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Music historians < Music history < Music history classes  Facettes :

List of bibliographic references

Number of relevant bibliographic references: 54.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000167 (2009) Aaron Kozbelt [États-Unis]Performance time productivity and versatility estimates for 102 classical composers
000169 (2009) Musicological approaches to musical semiotics
000398 (2006) Brian HartVincent D’Indy and the Development of the French Symphony
000419 (2006) Contributors to This Issue
000532 (2005) Joelle L. Lien [États-Unis]The Musical Lives of Young Children
000680 (2004) Nicholas TemperleyReview: George Grove, Music and Victorian Culture
000713 (2004) Reinhold Brinkmann [États-Unis]A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century
000765 (2003) Sondra Wieland HoweThe NBC Music Appreciation Hour: Radio Broadcasts of Walter Damrosch, 1928–1942
000783 (2003) Stephen EddinsReading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg
000785 (2003) Christopher HatchOpera: A History in Documents
000791 (2003) For your Library
000810 (2002) Jane F. FulcherThe Politics of Transcendence: Ideology in the Music of Messiaen in the 1930s
000822 (2002) Bob GilmoreReview: Making Music Modern: New York in the 1920s
000849 (2002) For Your Library
000920 (2001) Eero TarastiThe semiosis of light in music: From synaesthesias to narratives
000A37 (1999) Gwenyth JackawaySELLING MOZART TO THE MASSES: CROSSOVER MARKETING AS CULTURAL DIPLOMACY
001323 (1983) Mary Louise Serafine [États-Unis]Cognition in music
001357 (1983) Book browsing
001443 (1981) Book browsing
001477 (1980) Wilfrid MellersMusic and musical education
001563 (1978) Opera in the Twentieth Century: Sacred, Profane, Godot

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