From harmony of the spheres to national anthem: Reflections on musical heritage
Identifieur interne : 000475 ( Istex/Corpus ); précédent : 000474; suivant : 000476From harmony of the spheres to national anthem: Reflections on musical heritage
Auteurs : David LowenthalSource :
- GeoJournal [ 0343-2521 ] ; 2006-02-01.
English descriptors
- KwdEn :
Abstract
Abstract: Western classical music was long distinctive among the arts for its universality and catholicity. From Greek antiquity on, music uniquely reflected Orphic, mystic, celestial feeling, And unlike painting, architecture, or literature, the standard musical canon came to be breathtakingly inclusive over time as well as space. Yet in recent centuries music has increasingly celebrated national patriotism and period particularism. This essay traces the histories of these antithetical expressive urges, the one universalistic, transcendental, atemporal, the other chauvinist, parochial, historicist.
Url:
DOI: 10.1007/s10708-006-0008-y
Links to Exploration step
ISTEX:5853E7552E335E30C59EAAE49CE5FDA9BE542013Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">From harmony of the spheres to national anthem: Reflections on musical heritage</title><author><name sortKey="Lowenthal, David" sort="Lowenthal, David" uniqKey="Lowenthal D" first="David" last="Lowenthal">David Lowenthal</name><affiliation><mods:affiliation>Professor Emeritus, Department of Geography, University College London, 26 Bedford Way, London, WC1H OAP, UK</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: d.lowenthal@ucl.ac.uk</mods:affiliation></affiliation></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:5853E7552E335E30C59EAAE49CE5FDA9BE542013</idno><date when="2006" year="2006">2006</date><idno type="doi">10.1007/s10708-006-0008-y</idno><idno type="url">https://api.istex.fr/document/5853E7552E335E30C59EAAE49CE5FDA9BE542013/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000475</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000475</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">From harmony of the spheres to national anthem: Reflections on musical heritage</title><author><name sortKey="Lowenthal, David" sort="Lowenthal, David" uniqKey="Lowenthal D" first="David" last="Lowenthal">David Lowenthal</name><affiliation><mods:affiliation>Professor Emeritus, Department of Geography, University College London, 26 Bedford Way, London, WC1H OAP, UK</mods:affiliation></affiliation><affiliation><mods:affiliation>E-mail: d.lowenthal@ucl.ac.uk</mods:affiliation></affiliation></author></analytic><monogr></monogr><series><title level="j">GeoJournal</title><title level="j" type="sub">An International Journal on Human Geography and Environmental Sciences</title><title level="j" type="abbrev">GeoJournal</title><idno type="ISSN">0343-2521</idno><idno type="eISSN">1572-9893</idno><imprint><publisher>Kluwer Academic Publishers</publisher><pubPlace>Dordrecht</pubPlace><date type="published" when="2006-02-01">2006-02-01</date><biblScope unit="volume">65</biblScope><biblScope unit="issue">1-2</biblScope><biblScope unit="page" from="3">3</biblScope><biblScope unit="page" to="15">15</biblScope></imprint><idno type="ISSN">0343-2521</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0343-2521</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Western music</term><term>heritage</term><term>nationalism</term><term>particularism</term><term>universalism</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: Western classical music was long distinctive among the arts for its universality and catholicity. From Greek antiquity on, music uniquely reflected Orphic, mystic, celestial feeling, And unlike painting, architecture, or literature, the standard musical canon came to be breathtakingly inclusive over time as well as space. Yet in recent centuries music has increasingly celebrated national patriotism and period particularism. This essay traces the histories of these antithetical expressive urges, the one universalistic, transcendental, atemporal, the other chauvinist, parochial, historicist.