Brass Ensemble
Identifieur interne : 000593 ( Istex/Corpus ); précédent : 000592; suivant : 000594Brass Ensemble
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1941-02.
English descriptors
- Teeft :
- Adeste fideles, Adult player, Albert sirmay, Anthony holborne, Arrangements solos, Attractive spanish piece, Authoritative bass, Average child, Band composiclarinet passages vols, Bass melody, Bass percussion technique, Brass instruments, Bruno reibold, Bruno reidream pantomime, Capabilities violins, Carl fischer rearrangement, Characteristic contrasts, Choral part, Clifford demarest, College orchestras, Colorful number, Community entertainments, Complete score, Composition portion, Considerable chromaticism, Contemporary composers, Conventional perlman, Danket alle gott, David mattern madrigal gaflego, Delightful students, Desire ensemble music, Different combinations, Discomposers qualities, Easy arrangement, Educational piano serenade, Edwin franko, Elizabethan composer aires, English words, Ensemble vitality, Excellent reading, Extra parts, Familiar hymns, Familiar melody, Felix guenther, Figurand analysis, First position tunes, Fischer, Fischer bros, Full orch, Full score, Generous number, George program builder, George waln, Goldman band, Good arrangement, Good brass players, Good cantilena style, Good music, Good violinist, Great clash, Greatest artist, Handel accompaniments, Harvey tawo pieces, Helpful suggestions, High school orchestras, High school orrecommended, Higher class, Higher positions, Homer whitford, Interested directors, Interesting variation, Intermediate student, John thompson, Kosakoff numbers, Large schools, Little pieces, Little serenade, Marks music corp, Material ation, Mattern dium grade, Moderate advancement, Modern suite, More compositions belwin, Much time, Music press, Music publisher, National list, Offer something, Orch, Orchestra directors, Organ pive, Original composer, Ornaintroducing ments, Other comments troduction, Pantomime shore, Piaeoforte tlterature series, Piano compositions, Piano conductor, Piano corp, Piano john thomas xodern course, Piano lessons, Piano parts, Piano solo arrangement, Pictorial illusbut, Polovetskian maidens, Popular teachthe bach, Prince igor, Professional programs, Prokofleff opera, Recreation material, Remick music, Reuven kosakoff, Rhythmic flow, Rhythmic problems, Rhythmic vitality, Russian numbers, Salon piece, School groups, Scotch bass, Second part, Second piano part, Second piano parts, Second year, Seconr piato part, Short selection bach fugue, Small orch, Soft effects, Solo clarinet, Solo repertory, Sousa band, String music, String orchestra, String parts, String quartet, Student time, Talented child, Technical strain, Tenor drums, Thompson series, Toccata style, Tuneful duet album, Victor granados, Violin part, Welcome additions, Wellknown song, Willis music company, Work polyphonically, Yirst year, Yourth grade book.
Url:
DOI: 10.1177/002743214102700437
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ISTEX:577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0Le document en format XML
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demarest</term><term>College orchestras</term><term>Colorful number</term><term>Community entertainments</term><term>Complete score</term><term>Composition portion</term><term>Considerable chromaticism</term><term>Contemporary composers</term><term>Conventional perlman</term><term>Danket alle gott</term><term>David mattern madrigal gaflego</term><term>Delightful students</term><term>Desire ensemble music</term><term>Different combinations</term><term>Discomposers qualities</term><term>Easy arrangement</term><term>Educational piano serenade</term><term>Edwin franko</term><term>Elizabethan composer aires</term><term>English words</term><term>Ensemble vitality</term><term>Excellent reading</term><term>Extra parts</term><term>Familiar hymns</term><term>Familiar melody</term><term>Felix guenther</term><term>Figurand analysis</term><term>First position tunes</term><term>Fischer</term><term>Fischer bros</term><term>Full orch</term><term>Full score</term><term>Generous number</term><term>George program builder</term><term>George waln</term><term>Goldman band</term><term>Good arrangement</term><term>Good brass players</term><term>Good cantilena style</term><term>Good music</term><term>Good violinist</term><term>Great clash</term><term>Greatest artist</term><term>Handel accompaniments</term><term>Harvey tawo pieces</term><term>Helpful