Bulletin Board
Identifieur interne : 000396 ( Istex/Corpus ); précédent : 000395; suivant : 000397Bulletin Board
Auteurs :Source :
- Music educators journal [ 0027-4321 ] ; 1969-02.
English descriptors
- Teeft :
- American academy, American society, Associate dean, August, Boston symphony orchestra, Boston university, Budapest string quartet, Carolina school, Chairman department, Complete informationwithout obligation, Comprehensive musicianship, Contemporary music, Dean school, Eastern arts, Eastman school, February, Fine arts, First performance, Frances clark, Further information, High school, International youth meeting, July, June, June teaching, Kansas city, Music education, Music theory, Nassau street, Piedmont chamber players, Professional careers, School music, School staff, University hartford, Visual arts society, West hartford, York city, Youth music foundation.
Url:
DOI: 10.2307/3392439
Links to Exploration step
ISTEX:35CD09FCA3846A5E053AF918D92E2AA8A9D3CFA9Le document en format XML
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récupérées via GROBID</resp><name resp="ISTEX-API">ISTEX-API (INIST-CNRS)</name></respStmt></titleStmt><publicationStmt><authority>ISTEX</authority><publisher scheme="https://publisher-list.data.istex.fr">SAGE Publications</publisher><pubPlace>Sage CA: Los Angeles, CA</pubPlace><availability><licence><p>sage</p></licence></availability><p scheme="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B"></p><date>1969</date></publicationStmt><notesStmt><note type="other" scheme="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</note><note type="journal" scheme="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</note></notesStmt><sourceDesc><biblStruct type="inbook"><analytic><title level="a" type="main" xml:lang="en">Bulletin Board</title><idno type="istex">35CD09FCA3846A5E053AF918D92E2AA8A9D3CFA9</idno><idno type="ark">ark:/67375/M70-R173970D-Q</idno><idno type="DOI">10.2307/3392439</idno><idno 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added</change></revisionDesc></teiHeader></istex:fulltextTEI><json:item><extension>txt</extension><original>false</original><mimetype>text/plain</mimetype><uri>https://api.istex.fr/document/35CD09FCA3846A5E053AF918D92E2AA8A9D3CFA9/fulltext/txt</uri></json:item></fulltext><metadata><istex:metadataXml wicri:clean="corpus sage not found" wicri:toSee="no header"><istex:xmlDeclaration>version="1.0" encoding="UTF-8"</istex:xmlDeclaration><istex:docType PUBLIC="-//NLM//DTD Journal Publishing DTD v2.3 20070202//EN" URI="journalpublishing.dtd" name="istex:docType"></istex:docType><istex:document><article article-type="other" dtd-version="2.3" xml:lang="EN"><front><journal-meta><journal-id journal-id-type="hwp">spmej</journal-id><journal-id journal-id-type="publisher-id">MEJ</journal-id><journal-title>Music Educators Journal</journal-title><issn pub-type="ppub">0027-4321</issn><publisher>
<publisher-name>SAGE Publications</publisher-name>
<publisher-loc>Sage CA: Los Angeles, CA</publisher-loc>
</publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.2307/3392439</article-id><article-id pub-id-type="publisher-id">10.2307_3392439</article-id><article-categories><subj-group subj-group-type="heading"><subject>Articles</subject></subj-group></article-categories><title-group><article-title>Bulletin Board</article-title></title-group><pub-date pub-type="ppub"><month>02</month><year>1969</year></pub-date><volume>55</volume><issue>6</issue><fpage>105</fpage><lpage>111</lpage><custom-meta-wrap><custom-meta xlink:type="simple"><meta-name>sagemeta-type</meta-name><meta-value>Other</meta-value></custom-meta><custom-meta xlink:type="simple"><meta-name>search-text</meta-name><meta-value> Bulletin Board RED ROSES FOR LOMBARDO. Rob-ert Lombardo, composer-in-residence at Roosevelt University, Chicago, Illinois, has been commissioned by the Goodman Theater of Chicago to write the music for Red Roses for Me, a play by Sean O'Casey. LA SCALA DEBUT FOR TUCKER. Climaxing his twenty-five-year career in opera, Richard Tucker will appear at the Teatro Alia Scala as one of the few Americans ever to be engaged by the leading opera house in Italy. He will make his debut in Milan as Rodolfo in a new production of Verdi's Luisa Miller, to be given five performances in May 1969. WHAT PRICE INNOVATION? Cornell University, Ithaca, New York, held a symposium entitled, “Is Stylistic Obsolescence the Price of Innovation in Contemporary Music?” on November 16, 1968. The symposium was part of a week-long Festival of Contemporary Music. THE NEW WORKS COMMITTEE of the Ohio Music Education Association was established to commission new compositions by prominent American composers for Ohio's schools. The latest of these is Paul Creston's band work Kalevala (Fantasy on Finnish Folk Songs), Opus 95, which was premiered at the OMEA state convention on February 7-8, 1969. The Committee has also commissioned a one-act opera that is being prepared by Jean Berger for premiere in 1970. RECOGNIZING CREATIVITY. The lack of recognition given to creative students in the schools prompted Paul De Francis, director of guidance at Kinnelon High School, Kinnelon, New Jersey, to seek support