</div></front></TEI><istex><corpusName>springer-journals</corpusName><author><json:item><name>David Lowenthal</name><affiliations><json:string>Professor Emeritus, Department of Geography, University College London, 26 Bedford Way, London, WC1H OAP, UK</json:string><json:string>E-mail: d.lowenthal@ucl.ac.uk</json:string></affiliations></json:item></author><subject><json:item><lang><json:string>eng</json:string></lang><value>heritage</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>nationalism</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>particularism</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>universalism</value></json:item><json:item><lang><json:string>eng</json:string></lang><value>Western music</value></json:item></subject><articleId><json:string>8</json:string><json:string>DO00027048</json:string></articleId><arkIstex>ark:/67375/VQC-FHLL7SBR-6</arkIstex><language><json:string>eng</json:string></language><originalGenre><json:string>OriginalPaper</json:string></originalGenre><abstract>Abstract: Western classical music was long distinctive among the arts for its universality and catholicity. From Greek antiquity on, music uniquely reflected Orphic, mystic, celestial feeling, And unlike painting, architecture, or literature, the standard musical canon came to be breathtakingly inclusive over time as well as space. Yet in recent centuries music has increasingly celebrated national patriotism and period particularism. This essay traces the histories of these antithetical expressive urges, the one universalistic, transcendental, atemporal, the other chauvinist, parochial, historicist.</abstract><qualityIndicators><refBibsNative>false</refBibsNative><abstractWordCount>80</abstractWordCount><abstractCharCount>606</abstractCharCount><keywordCount>5</keywordCount><score>7.96</score><pdfWordCount>9252</pdfWordCount><pdfCharCount>58332</pdfCharCount><pdfVersion>1.4</pdfVersion><pdfPageCount>13</pdfPageCount><pdfPageSize>595.276 x 841.89 pts (A4)</pdfPageSize></qualityIndicators><title>From harmony of the spheres to national anthem: Reflections on musical heritage</title><genre><json:string>research-article</json:string></genre><host><title>GeoJournal</title><language><json:string>unknown</json:string></language><publicationDate>2006</publicationDate><copyrightDate>2006</copyrightDate><issn><json:string>0343-2521</json:string></issn><eissn><json:string>1572-9893</json:string></eissn><journalId><json:string>10708</json:string></journalId><volume>65</volume><issue>1-2</issue><pages><first>3</first><last>15</last></pages><genre><json:string>journal</json:string></genre><editor><json:item><name>Stanley Waterman</name></json:item><json:item><name>Stanley D. Brunn</name></json:item></editor><subject><json:item><value>Hydrogeology</value></json:item><json:item><value>Geography (general)</value></json:item><json:item><value>Ecology</value></json:item><json:item><value>Environmental Management</value></json:item><json:item><value>Methodology of the Social Sciences</value></json:item></subject></host><ark><json:string>ark:/67375/VQC-FHLL7SBR-6</json:string></ark><publicationDate>2006</publicationDate><copyrightDate>2006</copyrightDate><doi><json:string>10.1007/s10708-006-0008-y</json:string></doi><id>5853E7552E335E30C59EAAE49CE5FDA9BE542013</id><score>1</score><fulltext><json:item><extension>pdf</extension><original>true</original><mimetype>application/pdf</mimetype><uri>https://api.istex.fr/document/5853E7552E335E30C59EAAE49CE5FDA9BE542013/fulltext/pdf</uri></json:item><json:item><extension>zip</extension><original>false</original><mimetype>application/zip</mimetype><uri>https://api.istex.fr/document/5853E7552E335E30C59EAAE49CE5FDA9BE542013/fulltext/zip</uri></json:item><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/5853E7552E335E30C59EAAE49CE5FDA9BE542013/fulltext/txt</uri></json:item><istex:fulltextTEI uri="https://api.istex.fr/document/5853E7552E335E30C59EAAE49CE5FDA9BE542013/fulltext/tei"><teiHeader><fileDesc><titleStmt><title level="a" type="main" xml:lang="en">From harmony of the spheres to national anthem: Reflections on musical heritage</title><respStmt><resp>Références bibliographiques récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">Kluwer Academic Publishers</publisher><pubPlace>Dordrecht</pubPlace><availability><licence><p>Springer, 2006</p></licence><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</p></availability><date>2006</date></publicationStmt><notesStmt><note type="research-article" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">From harmony of the spheres to national anthem: Reflections on musical heritage</title><author xml:id="author-0000" corresp="yes"><persName><forename type="first">David</forename><surname>Lowenthal</surname></persName><email>d.lowenthal@ucl.ac.uk</email><affiliation>Professor Emeritus, Department of Geography, University