suggestions</term><term>High school orchestras</term><term>High school orrecommended</term><term>Higher class</term><term>Higher positions</term><term>Homer whitford</term><term>Interested directors</term><term>Interesting variation</term><term>Intermediate student</term><term>John thompson</term><term>Kosakoff numbers</term><term>Large schools</term><term>Little pieces</term><term>Little serenade</term><term>Marks music corp</term><term>Material ation</term><term>Mattern dium grade</term><term>Moderate advancement</term><term>Modern suite</term><term>More compositions belwin</term><term>Much time</term><term>Music press</term><term>Music publisher</term><term>National list</term><term>Offer something</term><term>Orch</term><term>Orchestra directors</term><term>Organ pive</term><term>Original composer</term><term>Ornaintroducing ments</term><term>Other comments troduction</term><term>Pantomime shore</term><term>Piaeoforte tlterature series</term><term>Piano compositions</term><term>Piano conductor</term><term>Piano corp</term><term>Piano john thomas xodern course</term><term>Piano lessons</term><term>Piano parts</term><term>Piano solo arrangement</term><term>Pictorial illusbut</term><term>Polovetskian maidens</term><term>Popular teachthe bach</term><term>Prince igor</term><term>Professional programs</term><term>Prokofleff opera</term><term>Recreation material</term><term>Remick music</term><term>Reuven kosakoff</term><term>Rhythmic flow</term><term>Rhythmic problems</term><term>Rhythmic vitality</term><term>Russian numbers</term><term>Salon piece</term><term>School groups</term><term>Scotch bass</term><term>Second part</term><term>Second piano part</term><term>Second piano parts</term><term>Second year</term><term>Seconr piato part</term><term>Short selection bach fugue</term><term>Small orch</term><term>Soft effects</term><term>Solo clarinet</term><term>Solo repertory</term><term>Sousa band</term><term>String music</term><term>String orchestra</term><term>String parts</term><term>String quartet</term><term>Student time</term><term>Talented child</term><term>Technical strain</term><term>Tenor drums</term><term>Thompson series</term><term>Toccata style</term><term>Tuneful duet album</term><term>Victor granados</term><term>Violin part</term><term>Welcome additions</term><term>Wellknown song</term><term>Willis music company</term><term>Work polyphonically</term><term>Yirst year</term><term>Yourth grade book</term></keywords></textClass><langUsage><language 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Marks</json:string><json:string>R. B. Seconr</json:string><json:string>Co</json:string><json:string>John Thomas</json:string><json:string>Philipp E. Bach</json:string><json:string>J. Fischer</json:string><json:string>Sam Fox</json:string><json:string>H. W. Gray</json:string><json:string>R. B. Prince</json:string><json:string>George Violinist</json:string><json:string>John Thompson</json:string><json:string>Anthony Holborne</json:string><json:string>Felix Guenther</json:string><json:string>H. Hindsley</json:string><json:string>Goldman</json:string><json:string>L. E. W. National</json:string><json:string>Edwin Franko</json:string><json:string>Victor Granados</json:string><json:string>E. Humperdinck</json:string><json:string>A. Borodine</json:string><json:string>Igor</json:string><json:string>Sam C. Rowland</json:string><json:string>Cailliet</json:string><json:string>George Waln</json:string><json:string>Bruno Reibold</json:string><json:string>R. B. Series</json:string><json:string>David Mattern</json:string><json:string>Albert Sirmay</json:string><json:string>August Helmecke</json:string><json:string>Reibold</json:string><json:string>Brown</json:string><json:string>Reuven Kosakoff</json:string></persName><placeName><json:string>Pagani</json:string><json:string>St. Kevin</json:string></placeName><ref_url></ref_url><ref_bibl></ref_bibl><bibl></bibl></unitex></namedEntities><ark><json:string>ark:/67375/M70-ZN8DC02G-H</json:string></ark><publicationDate>1941</publicationDate><copyrightDate>1941</copyrightDate><doi><json:string>10.1177/002743214102700437</json:string></doi><id>577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0/fulltext/zip</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">Brass Ensemble</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1941</date></publicationStmt><notesStmt><note type="review-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Brass Ensemble</title><idno type="istex">577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0</idno><idno