for an organization that would fill this void for talented young people. The result of his efforts is the Performing and Visual Arts Society, an organization of school chapters whose purpose is “To honor and recognize high school students, grades eleven and twelve, who are and have been contributing on a high level in the areas of the creative and performing arts.” At present, five chapters have been formed. Inquiries concerning the Society and its program can be directed to Paul De Francis, Performing and Visual Arts Society, Kinnelon High School, Kinnelon, New Jersey 07405. GIFT TO AID MUSIC AT RICE. A bequest of approximately $4.5 million to Rice University, Houston, Texas, from the late Sallie Shepherd Perkins will be used to further develop the Shepherd School of Music, which was founded in 1950 with a gift from Mrs. Perkins and her late husband, Malcolm W. Perkins. Mrs. Perkins, who died on October 13, 1968, was a graduate in music from Hollins College and founder of the Fluvanna (County, Virginia) Music Club, the first organization in the National Federation of Music Clubs. NEW BUT TRADITIONAL. The American Academy of Opera has been formed to provide “total training of opera singers” in the European tradition. Located in Westfield, New Jersey, the school's staff includes Nicolas Flagello as artistic director and conductor, Riccardo Moresco as director of staging and movement, and Mariano Caruso as specialist in vocal interpretation. Upon acceptance by audition to the two-year course, students will work in three major areas: instruction in technique, performance in small ensembles and/or a major seasonal performance, and study of the history, literature, and materials of opera. More information and applications may be obtained from Mrs. Willard I. Marr, American Academy of Opera, P.O. Box 747, Westfield, New Jersey 07090. STRENGTH IN NUMBERS. The largest chorus ever to perform at New York City's Lincoln Center was heard December 13, 1968, when eighteen conductors led the entire audience in a performance of Handel's Messiah. The audience of amateur, student, and semi-professional singers participated in “Sing-In at Philharmonic Hall,” marking the debut of the National Choral Council. It was fitting that this new “first” for Messiah took place in New York City, since its first performance in the United States took place there almost two hundred years ago, in 1770. PELLEAS AND MELISANDE, Claude Debussy's only opera, was sung in a new English translation by the University of Southern California Opera Theater in Los Angeles on December 7, 13, and 15, 1968. This was the first production conducted by Hans Beer since he became acting director of the Opera Theater and coincided with the fiftieth anniversary of Debussy's death in Paris in 1918. INDIANA UNIVERSITY SCHOOL OF MUSIC Summer Workshops 1969 June 9-13 Teaching of Music Appreciation Guests—Joseph Machlis, William Brandt June 9-13 Teaching of Music Theory June 23-27 Band (at South Bend Regional Campus) June 30-July 4 Band (at Fort Wayne Regional Campus) June 23-28 General Music in Junior and Senior High Schools Guests—Bennett Reimer, Leon Karel June 30-July 4 Music in the Elementary Schools Guest—Marilyn P. Zimmerman July 14-19 The Koda'iy Method Guests— Sorri Kateling, Betsy McLaughlin July 17-19 Strings (In cooperation with ASTA) July 21-August 1 Musical Theater July 23-July 30 July 30-August 6 Contemporary Choral Music Dates to be announced Tape Recording and Editing Regular Summer Session Courses June 19-August 8 For Information and Application please write Wilfred C. Bain, Dean Indiana University School of Music Bloomington, Indiana 47401 FEBRUARY. NINETEEN SIXTY-NINE 105 CASE WESTERN RESERVE UNIVERSITY CLEVELAND, OHIO / SUMMER SESSION 1969 ADVANCED SECONDARY GENERAL MUSIC METHODS Instructor: Bennett Reimer Visiting Lecturers: Sally Monsour, University of Colorado Simon Anderson, Cincinnati College Conservatory William Hartshorn, Los Angeles Public Schools This course will focus on the production of materials for use in junior and senior high school general music classes, incorporating innovative approaches as developed by the instructor and others. It is the culminating course for the M.A. in music education with specialization in secondary general music, but it will be open to a limited number of non-university students who meet the following prerequisites: (1) Hold Bachelor's and Master's degrees, at least one of which is in music education; or (2) Hold a Bachelor's degree in music education and have a minimum of two.years’ full-time experience teaching music in the schools. The course meets two hours per day, Monday through Friday, for the eight-week session beginning June 16, 1969. Six semester hours of graduate credit will be awarded upon successful completion of the course. For admission application or information about the B.S., M.A., or Ph.D. programs in Music Education, write: Case Western Reserve University Department of Music 11115 Bellflower Road Cleveland, Ohio 44106 BOSTON CONSERVATORY of MUSIC A College of Music, Drama, and Dance 8 The Fenway, Boston, Mass. 02215 George A. Brambilla, President Herbert J. Philpott, Dean APPLIED MUSIC-COMPOSITION-MUSIC