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Serveur d'exploration Debussy - Checkpoint (Istex)

Index « Teeft.i » - entrée « Third movement »
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List of bibliographic references

Number of relevant bibliographic references: 16.
Ident.Authors (with country if any)Title
000172 (2009) José Luiz MartinezIcons in music: A Peircean rationale
000247 (2008) Catherine LosadaThe Process of Modulation in Musical Collage
000260 (2008) Daniel S. Mollod [États-Unis]BERLIOZ'S SYMPHONIE FANTASTIQUE: ENRICHING PSYCHOANALYTIC VIEWS OF CREATIVITY
000397 (2006) Edward Venn‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000398 (2006) Brian HartVincent D’Indy and the Development of the French Symphony
000409 (2006) Brian Alegant ; John LeveyOctatonicism in Luigi Dallapiccola's Twelve‐Note Music
000531 (2005) Daniel M. Grimley [Royaume-Uni]‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
000682 (2004) Boyd PomeroyReview: Debussy's ‘Ibéria’
000838 (2002) Mark DelaereOlivier Messiaen’s Analysis Seminar and the Development of Post–War Serial Music
000920 (2001) Eero TarastiThe semiosis of light in music: From synaesthesias to narratives
000C05 (1997) Eric Clarke ; Richard Parncutt ; Matti Raekallio ; John SlobodaTalking Fingers: An Interview Study of Pianists' Views on Fingering
001611 (1977) Lawrence Starr [États-Unis]Educating the Ear: Strategies for Teaching Twentieth-Century Music Analysis
001675 (1975) Alejo Carpentier [Venezuela]The Angel of the Maracas
001B63 (1962) Stanley Chapple [États-Unis]The Study of Music through Performance
001D22 (1956) Kate Hevner MuellerStudies in Music Appreciation
002328 (1938) Paul J. WeaverRecord Reviews

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