type="ark">ark:/67375/M70-ZN8DC02G-H</idno><idno type="DOI">10.1177/002743214102700437</idno><idno type="article-id">10.1177_002743214102700437</idno></analytic><monogr><title level="j">Music educators journal</title><idno type="pISSN">0027-4321</idno><idno type="eISSN">1945-0087</idno><idno type="publisher-id">MEJ</idno><idno type="PublisherID-hwp">spmej</idno><imprint><publisher>SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><date type="published" when="1941-02"></date><biblScope unit="volume">27</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="44">44</biblScope><biblScope unit="page" to="44">44</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>1941</date></creation><langUsage><language ident="en">en</language></langUsage></profileDesc><revisionDesc><change when="1941-02">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-10-17">References added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="review-article" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
<publisher-name>SAGE Publications</publisher-name>
<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.1177/002743214102700437</article-id><article-id pub-id-type="publisher-id">10.1177_002743214102700437</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Brass Ensemble</article-title></title-group><pub-date pub-type="ppub"><month>02</month><year>1941</year></pub-date><volume>27</volume><issue>4</issue><fpage>44</fpage><lpage>44</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Reviews</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> ORCRSTRA [Sam Fox. Bourree, by J. S. Bach, arr. by Bruno Reibold. orch., $ 5.50; Small orch., $ 2.25; full orch., $ 4.50; symphonic 35c; full score, $ 2.00.] Most extra parts, 20c; piano conductor, anyone who has “taken piano” will remember this Bourree and will enjoy hearing it played. It is well arranged by Mr. Reibold and can be effectively played by high school orchestras of the C or B classes and by the better developed junior high orchestras in large schools. A good arrangement. On the List for Class C orchestras. -L. E. W. National arr. by Bruno Rei Dream Pantomime, by E. Humperdinck, Small orch., $ 2.25; full orch., $ 4.50; symbold. [Sam Fox. 35c; full phonic orch., $ 5.50; extra parts, 20c; piano conductor, of the Pantomime shore, $ 2.00.] Here is an easy arrangement for any high school orrecommended which is strongly music, chestra. String parts are not difficult and the playing of this music should give satisfaction to both player and listener. Listed for Class C on the National List, but good also for of higher class. -L. E. W. orchestras by J. S. Bach. s Wugue in G Minor (The “Lesser”), Transcribed for orchestra by Clifford Demarest. [Remick Music Full score, $ 1.50; “A” set, $ 3.50; “B” set, $ 2.50; piano Corp. If you are looking for a 75c; extra parts, 20c ea.] conductor, which or for a short selection Bach fugue for your orchestra, to your string will offer something you stimulating section, will in this. will be interested Directors of college orchestras E. W. -L. welcome this arrangement. particularly Variations on the Theme, “Pop! Goes the Weasel,” by Lucien Inc. Score, $ 2.50; orch. parts, $ 4.00; Cailliet. [Elken-Vogel, extra parts, 30c ea.; piano conductor, 75c.] Mr. Cailliet has given us a clever and interesting variation on an old and wellknown song which is always well received. Except for a few cadenzas which will require a good violinist to play, the work is not difficult. As you can guess, it ends up playing the familiar melody in “jazz” style. Recommended to orchestra directors seeking this type of novelty. -L. E. W. C.L.ARN extracted from well-known band composi Clarinet Passages Vols. I and II. [Boosey-Hawkestions, by T. Conway Brown. There are twenty or more compositions Belwin. $ 1.00 each.] which have some in each of these two volumes, represented This in itself indicates that the respectively. forty pages, part of each composition portion of the solo clarinet greater Well-known of all peribooks. composers is present in these with original or transcribed works, inods are represented cluding the more recent ones by Curzon and Coleridge-Taylor. choice of compositions will serve as a valuable Mr. Brown' s the clarinetist with numbers which are factor in acquainting The books are well edited and clearly much played today. contributions of the worth-while evidence printed-another -George Waln made by this music publisher. transcribed Polka from “The