatas, ensemble cantatas, and choral theater. Access to the entries is facilitated by title, composer, date and topical indexes. Many of the listings have never been published, making this catalog the first dealing with large choral works written in the United States. The book contains a large number of entries on choral theater. Much of the information on unpublished works has been heretofore unavailable, and the reviews, especially of nineteenth-century works, offer valuable insights for performance and research. Current addresses for publishers and composers and a bibliography complete this effort. Skeletons from the Opera Closet. David Groover and C. C. Conner. New York, St. Martin's, 1986. 250 pp. Hardcover, $15.95. Subtitled “An Irreverent Appreciation,” this book for the opera triviaphile with a sense of humor is both appreciative and unforgiving. In a series of amusing anecdotes, the authors reveal some of the worst that opera has to offer, as well as some of its least-appreciated gems. Lost treasures (some perhaps better left buried) are included, along with such information as “who was the fattest soprano?” The book offers a list of rare recordings and overrated singers, commentaries by composers of each other (Bizet on Verdi: “He lacks style.), and a guide to opera scenes that one could safely miss. Entertaining and occasionally infor- Enjoy a RQYAL MUSIC EXPERIENCE in London this summer THE UCLA/ROYAL COLLEGE OF MUSIC PROGRAM JULY 4-25, 1987 For the first time in its illustrious history, the Royal College of Music, one of the world's leading schools of music, in cooperation with UCLA Extension, opens its doors to American students in a special summer program. Participants in the program have an opportunity for study and performance in splendid facilities at the College, throughout London, and in various other music centers in England. Concertgoing and field trips to cultural and historical sites within and outside London are an integral part of the curriculum, which includes the following courses: Master Class in Piano: Bach, Schumann, Debussy Choral Conducting Music-Making in London through the Ages Purcell and Britten ? Authentic Interpretation of Early Music Master Class in Organ Performance and the British Organ Tradition ? Opera, Leider, English Song, and Piano Accompaniment. For a free enrollment brochure and complete information, call UCLA Extension (213) 825-9496, or write to: UCLA/Royal College of Music Program, UCLA Extension, Room 414/MEJ, P.O. Box 24901, Los Angeles, CA 90024. UCLfl EXTENSION YOU DESERVE ALL-BESSON BRASS. Because every Besson has legendary quality. Since 1851, Besson brass has had the classic sound—the choice of composers, conductors, musicians and educators. Today's Besson student brass instruments live up to the legend. They have precise intonation and pitch. They have rugged durability—thanks to our high-density brass formula. And they have the flexibility to produce the resonant, sonorous tone that onstage performance requires, or the projection that marching band demands. Give yourself and your students legendary quality in brass. Our full line of student instruments includes the new 609 and 709 trumpets and 637 and 737 trombones. Ask to play them at your Boosey & Hawkes dealer—today! 200 Smith Street • ftirniingdale. New York 11735 The instruments serious educators deserve. MEJ/February 87 63 BANDS… CHOIRS… ORCHESTRAS INTERNATIONAL FRIENDSHIP THROUGH MUSIC CONCERT TOURS TO EUROPE “The Concert Tour Specialists” To All Of Europe, Will Be Pleased To Arrange A Very Special Tour For Your Performing Group • Quality, All Inclusive Tours - Reasonably Priced All Itineraries Specifically Tailored For Your Performing Group • Superb Concert Sites - Large Audiences All Concerts Specially Advertised And Promoted For more information on a concert tour for your college, high school or community performing group contact: ALL AROUND TRAVEL, INC. 412 Main Street Ridgefield, CT 06877 (203) 431-9612 Outside CT, Toll Free 1-800-722-0057 INDIANA UNIVERSITY SCHOOL OF MUSIC Charles H. Webb, Dean Where Teaching is a Performing Art offering Graduate and undergraduate programs in Music Education • Internationally renowned faculty in all performance areas • Extensive performance opportunities, including band, orchestral and choral • An unparalleled combination of academic excellence and applied music studies Study leading to Bachelor's, Master's and Artist's Diploma For further information, contact: Charles H. Webb, Dean School of Music Indiana University Bloomington, IN 47405 Scholarships and Assistantships available III Opera Theater production of Carmen BOOK BROWSING mative, the volume does in fact offer little-known tidbits presented in an easy-to-assimilate style. The Music of India. Reginald and Jamila Massey. New York: Ta-plinger, 1986. 189 pp. Illustrations, photographs. Paperback, $7.95. One of the few ancient art forms still widely practiced today is the classical music of the India-Pakistan-Bangladesh subcontinent. In recent years, international interest in this music has increased. The Masseys cover the philosophy and history of Indian music and relate its growth and development to sociocultural, political, and religious factors. India's musical contacts with the West and Asia are also examined. Technical chapters explain the raga and tola (melody and rhythm) systems. Line drawings illustrate instruments of the north and south, which are described in detail. A selected bibliography and discogra-phy are provided for further exploration. Symphony Orchestras of the United States: Selected Profiles. By Robert R. Craven. Westport, Connecticut: Greenwood, 1986. 521 pp. Hardcover, $55.00. This compilation contains profiles of the 126 largest-budget symphony and chamber orchestras in America. Included are most major and regional orchestras, as well as many metropolitan and urban orchestras. Each article discusses the history, repertoire, seasonal activities, subgroups, cultural impact, budget, administration, and unique features of the organization in question. Following each survey is a chronology of music directors, a bibliography, access information, and, where applicable, a recording history and discography. Articles are arranged geographically by state and city, and are cross-referenced for reading ease. A general bibliography, chronology of orchestral foundings, and extensive index to the contents of the work are included. The volume will be of interest to musicologists, musicians, orchestra managers, record collectors, and music critics, as well as the listening public. </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Books Browsing</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Books Browsing</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1987-02</dateIssued><copyrightDate encoding="w3cdtf">1987</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1987</date><detail type="volume"><caption>vol.</caption><number>73</number></detail><detail type="issue"><caption>no.</caption><number>6</number></detail><extent unit="pages"><start>58</start><end>64</end></extent></part></relatedItem><identifier type="istex">8085EDEC73DF88342F1620474412AECD6A1F946D</identifier><identifier type="ark">ark:/67375/M70-Z9DSFL8C-R</identifier><identifier type="DOI">10.2307/3400265</identifier><identifier type="ArticleID">10.2307_3400265</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/8085EDEC73DF88342F1620474412AECD6A1F946D/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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