EDUCATION B.M. & hAM. Degrees DANCE-DRAMA B.F.A. Degree Distinguished faculty includes members of the Boston Symphony Orchestra. Dormitories for women Fall Term Sept. 15, 1969 Catalog on request Summer Term June 23, 1969 THE WASHINGTON CATHEDRAL College of Church Musicians, Washington, D.C., has received an anonymous pledge of $250,000 for the establishment of the Norman Gerstenfeld Chair in Hebrew Music in honor of the late Rabbi Gerstenfeld of the Washington Hebrew Congregation. The Chair will provide scholarly consideration and instruction in all aspects of the music used in Temple worship in the Hebraic tradition. GUITARS FOR THE POOR. The Thomas Organ Company, Sepulveda, California, presented over one million dollars’ worth of guitars to the Salvation Army to be distributed to underprivileged youth at Christmas. VALUABLE MUSIC COLLECTION. The University of Cincinnati (Ohio) College-Conservatory of Music has received a gift addition to its library from Ralph and Patricia Corbett of Cincinnati in the form of a 3,000-piece collection from the private library of American composer and musicologist Everett Helm. The emphasis of the collection is on French music from the mid-eighteenth to mid-nineteenth centuries and includes books, opera scores, modern editions of instrumental and vocal music, music in rare editions, and title pages and pictorial covers. Among the early printed music are three of the original forty volumes from Samuel Arnold's edition (London: 1789-1797) of the complete works of Handel, representing the first attempt to gather all works of a composer in a collected edition. ACCIDENTS AT ILLINOIS. Piano, slide projector, mirrors, microphones, and electronic apparatus formed the basis for performance of an avant-garde concert at Northern Illinois University, De Kalb, on November 22, 1968. The “Electronic Happening” featured Robert Floyd in a performance of Larry Austin's Accidents. The sound for this composition originates from a traditional piano, but Japanese wind chime shells are spread across the strings to distort the sound. Sixteen contact microphones pick up this sound and send it through an electronic device, the ring modulator, for transmission to the audience. During the performance, the pianist is seated at the piano with his back to the audience. Hiding all but his hair and hands, which are covered with fluorescent paint, is the piano lid, placed behind the player's bench. Adding more visual effect to the performance are mirrors that reflect the pianist's hands and a screen on which is projected the score of the composition in three colors. The work in six movements carries instructions for the pianist to make rapid gestures over the keyboard. When a key is struck accidentally, the sound is transformed and presented to the audience. According to Austin, a perfect performance of the composition would be absolute silence. However, he has given instructions indicating that, if the piece is played without a sound, gestures should become more rapid to facilitate an “accident.” GOLDEN EMPIRE FESTIVAL. The 1969 Golden Empire Music Festival, sponsored by the California Association of Secondary School Administrators, Council 10, and Sacramento State College, is scheduled for two dates on the Sacramento campus. Band, orchestral, chorus, and glee club events will be held March 21 and 22, 1969, and solo and small ensemble events, May 17, 1969. 106 PRESERVING EASTERN ARTS. A 1962 performance by the South Indian dancer Balasarasvati convinced Mr. and Mrs. Samuel Scripps of San Francisco, California, that something should be done to bring Asian performers to American audiences. In May 1963, they founded the American Society for Eastern Arts, a private, nonprofit foundation dedicated to preserving the Asian performing arts by gaining recognition for them in the United States. Since then, the Society has grown in three main fields of activity: a summer school with Asian teachers such as Balasarasvati, a fall tour program that sends performers to many colleges and universities, and local concerts in the San Francisco Bay Area. The Society also publishes a bi-monthly newsletter, maintains an extensive library of books, recordings, tapes, and films, and provides membership benefits, such as discounts on books, records, and concerts. The 1969 activities include the performing arts of India tour held in January and projected summer courses in ethnomusicology and in Asian theater. Inquiries about the Society can be directed to Wallace Thompson, Executive Director, American Society for Eastern Arts, P.O. Box 5, Berkeley, California 94701. MIDWESTERN CONFERENCE. The Twenty-fourth Annual Midwestern Conference on School, Vocal, and Instrumental Music was held January 17-18, 1969, on the campus of the University of Michigan, Ann Arbor, and featured fourteen speakers and seventy-four individual sessions. The Conference is unique among state music meetings in that it is jointly sponsored by six educational agencies, including the Michigan Music Educators Association and The American String Teachers Association. ROSS LEE FINNEY was guest composer at the Contemporary Music Festival held at Indiana University of