Golden Age” by Shostakovich, Lehnhoff for string quartet or string orchestra. by Sheppard While this F. Summy Co. Score and parts $ 1.25.] [Clayton it is not dance is found on professional programs, sparkling of first-class school groups. The first beyond the capabilities violins must have capable left hands to cope with the disson An effective number when used in the higher positions. ances -D. M. string music. as a foil to more sedate and conventional Perlman. [Carl by George Violinist' s Program Builder, Largely a Violin part, 50c; violin and piano, $ 1.00.] Fischer. of first position tunes from the Carl Fischer rearrangement graded as to rhythmic problems. progressively catalog, -David Mattern Madrigal Gaflego, by Victor Granados. [Edward B. Marks Music Corp. 75c.] An attractive Spanish piece with characteristic contrasts of mood. Excellent for the development of a good cantilena style. Both cello and piano parts are of me-David Mattern dium grade of difficulty. DRUMS AND CYMBAL.S Vol. II. For the Family of Bass Percussion Technique, In Drums, Tenor Drums, and Cymbals, by Sam C. Rowland. Goldman. by Edwin Franko and other comments troduction [New York: 0. Pagani & Bro. $ 1.00.] This book is particularly valuable for its analysis of the technique of, in Dr. Goldman' s words, “the greatest artist of the bass drum of all time‘”’-August Helmecke, formerly of the Sousa Band and now of the Goldman Band. Much important information is given also on the selection and care of bass and their accessories. For the drum cymbals, drums, sticks, tenor drumming, of Scotch bass drumming, corp, techniques are described. An authoritative bass drumming and rudimental have volume on topics most bandmasters agree they themselves H. Hindsley -Mark to study and to teach. neglected BRASS ENSEMBZ-E edited by Harvey Tawo Pieces for Yive-Part Brass -nsemble, Sartorius. [Music Press. Score, 75c; set of 9 parts, $ 1.25; “Two short 9 parts, $ 1.75; extra parts, 20c.] score and set of Elizabethan composer (1565-1602), aires” by Anthony Holborne for a five-part combination have been arranged and lutenist, can be performed The transcription of brass instruments. by of five brass instruments. at least four different combinations this great old music played by One will have to try hearing in order to decide how useful it will five good brass players It is good music, well prepared, but because be in your school. -L. W. of its brevity it probably will not be found very useful. PIANO John Thomas Xodern Course for the Piano, Yourth Grade Book. [Willis Music Company. $ 1.00.] This book carries on the valuable new Thompson series. It does not have pictorial illusbut there are helpful suggestions on ornaments, trations, figurand analysis. The material ation, cross-rhythms, a contains generous number of classical and other established piano compositions, many of which are arranged or simplified. Burrows -Raymond A Tuneful Duet Album for the Yirst Year, John Thompson, Jr. [Willis Music Company. This album will provide 75c.] excellent reading and recreation material. The tunes are all well known. In each case the pupil plays the primo while the teacher or parent is to play the secondo. The teacher' s part, is not particularly however, difficult and could be played by an intermediate student. -R. B. Educational Piano Pieces-Little Serenade, Perpetuum Mobile, at the Dance, by Albert Sirmay. & Co., Villagers [Chappell Inc. 40c ea.] These three little pieces are all suitable for instruction during the second year, for an average child starting piano lessons between the ages of eight and ten. “Little Serenade” alternates the style of bass melody which children find so fascinating, with for right-hand passages Mobile “gives the fast work suggested melody.” Perpetuum by the title, without too much of a technical strain. “Villagers at the Dance” is the most difficult of the three. It has a rhythmic vitality which will appeal to children and repay them for the effort involved in the study. -R. B. Seconr Piato Part to Piaeoforte TLterature Series, by Reuven Kosakoff. Sonata in C Major, by Mozart, 60c; Scherzo in B-flat Major, by Schubert, 40c; Allegro in F Minor, by Philipp E. Bach, 40c; Allegro in G Major, by Handel, o0c; The Complaint, Waltz, Tarantella, by Kosakoff, 40c. [J. Fischer & Bros.] These pieces are welcome additions to the library of second piano parts which answer the problem of teachers and students who desire ensemble music but who do not wish to take too much time away from the solo