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List of bibliographic references

Number of relevant bibliographic references: 16.
Ident.Authors (with country if any)Title
000918 (2001) Oliver Vitouch [Allemagne, Autriche]When Your Ear Sets the Stage: Musical Context Effects in Film Perception
000931 (2001) Antoine HennionMusic Lovers
000981 (2000) Warren Brodsky [Israël]Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians
000A47 (1999) Eduardo De La FuenteMusic as Negative Theology
000A61 (1999) Andrew BowieAdorno, Heidegger and the Meaning of Music
000C58 (1996) Robert WalkerOpen Peer Commentary: Can We Understand the Music of another Culture?
000C66 (1996) Barbara Tillmann ; Emmanuel Bigand [France]Does Formal Musical Structure Affect Perception of Musical Expressiveness?
000C72 (1996) Robert WalkerA Reply to the Commentaries
000D27 (1995) Alfonso Montuori ; Ronald E. Purser [États-Unis]Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity
000D94 (1994) Dean Keith Simonton [États-Unis]Computer Content Analysis of Melodic Structure: Classical Composers and Their Compositions
000F35 (1991) David HuronThe Ramp Archetype: A Score-Based Study of Musical Dynamics in 14 Piano Composers
000F88 (1990) Irene Deliege ; Abdessadek El Ahnmadi [Belgique]Mechanisms of Cue Extraction in Musical Groupings: A Study of Perception on Sequenza VI for Viola Solo by Luciano Berio
001048 (1989) Kacper Miklaszewski [Pologne]A Case Study of a Pianist Preparing a Musical Performance
001087 (1988) Frank A. Biocca [États-Unis]The pursuit of sound: radio, perception and utopia in the early twentieth century
001126 (1987) Robert Walker [Canada]Musical Perspectives on Psychological Research and Music Education
001392 (1982) Soren Nielzen ; Zvonimir CesarecEmotional Experience of Music as a Function of Musical Structure

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