Pennsylvania on November 21-23, 1968. POLITICS AND BAYREUTH. During August 1968, over 450 students from twenty-five nations participated in the eighteenth Bayreuth (Germany) International Youth Meeting, with the purpose of employing the arts in the service of international understanding. The participants did not expect the political shadow that was to be cast over their artistic work half-way through the meeting. Seventy-four of the students came from Czechoslovakia and the events in that country inevitably gave rise to much concern. There were efforts, particularly on the part of the local press, to turn the presence of so many East Europeans into a political sensation. This was avoided because of the conviction that the International Youth Meeting must remain free of all political coloring if it is to bridge the gap between East and West. Highlights of the meeting included the opening concert in the Bayreuth Stadthalle, which was given by ensembles from Eastern Europe; a concert of works by Schoenberg, Berg, Webern, Stravinsky, and Bartok conducted by Pierre Boulez; a performance of the Faure Requiem under the direction of Andre Musson; and a performance of Haydn's The Chemist and S. Moniuszko's opera Verbum Nobile by the Katowice Music Academy. DONN MILLS, director of orchestral activities at the University of Oklahoma, Norman, has been elected to membership in the American Society of Composers, Authors and Publishers. ? The University of Hartford Hartt College of Music West Hartford, Connecticut Moshe Paranov, president Nathan Gottschalk, executive directot Elizabeth Warner, dean 1969 Out-of-town Audition Dates February 3 Washington, D.C. March 7 St. Louis, Missouri 11 Kansas City, Missouri 13 Denver, Colorado 17 San Francisco, Calif. 19 Los Angeles, Calif. 21 Phoenix, Arizona 24 Dallas, Texas 26 Atlanta, Georgia Hartt Visiting Days an opportunity for interested students and parents to visit the campus and meet faculty and students Wednesdays: February 12, April 16,1969 Faculty includes: Raymond Hanson, Anne Koscielny, Daniel Pollack, piano; Renato Bonacini, Raphael Bronstein, violin; Bernard Greenhouse, Paul Olefsky, ‘cello; Bertram Turetzky, bass; Robert Bloom, oboe; Kalmen Opperman, clarinet; Donald Sinta, saxophone; John Swallow, trombone; John Wummer, flute; Arnold Franchetti, composition, Chorus: Gerald Mack; Early Music: Joseph ladone, Imanuel Willheim; Opera-Theater: Elemer Nagy; Symphony Orchestra: Nathan Gottschalk, Vytautas Marijosius, Moshe Paranov; Wind Ensemble: Donald Mattran. Hartt College of Music, a professional school of music, is one of six member colleges of the University of Hartford, which also includes the Schools of Art, Arts and Sciences, Business Administration, Education, Engineering. For catalog and information write to George McKinley, Admissions Director, Hartt College of Music, University of Hartford, 200 Bloomfield Avenue, West Hartford, Connecticut 06117 (203, 236-5411, ext. 462). CHICAGO MUSICAL COLLEGE ol Roosevelt University “where music fives” 1969 SUMMER SESSION: JUNE 23-AUGUST 1 Registration: June 18-June 21 Curricula offered in all departments leading to the degrees Mus. B., Mus. M., in performance, theory, composition, music history, and music education. Dormitories will be available for the 1970-71 school year. For information, catalog, and summer session announcements, please address Mrs. Laverne O'Donnell, Asst. Registrar in Music, Chicago Musical College of Roosevelt University, 430 S. Michigan Avenue, Chicago, Illinois 60605. FEBRUARY, NINETEEN SIXTY-NINE 107 MEMORIAL FUND AT JUILLIARD. A scholarship fund for double bass players has been established at the Juilliard School of Music in memory of Frederick Zimmerman, before his death a double bassist with the New York Philharmonic and a faculty member at Juilliard. Contributions may be sent to The Frederick Zimmerman Memorial Fund at Juilliard, 120 Claremont Avenue, New York, New York 10027. PENN STATE ARTS PROGRAM. The Pennsylvania State University, University Park, has approved a new bachelor of fine arts program oriented toward students pursuing professional careers in art, music, and theater arts. The program in music will be designed to prepare students for performance and composition with basic curriculum concentration on applied music, theory, composition, and history. NEW STETSON FACILITIES. Officials at Stetson University, DeLand, Florida, have announced the construction of a $1,000,000 classroom building, Theodore Presser Hall, to house the university's School of Music. Completion is expected in 1969. Financial support was received from Florida Baptists and The Presser Foundation. OPERA PREMIERE. Roger Sessions’ opera Montezuma will be given its American premiere in May 1969 by the Opera Company of Boston, Massachusetts. During the 1968-1969 season, Mr. Sessions will lecture as the Charles Eliot Norton Professor of Poetry at Harvard University, Cambridge, Massachusetts. PIEDMONT CHAMBER PLAYERS. A series of seven performances by various student performing arts groups, representing music, dance, and drama, is being offered to communities and colleges in the Southeastern United States under the sponsorship of the