Teeft.i
Checkpoint
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Serveur d'exploration Debussy - Checkpoint (Istex)

Index « Teeft.i » - entrée « Tonic »
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Toni bentley < Tonic < Tonic chord  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 14.
Ident.Authors (with country if any)Title
000049 (2011) Michael J. PuriMemory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000097 (2010) Kenneth Smith‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000246 (2008) Imogen ParkerThe time of music: the music of time
000301 (2007) Daniel K. L. ChuaRioting with Stravinsky: a Particular Analysis of the Rite of Spring
000308 (2007) Mark Anson-CartwrightElision and the Embellished Final Cadence in J. S. Bach's Preludes
000416 (2006) David Neumeyer [États-Unis]Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000671 (2004) Anthony PopleUsing Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
000682 (2004) Boyd PomeroyReview: Debussy's ‘Ibéria’
000788 (2003) Marianne Kielian-GilbertInterpreting Schenkerian Prolongation
000795 (2003) Emmanuel Bigand ; David TemperleyBook Review: Tonal Pitch Space
000995 (2000) Annie K. YihAnalysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
000A57 (1999) Derrick PuffettBruckner’s Way: The Adagio of the Ninth Symphony
000B50 (1998) Richard Howitt [Australie]Scale as relation: musical metaphors of geographical scale
000E87 (1992) William Forde Thompson [Canada] ; Shulamit Mor [Canada]A perceptual investigation of polytonality

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HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Checkpoint/Teeft.i  \
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