College London, 26 Bedford Way, London, WC1H OAP, UK</affiliation></author><idno type="istex">5853E7552E335E30C59EAAE49CE5FDA9BE542013</idno><idno type="ark">ark:/67375/VQC-FHLL7SBR-6</idno><idno type="DOI">10.1007/s10708-006-0008-y</idno><idno type="article-id">8</idno><idno type="article-id">DO00027048</idno></analytic><monogr><title level="j">GeoJournal</title><title level="j" type="sub">An International Journal on Human Geography and Environmental Sciences</title><title level="j" type="abbrev">GeoJournal</title><idno type="pISSN">0343-2521</idno><idno type="eISSN">1572-9893</idno><idno type="journal-ID">true</idno><idno type="journal-SPIN">GEJO</idno><idno type="volume-issue-count">12</idno><editor xml:id="book-author-0000"><persName><forename type="first">Stanley</forename><surname>Waterman</surname></persName><note type="Bibliography">Guest Editor</note></editor><editor xml:id="book-author-0001"><persName><forename type="first">Stanley</forename><forename type="first">D.</forename><surname>Brunn</surname></persName><note type="Bibliography">Guest Editor</note></editor><imprint><publisher>Kluwer Academic Publishers</publisher><pubPlace>Dordrecht</pubPlace><date type="published" when="2006-02-01"></date><biblScope unit="volume">65</biblScope><biblScope unit="issue">1-2</biblScope><biblScope unit="page" from="3">3</biblScope><biblScope unit="page" to="15">15</biblScope></imprint></monogr></biblStruct></sourceDesc></fileDesc><profileDesc><creation><date>2006</date></creation><langUsage><language ident="en">en</language></langUsage><abstract xml:lang="en"><p>Abstract: Western classical music was long distinctive among the arts for its universality and catholicity. From Greek antiquity on, music uniquely reflected Orphic, mystic, celestial feeling, And unlike painting, architecture, or literature, the standard musical canon came to be breathtakingly inclusive over time as well as space. Yet in recent centuries music has increasingly celebrated national patriotism and period particularism. This essay traces the histories of these antithetical expressive urges, the one universalistic, transcendental, atemporal, the other chauvinist, parochial, historicist.</p></abstract><textClass xml:lang="en"><keywords scheme="keyword"><list><head>Keywords</head><item><term>heritage</term></item><item><term>nationalism</term></item><item><term>particularism</term></item><item><term>universalism</term></item><item><term>Western music</term></item></list></keywords></textClass><textClass><keywords scheme="Journal Subject"><list><head>Geography</head><item><term>Hydrogeology</term></item><item><term>Geography (general)</term></item><item><term>Ecology</term></item><item><term>Environmental Management</term></item><item><term>Methodology of the Social Sciences</term></item></list></keywords></textClass></profileDesc><revisionDesc><change when="2006-02-01">Published</change><change xml:id="refBibs-istex" who="#ISTEX-API" when="2017-12-1">References added</change></revisionDesc></teiHeader></istex:fulltextTEI></fulltext><metadata><istex:metadataXml wicri:clean="corpus springer-journals not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//Springer-Verlag//DTD A++ V2.4//EN" URI="http://devel.springer.de/A++/V2.4/DTD/A++V2.4.dtd" name="istex:docType"></istex:docType><istex:document><Publisher><PublisherInfo><PublisherName>Kluwer Academic Publishers</PublisherName><PublisherLocation>Dordrecht</PublisherLocation></PublisherInfo><Journal><JournalInfo JournalProductType="ArchiveJournal" NumberingStyle="Unnumbered"><JournalID>10708</JournalID><JournalPrintISSN>0343-2521</JournalPrintISSN><JournalElectronicISSN>1572-9893</JournalElectronicISSN><JournalSPIN>GEJO</JournalSPIN><JournalTitle>GeoJournal</JournalTitle><JournalSubTitle>An International Journal on Human Geography and Environmental Sciences</JournalSubTitle><JournalAbbreviatedTitle>GeoJournal</JournalAbbreviatedTitle><JournalSubjectGroup><JournalSubject Type="Primary">Geography</JournalSubject><JournalSubject Type="Secondary">Hydrogeology</JournalSubject><JournalSubject Type="Secondary">Geography (general)</JournalSubject><JournalSubject Type="Secondary">Ecology</JournalSubject><JournalSubject Type="Secondary">Environmental Management</JournalSubject><JournalSubject Type="Secondary">Methodology of the Social Sciences</JournalSubject></JournalSubjectGroup></JournalInfo><Volume><VolumeInfo