Teeft.i
Checkpoint
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Checkpoint
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Serveur d'exploration Debussy - Checkpoint (Istex)

Index « Teeft.i » - entrée « Progression »
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List of bibliographic references

Number of relevant bibliographic references: 16.
Ident.Authors (with country if any)Title
000005 (2013) Bernard GatesA Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera
000097 (2010) Kenneth Smith‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000169 (2009) Musicological approaches to musical semiotics
000251 (2008) Dmitri Tymoczko [États-Unis]Scale Theory, Serial Theory and Voice Leading
000300 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000308 (2007) Mark Anson-CartwrightElision and the Embellished Final Cadence in J. S. Bach's Preludes
000416 (2006) David Neumeyer [États-Unis]Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000669 (2004) Michael Russ‘Fishing in the Right Place’: Analytical Examples from the Tonalities Project
000788 (2003) Marianne Kielian-GilbertInterpreting Schenkerian Prolongation
000795 (2003) Emmanuel Bigand ; David TemperleyBook Review: Tonal Pitch Space
000834 (2002) Arved AshbyReading Berg
000923 (2001) Robert GauldinThe DOUTH2 Relation as a Dramatic Signifier in Wagner's Music Dramas
000996 (2000) Michael RussAccounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud
000A57 (1999) Derrick PuffettBruckner’s Way: The Adagio of the Ninth Symphony
001323 (1983) Mary Louise Serafine [États-Unis]Cognition in music
001889 (1969) Thomas MaccluskeyRock in its Elements

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