Teeft.i
Checkpoint
Istex
Racine
Checkpoint
Istex
Exploration
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Serveur d'exploration Debussy - Checkpoint (Istex)

Index « Teeft.i » - entrée « Right hand »
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Right form < Right hand < Right hand thumb  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 19.
Ident.Authors (with country if any)Title
000027 (2011) Baingio Pinna ; Luca SiriguThe Accentuation Principle of Visual Organization and the Illusion of Musical Suspension
000049 (2011) Michael J. PuriMemory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000248 (2008) Amy BauerThe Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000300 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000996 (2000) Michael RussAccounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud
000A51 (1999) Igor KipnisKEYBOARD CABBAGES AND KINGS
000B39 (1998) D. R. Brillinger [États-Unis] ; R. A. Irizarry [États-Unis]An investigation of the second- and higher-order spectra of music
000C05 (1997) Eric Clarke ; Richard Parncutt ; Matti Raekallio ; John SlobodaTalking Fingers: An Interview Study of Pianists' Views on Fingering
000E28 (1993) June Boyce-TillmanAn Evening with Hildegard of Bingen
001298 (1984) Lewis PorterJazzwomen Part II: “You Can't Get Up There Timidly”
001434 (1981) Anne SimpsonEmbellish Till You Find Him
001484 (1980) Robert M. AbramsonDalcroze-Based Improvisations
001654 (1976) Tadeusz Kowzan ; Paul MankinArt "En Abyme
001961 (1967) Donald L. Bisdorf [États-Unis]The 371 Chorales of Johann Sebastian Bach
001968 (1967) Professional Materials
001975 (1967) George J. Buelow [États-Unis]Essays on Schubert
001982 (1967) Richard L. WebsterA Contemporary Concept of Bowing Technique for the Double Bass
001D80 (1954) Front Matter
002412 (1936) Back Matter

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