The Light and the Dark: contrasts in the Music of Jacob Druckman
Identifieur interne : 000857 ( Istex/Corpus ); précédent : 000856; suivant : 000858The Light and the Dark: contrasts in the Music of Jacob Druckman
Auteurs : Bret JohnsonSource :
- Tempo [ 0040-2982 ] ; 1994-12.
Abstract
Among established American composers, Jacob Druckman's music remains unique in the breadth of its range, the mastery of its orchestration and the totality of its expressive power. There is little point in spending too much effort in drawing comparisons with some of his closest contemporaries and, in any event, such comparisons are hard to come by. He has had a remarkable career: as an academic, as composer-in-residence to the New York Philharmonic, as a conductor (he has conducted a number of his works with the BBC Philharmonic), as artistic director of many festivals, and as lecturer and administrator. He now devotes as much times as he can to composing, but whatever the future brings, there can be little doubt that he has already made a major contribution to the growth and development of 20th-century music.
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DOI: 10.1017/S0040298200003879
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There is little point in spending too much effort in drawing comparisons with some of his closest contemporaries and, in any event, such comparisons are hard to come by. He has had a remarkable career: as an academic, as composer-in-residence to the New York Philharmonic, as a conductor (he has conducted a number of his works with the BBC Philharmonic), as artistic director of many festivals, and as lecturer and administrator. He now devotes as much times as he can to composing, but whatever the future brings, there can be little doubt that he has already made a major contribution to the growth and development of 20th-century music.</p></abstract><counts><page-count count="6"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298200003879a.pdf</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>1</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>New Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><fn id="fn01" symbol="1"><label><sup>1</sup></label><p><italic>Chiaroscuro</italic> was first performed under Lorin Maazel.</p></fn><fn id="fn02" symbol="2"><label><sup>2</sup></label><p>See Nancy Uscher's article in <italic>Tempo No. 146</italic> – (Ed.).</p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>The Light and the Dark: contrasts in the Music of Jacob Druckman</title></titleInfo><titleInfo type="alternative"><title>The Light and the Dark</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>The Light and the Dark: contrasts in the Music of Jacob Druckman</title></titleInfo><name type="personal"><namePart type="given">Bret</namePart><namePart type="family">Johnson</namePart><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">1994-12</dateIssued><copyrightDate encoding="w3cdtf">1994</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract" lang="en">Among established American composers, Jacob Druckman's music remains unique in the breadth of its range, the mastery of its orchestration and the totality of its expressive power. 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