A Survey of Contemporary Music
Identifieur interne : 000865 ( Istex/Corpus ); précédent : 000864; suivant : 000866A Survey of Contemporary Music
Auteurs : Samuel G. WagnerSource :
- Music educators journal [ 0027-4321 ] ; 1926-10.
English descriptors
- Teeft :
- Alchin, Anthem, Anthem competition, Anthem contest, Anthem writers, British empire, Complete stockof, Contemporary cecil, Conternporaneous composers, Countryman delius, Defithe point, Earnest invitation, Empire building, First chapter, First paragraph, Gray claims, Great praise, Harmony accordhis work, Harmony ping, Hope perience, Humble reviewer, Hymn rapturously, Interesting publications, Keyboard carolyn alden alchin, Kick chorus, Large opportunity, Little appeal, Lorenz publishing, Major thirds, Mathelighter works, Minor composers, Music supervisors journal, Music supervisors journal music cornposers, Musician laureate, Nearest bookstore, Negro servant, Nineteenth century, Other duties, Other exercise, Oxford university press, Profound conviction, Richard strauss, Rubber planter, Same ideas, Same work, Slightest provocation, Special announcement folder, Such stress, Sufficient time, Symphonic tone poems, Teaching profession, Tone poem, Worth recording.
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DOI: 10.2307/3383718
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</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3383718</article-id><article-id pub-id-type="publisher-id">10.2307_3383718</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>A Survey of Contemporary Music</article-title></title-group><contrib-group><contrib contrib-type="author" xlink:type="simple"><name name-style="western"><surname>Wagner</surname><given-names>Samuel G.</given-names></name></contrib></contrib-group>
<pub-date pub-type="ppub"><month>10</month><year>1926</year></pub-date><volume>13</volume><issue>1</issue><fpage>60</fpage><lpage>61</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> 60 MUSIC SUPERVISORS JOURNAL Music Cornposers, Attention! We offer the following twelve prizes: One 1st prize of $150.00 for the most attractive unpublished anthem submitted. Two 2d prizes of $75.00 each for the next two most attractive unpublished anthems submitted. Three 3d prizes of $50.00 each for the next three most attractive unpublished anthems submitted. Six 4th prizes of $35.00 each for the next six most attractive unpublished anthems submitted. $660.00 in 12 Prizes in Cash All anthems submitted must be in our hands not later than February 1, 1927. Send for our special announcement folder outlining all conditions and rules of the competition. Lorenz' s 6th Anthem Competition We publish about two hundred anthems a year. By our method of distribution, these anthems are sung by not less than 20, 000, in some cases by as many as 35, 000, singers within about two months of publication. The demand for so many new anthems every year constitutes a large opportunity for anthem writers, and this anthem contest is our earnest invitation to them to embrace it. LORENZ PUBLISHING CO. Dayton, Ohio (216 W. 5th St.) New York (70 E. 45th St.) Chicago (218 S. Wabash Ave.) A Survey of Contemporary Music-By CECIL GRAY (Oxford University Press). Seldom does a book reach nlY attention which I really have sufficient time and inclination to read without allowing any of n1Y other duties to interfere until it is completed. However, such was my experience with this book. It struck me particularly well since the author happened to entertain the same ideas concerning some composers as does your humble reviewer. His first chapter on “The Music of the Nineteenth Century” is not only worthwhile musically but is an example of fine scholarly writing. His distinction between what should be called “Classics” and “Romantic” is well worth considering. Mr. Gray claims that every composer, Bach, Beethoven, and the rest, were not “classicists” but were “romanticists” or “modernists.” With that as a background, he proceeds to praise and flay. Richard Strauss, he claims, searched to establish a new form in symphonic tone poems while Wagner wished to establish new form in Opera, with the result that Strauss' s masterpiece was a new form in opera, “Salome,” and Wagner' s a tone poem, “Tristan.” Such are the fates in music. For his countryman Delius, he has great praise and appreciation; but Elgar has little appeal to him. Some of his remarks concerning the latter are worth recording. Before he is through his first paragraph he makes this interesting comment, “In order to do justice to Elgar it is equally necessary to distinguish clearly between the composer of the, symphonies and the self-appointed Musician Laureate of the British Empire, always ready to hymn rapturously the glories of our blood and state on the slightest provocation. Mention the JOVR AL when you write our Advertisers MUSIC SUPERVISORS JOURNAL 61 The one is a musician of merit; the other exercise I have ever done upon the piano, is only a barbarian, and not even an amus- yet I can write that same work anding one.“KNOW how it will sound. Miss Alchin He further accuses Elgar of taking his is fearful lest pupils will become mathelighter works too seriously and sums up matical and work their harmony accordhis work saying that it is now” quite pos-ing to rule rather than sound. My exsible that the immortal ‘Land of Hope perience has been the opposite; the pupils and Glory’ tune may at some time or will invariably seek a piano or organ upon other have aroused such patriotic en- which they try to work their harmony. thusiasm in the breast of a rubber planter Otherwise, I must say I join in the in the tropics as to have led him to kick chorus of those who have already praised his negro servant slightly harder than he the books. would have done if he had never heard it, The author commences with a definiand served to strengthen his already pro.tion of an interval and semitone and profound conviction of belonging to the ceeds gradually until she speaks of a chosen race; but however admirable and “small third” and “large third,” meaning praiseworthy such a result may be from minor and major thirds. I like those defithe point of view of empire building, it nitions. Then, her students build scales has no meaning whatever from the point and chords and soon have minor, augof art.“mented, and diminished triads. The And so Mr. Gray goes on and on, rip- triads are soon divided into close harmony ping and rapping,” doving“and loving other moderns, or I should say conternporaneous composers, too, that includes Debussy, Ravel, Stravinsky, Scriabine, Schonberg, Sibelius, Bartok, Busoni, Dieren (who ever heard of him), and a chapter on” Minor Composers.“Those of the teaching profession who wish to get a rather good critical slant at what is new, and who are new among the composers, should go to the nearest bookstore and get this book.-SAMUEL W. WAGNER. est-“nd Most Com Plete Stockof Skeet Husicolll1l1otib in the Count“ We have received recently many new and interesting publications and will be glad to include these in any selections which you may order from us. .“. Keyboard Harmony-By CAROLYN ALDEN ALCHIN (Published by the Author). Miss Alchin feels that “everyone should be able to illustrate everything in the study of harmony at the keyboard, and illustrate with some idea of Form.” I wonder why Miss Alchin lays such stress on the keyboard unless it be the convenience of having one handy. I do not believe I am able to play a harmony Mention the JOURNAL …………………………………………………. CHICAGO “. L on& Healy Wl/bllS“8l Je.ot Jaollso IlBIod. when you write our Advertisers </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>A Survey of Contemporary Music</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>A Survey of Contemporary Music</title></titleInfo><name type="personal"><namePart type="given">Samuel G.</namePart><namePart type="family">Wagner</namePart></name><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1926-10</dateIssued><copyrightDate encoding="w3cdtf">1926</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1926</date><detail type="volume"><caption>vol.</caption><number>13</number></detail><detail type="issue"><caption>no.</caption><number>1</number></detail><extent unit="pages"><start>60</start><end>61</end></extent></part></relatedItem><identifier type="istex">45895E288CA364897D3857A377292E886753FABF</identifier><identifier type="ark">ark:/67375/M70-PG1P2HP1-S</identifier><identifier type="DOI">10.2307/3383718</identifier><identifier type="ArticleID">10.2307_3383718</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/45895E288CA364897D3857A377292E886753FABF/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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