The Viennese: ‘MOB art & tone ART’ Group
Identifieur interne : 000781 ( Istex/Corpus ); précédent : 000780; suivant : 000782The Viennese: ‘MOB art & tone ART’ Group
Auteurs : Josef HeinzelmannSource :
- Tempo [ 0040-2982 ] ; 1978-09.
Abstract
The ‘MOB art & tone ART’ Ensemble made its debut in 1967 and played a lively role in Austrian musical life during the five years of its existence. All three of the composers who directed the Ensemble were also professional instrumentalists—Zykan as pianist, Gruber as double-bass in the Austrian Radio Symphony Orchestra, and Schwertsik as hornist in the Vienna Symphony Orchestra. Zykan and Gruber both appeared regularly with the Ensemble, whose other performing members were Volkcr Altmann (horn), Leonhard Wallisch (cello), Roland Altmann and Kurt Prihoda (percussion). The violinist Ernst Kovacic and the cellist Heinrich Schiff appeared with the Ensemble from time to time as guests.
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DOI: 10.1017/S0040298200030345
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His translations and editions of operas and operettas (including Purcell's The Fairy Queen, Gounods' Le médecin malgré lui and many works of Offenbach) are widely performed on German and Austrian stages. He is a regular contributor to Hess Radio, for whom, in 1977, he arranged and introduced a programme devoted to Zykan, Gruber and Schwertsik.</note><affiliation>Josef Heinzelmann was born in Mainz in 1936 and has worked in several German Opera Houses, both as Stage Director and as Dramaturg. His translations and editions of operas and operettas (including Purcell's The Fairy Queen, Gounods' Le médecin malgré lui and many works of Offenbach) are widely performed on German and Austrian stages. He is a regular contributor to Hess Radio, for whom, in 1977, he arranged and introduced a programme devoted to Zykan, Gruber and Schwertsik.</affiliation></author><idno type="istex">BEEAEA9D386A8FE577B3F53923DBA22EC350AB9C</idno><idno type="ark">ark:/67375/6GQ-XNKPW2QB-Q</idno><idno type="DOI">10.1017/S0040298200030345</idno><idno type="PII">S0040298200030345</idno><idno type="article-id">03034</idno></analytic><monogr><title level="j">Tempo</title><title level="j" type="abbrev">Tempo</title><idno type="pISSN">0040-2982</idno><idno type="eISSN">1478-2286</idno><idno type="publisher-id">TEM</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="1978-09"></date><biblScope unit="issue">126</biblScope><biblScope unit="page" from="10">10</biblScope><biblScope unit="page" to="12">12</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1978</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en" style="text-abstract"><p>The ‘MOB art & tone ART’ Ensemble made its debut in 1967 and played a lively role in Austrian musical life during the five years of its existence. All three of the composers who directed the Ensemble were also professional instrumentalists—Zykan as pianist, Gruber as double-bass in the Austrian Radio Symphony Orchestra, and Schwertsik as hornist in the Vienna Symphony Orchestra. Zykan and Gruber both appeared regularly with the Ensemble, whose other performing members were Volkcr Altmann (horn), Leonhard Wallisch (cello), Roland Altmann and Kurt Prihoda (percussion). 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His translations and editions of operas and operettas (including Purcell's <italic>The Fairy Queen</italic>, Gounods' <italic>Le médecin malgré lui</italic> and many works of Offenbach) are widely performed on German and Austrian stages. He is a regular contributor to Hess Radio, for whom, in 1977, he arranged and introduced a programme devoted to Zykan, Gruber and Schwertsik.</p></bio></contrib></contrib-group><pub-date pub-type="ppub"><month>09</month><year>1978</year></pub-date><issue>126</issue><fpage seq="5">10</fpage><lpage>12</lpage><permissions><copyright-statement>Copyright © Cambridge University Press 1978</copyright-statement><copyright-year>1978</copyright-year><copyright-holder>Cambridge University Press</copyright-holder></permissions><abstract abstract-type="text-abstract"><p>The ‘MOB art & tone ART’ Ensemble made its debut in 1967 and played a lively role in Austrian musical life during the five years of its existence. All three of the composers who directed the Ensemble were also professional instrumentalists—Zykan as pianist, Gruber as double-bass in the Austrian Radio Symphony Orchestra, and Schwertsik as hornist in the Vienna Symphony Orchestra. Zykan and Gruber both appeared regularly with the Ensemble, whose other performing members were Volkcr Altmann (horn), Leonhard Wallisch (cello), Roland Altmann and Kurt Prihoda (percussion). The violinist Ernst Kovacic and the cellist Heinrich Schiff appeared with the Ensemble from time to time as guests.</p></abstract><counts><page-count count="3"></page-count></counts><custom-meta-wrap><custom-meta><meta-name>pdf</meta-name><meta-value>S0040298200030345a.pdf</meta-value></custom-meta><custom-meta><meta-name>series</meta-name><meta-value>1</meta-value></custom-meta><custom-meta><meta-name>seriesText</meta-name><meta-value>New Series</meta-value></custom-meta></custom-meta-wrap></article-meta></front><back><fn-group><fn id="fn01" symbol="1"><label><sup>1</sup></label><p><citation citation-type="book" id="ref001"><name name-style="western"><surname>Schwertsik</surname><given-names>Kurt</given-names></name>, ‘Wozu eigentlich noch Salonmusik?’ in <source>Salon Otto M. Zykan</source>, <publisher-loc>Graz</publisher-loc>, <month>05</month> <year>1971</year></citation>.</p></fn></fn-group></back></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>The Viennese: ‘MOB art & tone ART’ Group</title></titleInfo><titleInfo type="alternative"><title>TEMPO</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>The Viennese: ‘MOB art & tone ART’ Group</title></titleInfo><name type="personal"><namePart type="given">Josef</namePart><namePart type="family">Heinzelmann</namePart><role><roleTerm type="text">author</roleTerm></role><description>Josef Heinzelmann was born in Mainz in 1936 and has worked in several German Opera Houses, both as Stage Director and as Dramaturg. His translations and editions of operas and operettas (including Purcell's The Fairy Queen, Gounods' Le médecin malgré lui and many works of Offenbach) are widely performed on German and Austrian stages. He is a regular contributor to Hess Radio, for whom, in 1977, he arranged and introduced a programme devoted to Zykan, Gruber and Schwertsik.</description></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="research-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Cambridge University Press</publisher><place><placeTerm type="text">Cambridge, UK</placeTerm></place><dateIssued encoding="w3cdtf">1978-09</dateIssued><copyrightDate encoding="w3cdtf">1978</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><abstract type="text-abstract" lang="en">The ‘MOB art & tone ART’ Ensemble made its debut in 1967 and played a lively role in Austrian musical life during the five years of its existence. All three of the composers who directed the Ensemble were also professional instrumentalists—Zykan as pianist, Gruber as double-bass in the Austrian Radio Symphony Orchestra, and Schwertsik as hornist in the Vienna Symphony Orchestra. Zykan and Gruber both appeared regularly with the Ensemble, whose other performing members were Volkcr Altmann (horn), Leonhard Wallisch (cello), Roland Altmann and Kurt Prihoda (percussion). 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