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Musical expectancy < Musical experience < Musical experiences  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 29.
[0-20] [0 - 20][0 - 29][20-28][20-40]
Ident.Authors (with country if any)Title
000159 (2009) Theoretical issues
000246 (2008) Imogen ParkerThe time of music: the music of time
000249 (2008) Philip Alperson [États-Unis]The Instrumentality of Music
000557 (2005) Anna Rita Addessi [Italie] ; Roberto Caterina [Italie]Analysis and perception in post-tonal music: an example from Kurtág’s String Quartet Op. 1
000691 (2004) Adam Ockelford [Royaume-Uni]On Similarity, Derivation and the Cognition of Musical Structure
000788 (2003) Marianne Kielian-GilbertInterpreting Schenkerian Prolongation
000896 (2001) William Weber [États-Unis]From miscellany to homogeneity in concert programming
000E24 (1993) For Your Library
000F74 (1990) Glynda Kinsella ; Margot Prior ; Vicki JonesJudgement of mood in music following right hemisphere damage
001133 (1987) Alice-Ann Darrow [États-Unis] ; Paul Haack [États-Unis] ; Fumio Kuribayashi [États-Unis]Descriptors and Preferences for Eastern and Western Musics by Japanese and American Nonmusic Majors
001224 (1985) Al BalkinThe Creative Music Classroom: Laboratory for Creativity in Life
001385 (1982) Michael T. CoolenMusic Appreciation as if it Mattered
001477 (1980) Wilfrid MellersMusic and musical education
001484 (1980) Robert M. AbramsonDalcroze-Based Improvisations
001749 (1973) Jane S. HartYoung Artists of New Rochelle
001764 (1973) Professional materials
001997 (1966) Meyer M. CahnTwenty-Five Years of Music Education
001A51 (1965) Ronald TaylorFORMAL PARALLELS IN LITERATURE AND MUSIC
001A78 (1964) David TunleyMusic in the Arts
001D01 (1957) The Book Column
001D32 (1956) George H. Kyme [États-Unis]Are Musical Tastes Indicative of Musical Capacity?

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