North Carolina School of the Arts. The series, known as the Piedmont Chamber Players, was made possible through a grant from the Rockefeller Foundation with the purpose of providing professional-quality programs in the Southeast with flexibility to meet the needs of individual communities. The cost of presentations to local sponsors is approximately $4,500 the first year for the entire series. For information concerning the series, write Piedmont Chamber Players, North Carolina School of the Arts, P.O. Box 4657, Winston-Salem, North Carolina 27107. YOUTH SYMPHONY. The tenth anniversary year of the Greater Boston (Massachusetts) Youth Symphony Orchestra, which is cosponsored by Boston University and a community board of directors, was climaxed with a concert in Symphony Hall, Boston, under the direction of Walter Eisenberg and featuring as soloist Joseph Silverstein, concertmaster of the Boston Symphony Orchestra. The highlight of the group's 1968-1969 season will be a spring tour of the New England States. JOSEPH OTT, composer-in-residence at Milton College, Milton, Wisconsin, has been commissioned to compose an experimental work for the St. Paul, Minnesota Chamber Orchestra. MUSICOLOGY DEGREE PROGRAM. The School of Music of the University of Washington in Seattle has introduced a new graduate degree program in systematic musicology leading to both the M.A. and Ph.D. degrees. The program will equip students to engage in scholarly research in musical problems that require an application of the scientific method. Areas of inquiry include musical learning, music theory, music education, and certain aspects of musical performance. EUROPEAN CONCERT TOUR. The American Youth Symphony and the American Youth Symphony Chorus are accepting applications for their annual European Concert Tour to England, The Netherlands, Belgium, France, Germany, Switzerland, Austria, Italy, and Monaco to take place July 28-August 28, 1969. Membership is open to students between the ages of fifteen and twenty-one. For further information, write American Youth Symphony-American Youth Symphony Chorus, National Headquarters, 1459 Utah, S.E., Huron, South Dakota 57350. CONVENTION PERFORMANCES. The Luther College Concert Band and Nordic Choir, both of Luther College in Decorah, Iowa, have been invited to appear at the North Central Division convention of the Music Educators National Conference in Fargo, North Dakota, April 26-29, 1969. The two groups also performed at the convention of the Wisconsin Music Educators Association, held January 9-12, 1969, at the University of Wisconsin, Madison. INTERLOCHEN NATIONAL MUSIC CAMP - 42nd SEASON - JUNE 22 to AUGUST 18,1969 Junior, Intermediate, High School and University Divisions Pre-Professional Training in Art, Dance, Drama, Music INTERLOCHEN ARTS ACADEMY - 8th YEAR - SEPT. 13,1969 to JUNE 5,1970 A coeducational, college preparatory boarding school—grades 9 through 12—with intensive arts instruction To request literature and information and/or to recommend prospective students, complete form below, tear off and mail to: DIRECTOR OF ADMISSIONS, NATIONAL MUSIC CAMP or INTERLOCHEN ARTS ACADEMY, Interlochen, Michigan 49643 TEAR OFF AND MAIL Name (Street Address) LITERATURE Please send the following literature (checked) as soon as possible (1) 1968 Souvenir Program Book (includes major programs)…………….? (2) 1969 Prelude (announcing 1969 season plans)…………………………….? (3) Interlochen Arts Academy Catalog…………………………………………….? (4) Interlochen Arts Academy Viewbook………………………………………….? (5) Announcement of 1969 University of Michigan Courses at NMC….D (6) Application Forms for, Division…….? (7) Large Bulletin-Board Poster (in color)…………………………………….? (8) Announcement of Post-Season Adult Music Conference……………….? (9) 1969 NMC Concert Calendar (available in May)……………………….? (City) (State) (Zip Code) NAMES OF CANDIDATES whom I recommend for membership (please specify for NMC or IAA). Instrument or NAME Age Major Activity Address 108 CLEVELAND OPENS BRANCH. The Cleveland Institute of Music, Cleveland, Ohio, has opened a southwest branch on the Western Campus of Cuyahoga Community College, Parma, Ohio. The institute has received a grant from the Martha Holden Jennings Foundation making it possible to continue special workshops in the fields of eurhythmies and piano improvisation for public school teachers and supervisors. A YOUTH MUSIC FOUNDATION has been formed to bring better music to more teen-agers. The aim of the program is to show teen-agers how to play improvised music, which could be any one of the various types of jazz, good rock ‘n’ roll, or a new kind of music that may evolve from the program. No attempt is made to popularize a particular type of music. Activities of the Foundation will include giving free jazz concerts by teen-agers at junior high schools and wherever young people congregate, setting up free schools and jazz programs by teen-age musicians, and distributing the teen-age music course “Instant Jazz for the Now Generation” to youth organizations. For further information, write the Youth Music Foundation, 1319 Crain Street, Evanston, Illinois 60202. UNIVERSITY OF BRIDGEPORT, Connecticut, held a percussion clinic