repertory. may spend his The student time learning the works of Mozart, Schubert, Bach, or Handel and still have the fun and value of playing with a second piano part. -lR. B. The Mozart “Sonata” is one of those for which Grieg has already provided a second part. Some students may wish to the two treatments. compare The accompaniment for the Schubert “Scherzo” is especially and should help delightful students to appreciate the rhythmic flow of this popular teach The Bach and Handel accompanimentsing piece. are loyal to the style of the original composer. The three Kosakoff numbers are of course different from the others in that they involve setting by the original composer. While some teachers and students will wish that these pieces were available in complete score with both parts present, others will appreciate the economy of buying the second part separately. -R. B. Suite in D Winor–Prelude, Gavotte and Musette, Sarabande, Gigue, by Mortimer Browning. [J. Fischer & Bros. $ 1.25.] This modern suite in the style of the early classical interesting has many interesting At times it discomposers qualities. but without too great clash plays considerable chromaticism, of dissonance if one listens to the work polyphonically. There is considerable for variety in loud and soft effects. opportunity The “Prelude” is only moderately difficult and very effective. The “Sarabande” and “Gavotte” have caught the flavor of those old dances without the embarrassment of ornaintroducing ments. The “Gigue” is lively and colorful without being too difficult. Th le suite could be played by a talented child after two or three years of study, if the occasional octave passages were rearranged. The piece would also be of interest to an adult player of moderate advancement.–R. B. Series for Piano Your Eands, Contemporary Composers transcribed by Felix Guenther. Reverie, by Debussy, 60c; March “Love of Three Oranges”), (from by Prokofieff, 60c; Sevilla, by Albeniz, 75c; Gitanerias, by Lecuona, 75c. [Edward B. Marks.] These duets for four hands at one piano will be popular with those who enjoy ensemble of well-known arrangements solos. The Spanish and Russian numbers are more effective because of their rhythmic which lends itself to the ensemble vitality, than is the more dreamy number of Debussy. arrangement, The March from the Prokofleff opera, in particular, gains much from this four-hand treatment and should prove very popular. i-R. B. Prince Igor, Dance of the Polovetskian Maidens, by A. Borodine. [Edward B. Marks. $ 1.00.] This piano solo arrangement includes English words for the choral part of the dance. Its twenty-six pages will seem rather formidable to those considering its use as a salon piece, but it undoubtedly will have a place in school and community entertainments where a piano for a colorful number with dancing and singing accompaniment is desired. -R. B. ORGAN Pive Choral Paraphrases (Adeste Fideles, Ein Fete Burg, St. Kevin, Gardiner and Nun Danket Alle Gott), by Homer Whitford. [H. W. Gray and Co., Inc. $ 1.00.] Players who like to use selections based on familiar hymns would be interested in this set, none of which is extremely difficult. 1, 3 and 4 are quite easy. Nos. 2 and 5 are rather brilliant, on the toccata style of writing.–G. H. Page 44 Music Educators Journal </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Brass Ensemble</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Brass Ensemble</title></titleInfo><typeOfResource>text</typeOfResource><genre type="review-article" displayLabel="review-article" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-L5L7X3NF-P">review-article</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1941-02</dateIssued><copyrightDate encoding="w3cdtf">1941</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1941</date><detail type="volume"><caption>vol.</caption><number>27</number></detail><detail type="issue"><caption>no.</caption><number>4</number></detail><extent unit="pages"><start>44</start><end>44</end></extent></part></relatedItem><identifier type="istex">577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0</identifier><identifier type="ark">ark:/67375/M70-ZN8DC02G-H</identifier><identifier type="DOI">10.1177/002743214102700437</identifier><identifier type="ArticleID">10.1177_002743214102700437</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/577DEE329D66F5DD28BAC0F6C3157E75EC01C9A0/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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