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Index « Teeft.i » - entrée « Richard strauss »
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List of bibliographic references

Number of relevant bibliographic references: 44.
[0-20] [0 - 20][0 - 44][20-40]
Ident.Authors (with country if any)Title
000028 (2011) Nicoletta MislerSeven Steps, Seven Veils: Salomé in Russia
000108 (2010) Rotraut De ClerckLETTERS FROM BERLIN: ALIX STRACHEY'S VIEWS ON PRE‐FASCIST GERMANY 1924–1925
000313 (2007) Aaron Kozbelt [États-Unis]A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity
000419 (2006) Contributors to This Issue
000531 (2005) Daniel M. Grimley [Royaume-Uni]‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
000544 (2005) Julie HubbertModernism at the Movies: The Cabinet of Dr. Caligari and a Film Score Revisited
000553 (2005) Franc Ois De Me DicisDarius Milhaud and the Debate on Polytonality in the French Press of the 1920s
000584 (2004) Elizaveta SouritsRUSSIAN DANCE STUDIOS IN THE 1910-1920s 1
000680 (2004) Nicholas TemperleyReview: George Grove, Music and Victorian Culture
000688 (2004) Recordings Received
000703 (2004) Leon BotsteinHistory and Max Reger
000707 (2004) Robert WalkerCultural Memes, Innate Proclivities and Musical Behaviour: A Case Study of the Western Traditions
000713 (2004) Reinhold Brinkmann [États-Unis]A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century
000781 (2003) Recordings Received
000809 (2002) William AshbrookTwo Pelléas et Mélisandes. Claude Debussy
000812 (2002) Anno MungenThe Man at the Piano or how Sound came to Image
000986 (2000) For Your Library
001127 (1987) Robert LilienfeldMusic and society in the 20th century: Georg Lukacs, Ernst Bloch, and Theodor Adorno
001438 (1981) Benjamin SuchoffBéla Bartók
001566 (1978) Michael MeyerMusicology in the Third Reich: A Gap in Historical Studies
001573 (1978) Alphabetical Listing by Last Name of Author

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