VolumeType="Regular" TocLevels="0"><VolumeIDStart>65</VolumeIDStart><VolumeIDEnd>65</VolumeIDEnd><VolumeIssueCount>12</VolumeIssueCount></VolumeInfo><Issue IssueType="Combined"><IssueInfo TocLevels="0"><IssueIDStart>1</IssueIDStart><IssueIDEnd>2</IssueIDEnd><IssueTitle Language="En">Geography & Music</IssueTitle><IssueHistory><CoverDate><Year>2006</Year><Month>02</Month></CoverDate></IssueHistory><IssueCopyright><CopyrightHolderName>Springer</CopyrightHolderName><CopyrightYear>2006</CopyrightYear></IssueCopyright></IssueInfo><IssueHeader><EditorGroup><Editor><EditorName DisplayOrder="Western"><GivenName>Stanley</GivenName><FamilyName>Waterman</FamilyName></EditorName><Role>Guest Editor</Role></Editor><Editor><EditorName DisplayOrder="Western"><GivenName>Stanley</GivenName><GivenName>D.</GivenName><FamilyName>Brunn</FamilyName></EditorName><Role>Guest Editor</Role></Editor></EditorGroup></IssueHeader><Article ID="DO00027048"><ArticleInfo Language="En" ArticleType="OriginalPaper" NumberingStyle="Unnumbered" TocLevels="0" ContainsESM="No"><ArticleID>8</ArticleID><ArticleDOI>10.1007/s10708-006-0008-y</ArticleDOI><ArticleSequenceNumber>2</ArticleSequenceNumber><ArticleTitle Language="En">From harmony of the spheres to national anthem: Reflections on musical heritage</ArticleTitle><ArticleFirstPage>3</ArticleFirstPage><ArticleLastPage>15</ArticleLastPage><ArticleHistory><RegistrationDate><Year>2006</Year><Month>01</Month><Day>31</Day></RegistrationDate></ArticleHistory><ArticleCopyright><CopyrightHolderName>Springer</CopyrightHolderName><CopyrightYear>2006</CopyrightYear></ArticleCopyright><ArticleGrants Type="Regular"><MetadataGrant Grant="OpenAccess"></MetadataGrant><AbstractGrant Grant="OpenAccess"></AbstractGrant><BodyPDFGrant Grant="Restricted"></BodyPDFGrant><BodyHTMLGrant Grant="Restricted"></BodyHTMLGrant><BibliographyGrant Grant="Restricted"></BibliographyGrant><ESMGrant Grant="Restricted"></ESMGrant></ArticleGrants></ArticleInfo><ArticleHeader><AuthorGroup><Author AffiliationIDS="Aff1" CorrespondingAffiliationID="Aff1"><AuthorName DisplayOrder="Western"><GivenName>David</GivenName><FamilyName>Lowenthal</FamilyName></AuthorName><Contact><Email>d.lowenthal@ucl.ac.uk</Email></Contact></Author><Affiliation ID="Aff1"><OrgDivision>Professor Emeritus, Department of Geography</OrgDivision><OrgName>University College London</OrgName><OrgAddress><Street>26 Bedford Way</Street><City>London</City><State>WC1H OAP</State><Country Code="GB">UK</Country></OrgAddress></Affiliation></AuthorGroup><Abstract Language="En" ID="Abs1"><Heading>Abstract</Heading><Para>Western classical music was long distinctive among the arts for its universality and catholicity. From Greek antiquity on, music uniquely reflected Orphic, mystic, celestial feeling, And unlike painting, architecture, or literature, the standard musical canon came to be breathtakingly inclusive over time as well as space. Yet in recent centuries music has increasingly celebrated national patriotism and period particularism. This essay traces the histories of these antithetical expressive urges, the one universalistic, transcendental, atemporal, the other chauvinist, parochial, historicist.</Para></Abstract><KeywordGroup Language="En"><Heading>Keywords</Heading><Keyword>heritage</Keyword><Keyword>nationalism</Keyword><Keyword>particularism</Keyword><Keyword>universalism</Keyword><Keyword>Western music</Keyword></KeywordGroup><ArticleNote Type="Misc"><SimplePara>This essay was initially conceived as a keynote talk for ‘‘The Tuning of the World’’, an acoustic ecology conference at the Banff Centre for the Arts, Alberta, Canada, in August 1993 in honor of R. Murray Schafer. To him, to Georgina Boyes, Ruth Finnegan, Lily Kong, Jessie Owens, and, in memoriam, to Aldo Ghisalbert and Malcolm Macdonald, I am grateful for generous inspiration</SimplePara></ArticleNote></ArticleHeader><NoBody></NoBody></Article></Issue></Volume></Journal></Publisher></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>From harmony of the spheres to national anthem: Reflections on musical heritage</title></titleInfo><titleInfo type="alternative" contentType="CDATA" lang="en"><title>From harmony of the spheres to national anthem: Reflections on musical heritage</title></titleInfo><name type="personal" displayLabel="corresp"><namePart type="given">David</namePart><namePart type="family">Lowenthal</namePart><affiliation>Professor Emeritus, Department of Geography, University College London, 26 Bedford Way, London, WC1H OAP, UK</affiliation><affiliation>E-mail: