Teeft.i
Checkpoint
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Checkpoint
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Serveur d'exploration Debussy - Checkpoint (Istex)

Index « Teeft.i » - entrée « Octatonic »
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List of bibliographic references

Number of relevant bibliographic references: 12.
Ident.Authors (with country if any)Title
000005 (2013) Bernard GatesA Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera
000300 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000301 (2007) Daniel K. L. ChuaRioting with Stravinsky: a Particular Analysis of the Rite of Spring
000309 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000311 (2007) Arnold Whittall [Royaume-Uni]Allen Forte in Music Analysis
000409 (2006) Brian Alegant ; John LeveyOctatonicism in Luigi Dallapiccola's Twelve‐Note Music
000417 (2006) Ben Earle [Royaume-Uni]Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo
000669 (2004) Michael Russ‘Fishing in the Right Place’: Analytical Examples from the Tonalities Project
000671 (2004) Anthony PopleUsing Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
000693 (2004) Benedikte Brincker [Danemark] ; Jens Brincker [Danemark]Musical constructions of nationalism: a comparative study of Bartók and Stravinsky
000995 (2000) Annie K. YihAnalysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection
000996 (2000) Michael RussAccounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud

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