on December 7, 1968, featuring its artists-in-residence, the American Percussion Ensemble, who presented a lecture-demonstration on “formulation of a percussion group in high school and college and various possibilities of performance.” ILLINOIS STRING WORKSHOP. More than four hundred Illinois musicians were invited to attend a November 17, 1968, workshop on the string teacher and the professional musician, sponsored by the Civic Orchestra of Chicago and the American String Teacher's Association. The workshop attempted to bring into focus the problem of the scarcity of string players preparing for professional careers in the United States, with speakers discussing the responsibility of education to talented students in the field of strings. PREMIERES. Notice of the following premieres has been received: Alexander Tcherepnin's Piano Concerto No. 5, by the Kansas City (Missouri) Philharmonic, December 14, 1968, American premiere; Duke University composer Paul Earls’ string quartet, his unaccompanied violin work Five Notables, and his piano solo Coronach ior K.K.K., a tribute to this country's recent assassination victims, in a concert sponsored by the Composers Forum at the Donnell Library in New York City; Russell Woollen's Nativitie; Temple, Robert Evett's The Liturgical Office oi Prime, Robert Parris’ Jesu Ducis Memoria and No Longer Burn the Hands, and Frederick Week's / hope / iaith ! / / Hie / love !, for chorus and prepared tape recorder, by the Madison Madrigal Singers of James Madison High School, Vienna, Virginia; and Jacques Berlinski's Symphony of Glory, based on the war speeches of Winston Churchill, to receive its first performance in Los Angeles during the 1969 California Bicentennial celebrations. MUSIC SCHOOLS MEET. The forty-fourth annual meeting of the National Association of Schools of Music was held November 25, 26, and 27, 1968, in Washington, D.C. The NASM is the responsible agency for the accreditation of all music degree curricula. Speakers at the meeting included Walter Washington, mayor of the nation's capital; Roger Stevens of the National Foundation for the Arts and Humanities; Harold Arberg, music consultant to the U.S. Office of Education; Richard Sullivan, president of the Association of American Colleges; Paul Hume, music critic of The Wash’ ington Post; and Donald Shetler and Paul Eichman of the Eastman School of Music. RECORD BENEFITS REFUGEES. Prince Sadruddin Aga Khan, United Nation's High Commissioner for Refugees, has announced that his office will issue the third record under the United Nations label to be made for the benefit of the world's refugees. Entitled World Star Festival, the album will include popular music donated by such artists as Herb Alpert, Ray Charles, Sammy Davis, Jr., Frank Sinatra, Barbra Streisand, and Andy Williams. THE UNIVERSITY OF GEORGIA, Athens, has announced an increase in its curricular activities for the 1968-1969 year. New majors have been added in church music and music therapy, the Men's Glee Club has become an academically credited performing organization, and courses in pedagogy have been introduced in the fields of piano, voice, strings, and other instruments. ? Manhattanville Music Curriculum Program June 10 through June 20 DRAKE UNIVERSITY Betty M. Kanable, Head Music Education Department College of Fine Arts Des Moines, Iowa 50311 June 23 through July 3 COLORADO STATE COLLEGE James E. Miller, Dean School of Music Greeley, Colorado 80631 June 30 through July 11 TEACHERS COLLEGE, COLUMBIA UNIVERSITY Frank L. D'Andrea, Chairman Department of Music and Music Education New York, New York 10027 July 7 through July 18 BOSTON UNIVERSITY Lee Chrisman School of Fine and Applied Arts 855 Commonwealth Avenue Boston, Massachusetts 02215 July 21 through August 1 UNIVERSITY OF OREGON Robert Trotter, Dean School of Music Eugene, Oregon 97403 July 28 through August 8 STATE UNIVERSITY COLLEGE AT POTSDAM Ralph J. Wakefield, Director Crane Department of Music Potsdam, New York 13676 Workshops for Music Educators Sponsored by 13 Outstanding Music Schools New Musical Concepts Learning Processes Contemporary Educational Principles Music Classroom Strategies Spiral Curriculum Maximum registration 24 per workshop 4 credits Apply directly to sponsoring school Manhattanville Music Curriculum Program (U.S.O.E. 6-1999.) Ronald B. Thomas, Director Manhattanville College Purchase, New York 10577 June 16 through June 27 KENT STATE UNIVERSITY Lindsey Merrill, Chairman School of Music Kent, Ohio 44240 June 30 through July 11 UNIVERSITY OF MONTANA Kurt R. Miller Department of Music Missoula, Montana 59801 July 7 through July 18 PEABODY CONSERVATORY OF MUSIC Ray E. Robinson, Associate Director Baltimore, Maryland 21202 July 21 through August 1 ARIZONA STATE UNIVERSITY Andrew J. Broekema, Chairman Department of Music Tempe, Arizona 85281 July 24 through August 22 UNIVERSITY OF WASHINGTON Rodney Eichenberger Coordinator of Summer Quarter School of Music Seattle, Washington 98105 August 4 through August 15 FLORIDA STATE UNIVERSITY Wiley Housewright, Dean School of Music Tallahassee, Florida 32306 August 11 through August 22 MARYVILLE COLLEGE Sister H. A. Padberg, Head Music Department