Record Guide
Identifieur interne : 000888 ( Istex/Corpus ); précédent : 000887; suivant : 000889Record Guide
Auteurs : Anthony PayneSource :
- Tempo [ 0040-2982 ] ; 1967.
Abstract
In the seven years since the first performance at Aldeburgh of Britten's A Midsummer Night's Dream it has already seen three British productions and several abroad, and at a time when our early enthusiasm for the work has ripened into a certainty of its profound qualities, Decca have issued a superb recording of it under the composer's direction (SET 338–40). Most of the roles have by now been taken by more than one interpreter, and the Lysander on this issue, Peter Pears, has previously been Flute, while Josephine Veasey, who took the part of Oberon at Covent Garden, is here an excellent Hermia.
Url:
DOI: 10.1017/S0040298200034653
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ISTEX:FA12AE65BFF59FD0BDFEBDE32CECD5EB18B24E0FLe document en format XML
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Most of the roles have by now been taken by more than one interpreter, and the Lysander on this issue, Peter Pears, has previously been Flute, while Josephine Veasey, who took the part of Oberon at Covent Garden, is here an excellent Hermia.</p></abstract><counts><page-count count="4"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298200034653a.pdf</meta-value></custom-meta><custom-meta><meta-name>dispart</meta-name><meta-value>Record Guide</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>1</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>New Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Record Guide</title></titleInfo><titleInfo type="alternative"><title>TEMPO</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Record Guide</title></titleInfo><name type="personal"><namePart type="given">Anthony</namePart><namePart type="family">Payne</namePart><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="other" displayLabel="product-review" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">1967</dateIssued><copyrightDate encoding="w3cdtf">1967</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract" lang="en">In the seven years since the first performance at Aldeburgh of Britten's A Midsummer Night's Dream it has already seen three British productions and several abroad, and at a time when our early enthusiasm for the work has ripened into a certainty of its profound qualities, Decca have issued a superb recording of it under the composer's direction (SET 338–40). 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