Musicological approaches to musical semiotics

Identifieur interne : 000A42 ( Istex/Corpus ); précédent : 000A41; suivant : 000A43

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Musicological approaches to musical semiotics

Auteurs :

Source :

• Semiotica [ 0037-1998 ] ; 1987.

RBID : ISTEX:F1794DE394B7DC7223FD8D1780F2DF66D23E2C86

English descriptors

• Teeft :
  • Adagio, Adagio theme, Ainsi, Allegro, Allegro sections, Allegro theme, Allegro themes, American institute, Apparent stasis, Auditive, Auditive analysis, Aussi, Autant, Autre, Avec, Bach, Bandes chromatiques, Barres tirees vers, Bonne continuite, Brownian motion, Cadence, Cadre syntaxique, California press, Canon, Canons retrogrades, Cela, Celle, Celui, Cette, Chaque, Chez, Chicago press, Chromatique, Classical music, Classical style, Closure, Coda, Comme, Comme cela, Complex music, Compositional strategy, Conceptual meaning, Conceptual theme, Conceptual themes, Condensed representation, Contextual, Contextual meaning, Contextual meanings, Continuous change, Continuous motion, Contraire, Degre, Deliege, Demarcation, Detente, Development section, Different times, Different types, Discord, Discordant elements, Dissonance, Dont, Douze sons, Dramatic argument, Dramatic closure, Dramatic structure, Dynamic passage, Eile, Encore, Enfolded, English canon, Entre, Etre, Exemple, External world, Extramusical, Extramusical interpretation, Extramusical meanings, Facultes perceptives, Faire, Fait, Faits, Fanfare, Fanfare motive, Field conjunction, Field conjunctions, Field demarcation, Fifth sentence field, First movement, First page, First part, First sentence field, First theme, First theme group, Flux analysis, Fois, Fonction, Goal attainment, Goal evasion, Goal field disruption, Groupements locaux, Groupes, Harmonic, Harmonique, Hatten, Hauteur, Hearing music, Human experience, Iconic signs, Igor stravinsky, Images mentales, Imaginative listener, Important ideas, Indiana university, Initial state, Jeune cage, John cage, Laisse, Latent conflict, Less friction flow, Leur, Leur position, Leur puissance, Lewis rowell, Logical sequence, Major tonality, Manfred clynes, Mesure, Metaphor, Methode serielle, Moins, Moments stables, More concepts, More friction, Mouton, Music history, Music theory, Musical composition, Musical dimensions, Musical discourse, Musical events, Musical ideas, Musical material, Musical materials, Musical motion, Musical organization, Musical quotations, Musical stasis, Musical texture, Musical time, Musical work, Musicale, Musique, Musique tonale, Musiques, Mythical time, Neutral element, Next field, Next sentence field, Niveau, Norwegian state academy, Notation, Parce, Particular piece, Parties individuelles, Partir, Perception visuelle, Pertinent opposites, Peut, Peut obtenir, Peuvent, Peuvent avoir, Phrase field, Phrase fields, Piano sonata, Plenum press, Potential discord, Premiere fois, Presenceoriented field, Princeton university press, Principal research interests, Principe, Problem situation, Probleme, Progression, Public notamment, Puissance, Quand, Rapport, Recapitulation, Recent music, Regies, Relation chromatique, Repetitive procedures, Representation mentale, Reseaux neuronaux, Reste, Rhythmic ambiguity, Richer semiotic model, Rowell, Sacred chant, Same time, Sans, Sans doute, Satie, Schubert sonata, Scientific concepts, Second conjunction, Second theme, Secondary time directions, Selon, Semantic structure, Semantique, Semantique musicale, Semantique selon rameau, Semiotic, Sens, Sentence field, Sentence field ends, Sentence fields, Serait, Serie, Seul, Seule direction, Soit, Sont, Sou, Sound masses, Souvent, Stasis, Static objects, Steady state, String quartet, Style change, Style growth, Stylistic, Subject matter, Syntactic, Syntactic level, Syntaxique, Systeme, Teile, Temp, Temporal, Temporal organization, Temporal scale, Texte, Theoretical structure, Third sentence field, Thoresen, Timbre, Time direction, Time directions, Time field, Time fields, Timeless, Timeless realm, Timelessness, Tonal motion, Tonal music, Tonal system, Tonale, Tonality, Tous, Toute, Toute mensuration, Toute relation, Traditional assumptions, Unstable structures, Vers, Webern, Western music, Zuckerkandl.

Url:

• https://api.istex.fr/document/F1794DE394B7DC7223FD8D1780F2DF66D23E2C86/fulltext/pdf

DOI: 10.1515/semi.1987.66.1-3.169

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