St. Louis, Missouri 63141 FEBRUARY, NINETEEN SIXTY-NINE 109 If you'd like to know how Frances Clark can make this a memorable musical summer for you… THE NEW SCHOOL FOR MUSIC STUDY 353 NASSAU STREET PRINCETON, N. J. 08540 Please send me complete information without obligation on the European Tour for Summer ‘69 21 DAYS IN EUROPE! Spend a magical vacation visiting the cultural centers and music festivals of Europe with Frances Clark and the New School staff. Tour seven enchanting cities from July 31 to August 21. NAME. ADDRESS- CITY. .STATE. ZIP. sign here THE NEW SCHOOL FOR MUSIC STUDY 353 NASSAU STREET PRINCETON, N. J. 08540 Please send me complete information without obligation on the one month program at the New School. A MONTH IN PRINCETON! Spend the month of July observing Frances Clark and the New School staff in action. See students at all levels develop under their guidance. Round Table sessions will solve your teaching problems, June 30 to July 25. NAME. ADDRESS. CITY. ZIP or here THE NEW SCHOOL FOR MUSIC STUDY 353 NASSAU STREET PRINCETON, N. J. 08540 Please send me complete information without obligation on the week-long study course in Princeton. ONE WEEK STUDY COURSE! The finale of the July program for those who can't make it for the full month. The highlights … demonstration teaching …lectures … new music … new techniques for the teacher on the move. At the New School from July 21 to July 25. NAME. ADDRESS. CITY. .ZIP. or here THE NEW SCHOOL FOR MUSIC STUDY, 353 NASSAU ST., PRINCETON, N. J. BUDAPEST STRINGS EXHIBIT. The Library of Congress in Washington, D.C., has opened a graphic exhibit devoted to the world-famous Budapest String Quartet. It portrays the fifty-year career of the ensemble from its early days in 1918 to its retirement from active concert performance in 1968. The Budapest String Quartet first appeared at the Library of Congress in 1938 and in 1940 began its twenty-two-year series of long-term engagements with the Library under the auspices of the Gertrude Clarke Whittall Foundation. For their concerts in the Library of Congress, the Quartet always used the Stradivari instruments presented to the institution by Mrs. Whittall. The exhibit will be on display until March 9, 1969. MUSIC IN THE JUNIOR HIGH. The third annual Symposium on Music Education of the University of Wisconsin-Milwaukee will be held on February 22, 1969. “Teaching Musicianship in the Junior High Schools” will explore the many needs of music education on this level, especially in the area of general music. Guest speakers at the symposium will include Charles Leonhard, chairman of the graduate committee in music education at the University of Illinois; William Hughes, assistant professor of music at Central Michigan University; Mary Hoffman, supervisor of junior high school music in the Milwaukee Public Schools; Eugene Troth, associate dean of the School of Music, University of Michigan; and Charles Spohn, associate dean of the College of the Arts, Ohio State University. For further information, write Arnold Jones, University of Wisconsin-Milwaukee, School of Fine Arts 53201. NEVADA BAND FESTIVAL. Over eighty bands from seven states are expected to participate in the eighth annual University of Nevada Stage Band Festival, March 14-15, 1969. Trumpeter-composer Don Ellis will be the guest artist and will be accompanied by the University of Nevada Concert Jazz Band. For full information, write John Carrico, Festival Coordinator, University of Nevada, Reno, Nevada 89507. THE TYPICAL CONCERTGOER. The Pro Arte Symphony Orchestra has compiled a report that attempts to describe the typical 1968 concertgoer of the Metropolitan New York area. Pro Arte, which is the first fully professional symphony orchestra in the United States to be maintained by a university (Hofstra in Hempstead, New York), based its report on 8,324 answers to a questionnaire that was circulated throughout Metropolitan New York. The results reveal the following about those who filed returns: thirty-eight percent said they attend pop concerts only; eighty percent indicated that their choice of an orchestra would be determined by the ensemble's quality rather than the conductor's reputation; ninety-two percent said they prefer programs featuring standard repertoire rather than “standard plus the good contemporary works”; ninety percent feel the combined price of travel, dinner, and concert tickets is “distressing”; and forty-nine percent rate concert halls on the basis of decor rather than acoustical quality. In answering the final question as to why they are willing to bear all the inconveniences in order to attend symphony concerts, the ninety-six percent who chose the response, “Will do anything to get out of the house,” showed that concert-goers do, at least, have a sense of humor. HO MOZART'S LUCIO SILLA, which had its premiere in Milan, Italy, in 1772, received its first New York performance on December 13, 1968, by the Manhattan School of Music's Opera Theatre, John Brownlee, producer. Lucio Silla was Mozart's seventh work for the stage and has only been performed once before in the United States by the Chamber Opera Society of Baltimore, Maryland. OPERA