d.lowenthal@ucl.ac.uk</affiliation><role><roleTerm type="text">author</roleTerm></role></name><typeOfResource>text</typeOfResource><genre type="research-article" displayLabel="OriginalPaper" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-1JC4F85T-7">research-article</genre><originInfo><publisher>Kluwer Academic Publishers</publisher><place><placeTerm type="text">Dordrecht</placeTerm></place><dateIssued encoding="w3cdtf">2006-02-01</dateIssued><dateIssued encoding="w3cdtf">2006</dateIssued><copyrightDate encoding="w3cdtf">2006</copyrightDate></originInfo><language><languageTerm type="code" authority="rfc3066">en</languageTerm><languageTerm type="code" authority="iso639-2b">eng</languageTerm></language><abstract lang="en">Abstract: Western classical music was long distinctive among the arts for its universality and catholicity. From Greek antiquity on, music uniquely reflected Orphic, mystic, celestial feeling, And unlike painting, architecture, or literature, the standard musical canon came to be breathtakingly inclusive over time as well as space. Yet in recent centuries music has increasingly celebrated national patriotism and period particularism. This essay traces the histories of these antithetical expressive urges, the one universalistic, transcendental, atemporal, the other chauvinist, parochial, historicist.</abstract><subject lang="en"><genre>Keywords</genre><topic>heritage</topic><topic>nationalism</topic><topic>particularism</topic><topic>universalism</topic><topic>Western music</topic></subject><relatedItem type="host"><titleInfo><title>GeoJournal</title><subTitle>An International Journal on Human Geography and Environmental Sciences</subTitle></titleInfo><titleInfo type="abbreviated"><title>GeoJournal</title></titleInfo><name type="personal"><namePart type="given">Stanley</namePart><namePart type="family">Waterman</namePart><role><roleTerm type="text">editor</roleTerm></role><description>Guest Editor</description></name><name type="personal"><namePart type="given">Stanley</namePart><namePart type="given">D.</namePart><namePart type="family">Brunn</namePart><role><roleTerm type="text">editor</roleTerm></role><description>Guest Editor</description></name><genre type="journal" displayLabel="Archive Journal" authority="ISTEX" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><originInfo><publisher>Springer</publisher><dateIssued encoding="w3cdtf">2006-02-01</dateIssued><copyrightDate encoding="w3cdtf">2006</copyrightDate></originInfo><subject><genre>Geography</genre><topic>Hydrogeology</topic><topic>Geography (general)</topic><topic>Ecology</topic><topic>Environmental Management</topic><topic>Methodology of the Social Sciences</topic></subject><identifier type="ISSN">0343-2521</identifier><identifier type="eISSN">1572-9893</identifier><identifier type="JournalID">10708</identifier><identifier type="JournalSPIN">GEJO</identifier><identifier type="VolumeIssueCount">12</identifier><part><date>2006</date><detail type="issue"><title>Geography & Music</title></detail><detail type="volume"><number>65</number><caption>vol.</caption></detail><detail type="issue"><number>1-2</number><caption>no.</caption></detail><extent unit="pages"><start>3</start><end>15</end></extent></part><recordInfo><recordOrigin>Springer, 2006</recordOrigin></recordInfo></relatedItem><identifier type="istex">5853E7552E335E30C59EAAE49CE5FDA9BE542013</identifier><identifier type="ark">ark:/67375/VQC-FHLL7SBR-6</identifier><identifier type="DOI">10.1007/s10708-006-0008-y</identifier><identifier type="ArticleID">8</identifier><identifier type="ArticleID">DO00027048</identifier><accessCondition type="use and reproduction" contentType="copyright">Springer, 2006</accessCondition><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-3XSW68JL-F">springer</recordContentSource><recordOrigin>Springer, 2006</recordOrigin></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/5853E7552E335E30C59EAAE49CE5FDA9BE542013/metadata/json</uri></json:item></metadata><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Corpus
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000475 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Corpus/biblio.hfd -nk 000475 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Istex
|étape= Corpus
|type= RBID
|clé= ISTEX:5853E7552E335E30C59EAAE49CE5FDA9BE542013
|texte= From harmony of the spheres to national anthem: Reflections on musical heritage
}}
| This area was generated with Dilib version V0.6.33. |  |