ON CHICAGO TV. Corresponding scenes from two operas based on the legend of Don Juan—Mozart's Don Giovanni and the seldom-performed Russian opera by Dargomyzski, The Stone Guest—were presented by the Northwestern University (Evanston, Illinois) Opera Workshop of WTTW's “Chicago Festival,” December 3, 1968. The graveyard scene from both operas was presented in workshop fashion during the half-hour broadcast, using a single complete set, partial costumes, and piano accompaniment. Both scenes were performed in English. This was the first of four half-hour programs being cospon-sored by the station and the University this season and each program is expected to be offered to more than 150 educational television stations by the Educational Television Service. SIX TO VISIT VIENNA. Six American choral groups have been invited to participate in a “Symposium on Music of the Viennese Classic Composers” to be held August 17 to September 14, 1969, in Vienna, Austria. Choirs from the University of Illinois at Urbana-Champaign, the University of Northern Michigan at Marquette, the University of Missouri at Kansas City, the University of Oklahoma at Norman, and the University of Texas at Austin, and the Santa Clara (California) Chorale will attend the sessions sponsored by the American Choral Directors Association and the Institute of European Studies in Vienna. CANADIAN MEA CONVENTION. The Canadian Music Educators Association Convention will be held in Regina, Saskatchewan, on April 10-12, 1969. The theme will be “Music in Our Time.” The following are among the events to be featured at the convention: a workshop on the use of the recorder in music education with Bernard Krainis, musician and educator at the Eastman School of Music; a discussion of the role of the composer in the classroom by Murray Schafer, composer-in-residence at Simon Fraser University, Burnaby, British Columbia; a clinic on “Putting Meaning into Music” by Arnold F. Caswell, professor of music education at the University of Minnesota; and a speech by William Sur, who retired in July 1968 from Michigan State University after twenty-five years as professor of music. Mr. Sur held many offices in the MENC, including president of the North Central Division and chairman of the Music Education Research Council. ARTUR RUBINSTEIN HONORED. Pianist Artur Rubinstein is being honored for “his notable achievements in the world of music during the past half-century” at the Second Annual Dinner-Concert of the Washington (D.C.) Performing Arts Society, February 17, 1969. The program for that evening includes a demonstration of the Society's “Concerts in Schools” project, which provides free concerts for children in Washington's public and parochial schools. </meta-value></custom-meta></custom-meta-wrap></article-meta></front></article></istex:document></istex:metadataXml><mods version="3.6"><titleInfo lang="en"><title>Bulletin Board</title></titleInfo><titleInfo type="alternative" lang="en" contentType="CDATA"><title>Bulletin Board</title></titleInfo><typeOfResource>text</typeOfResource><genre type="other" displayLabel="other" authority="ISTEX" authorityURI="https://content-type.data.istex.fr" valueURI="https://content-type.data.istex.fr/ark:/67375/XTP-7474895G-0">other</genre><originInfo><publisher>SAGE Publications</publisher><place><placeTerm type="text">Sage CA: Los Angeles, CA</placeTerm></place><dateIssued encoding="w3cdtf">1969-02</dateIssued><copyrightDate encoding="w3cdtf">1969</copyrightDate></originInfo><language><languageTerm type="code" authority="iso639-2b">eng</languageTerm><languageTerm type="code" authority="rfc3066">en</languageTerm></language><relatedItem type="host"><titleInfo><title>Music educators journal</title></titleInfo><genre type="journal" authority="ISTEX" authorityURI="https://publication-type.data.istex.fr" valueURI="https://publication-type.data.istex.fr/ark:/67375/JMC-0GLKJH51-B">journal</genre><identifier type="ISSN">0027-4321</identifier><identifier type="eISSN">1945-0087</identifier><identifier type="PublisherID">MEJ</identifier><identifier type="PublisherID-hwp">spmej</identifier><part><date>1969</date><detail type="volume"><caption>vol.</caption><number>55</number></detail><detail type="issue"><caption>no.</caption><number>6</number></detail><extent unit="pages"><start>105</start><end>111</end></extent></part></relatedItem><identifier type="istex">35CD09FCA3846A5E053AF918D92E2AA8A9D3CFA9</identifier><identifier type="ark">ark:/67375/M70-R173970D-Q</identifier><identifier type="DOI">10.2307/3392439</identifier><identifier type="ArticleID">10.2307_3392439</identifier><recordInfo><recordContentSource authority="ISTEX" authorityURI="https://loaded-corpus.data.istex.fr" valueURI="https://loaded-corpus.data.istex.fr/ark:/67375/XBH-0J1N7DQT-B">sage</recordContentSource></recordInfo></mods><json:item><extension>json</extension><original>false</original><mimetype>application/json</mimetype><uri>https://api.istex.fr/document/35CD09FCA3846A5E053AF918D92E2AA8A9D3CFA9/metadata/json</uri></json:item></metadata><author></author><serie></serie></istex></record>Pour manipuler ce document sous Unix (Dilib)
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