Music analysesstop < Music analysis < Music appreciation

Facettes : Author.f AffOrg.f AffPays.f AffRegion.f AffVille.f Teeft.f

List of bibliographic references

Number of relevant bibliographic references: 45.
[0-20] [0 - 20][0 - 45][20-40]

Ident.	Authors (with country if any)	Title
000005 (2013)	Bernard Gates	A Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera
000049 (2011)	Michael J. Puri	Memory and Melancholy in theÉpilogue of Ravel'sValses nobles et sentimentales
000097 (2010)	Kenneth Smith	‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000098 (2010)	Giorgio Biancorosso	The Shark in the Music
000174 (2009)	Robert Hasegawa	Gérard Grisey and the ‘Nature’of Harmony
000247 (2008)	Catherine Losada	The Process of Modulation in Musical Collage
000248 (2008)	Amy Bauer	The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000251 (2008)	Dmitri Tymoczko [États-Unis]	Scale Theory, Serial Theory and Voice Leading
000257 (2008)	Theodor W. Adorno	Form in the New Music
000299 (2007)	Annie K. Yih	The Cambridge Companion to Debussy ‐ Edited by Simon Trezise
000300 (2007)	Michael Russ	Some Observations on Pm,n Relations within Set Classes
000301 (2007)	Daniel K. L. Chua	Rioting with Stravinsky: a Particular Analysis of the Rite of Spring
000308 (2007)	Mark Anson-Cartwright	Elision and the Embellished Final Cadence in J. S. Bach's Preludes
000309 (2007)	Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]	Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000311 (2007)	Arnold Whittall [Royaume-Uni]	Allen Forte in Music Analysis
000312 (2007)	Allen Forte	Alban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
000397 (2006)	Edward Venn	‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000409 (2006)	Brian Alegant ; John Levey	Octatonicism in Luigi Dallapiccola's Twelve‐Note Music
000411 (2006)	Craig Ayrey [Royaume-Uni]	Jankélévitch the Obscure(d)
000416 (2006)	David Neumeyer [États-Unis]	Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000417 (2006)	Ben Earle [Royaume-Uni]	Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo

---

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Checkpoint

HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Checkpoint/Teeft.i -k "Music analysis" 

HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Checkpoint/Teeft.i  \
                -Sk "Music analysis" \
         | HfdSelect -Kh $EXPLOR_AREA/Data/Istex/Checkpoint/biblio.hfd 

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    DebussyV1
   |flux=    Istex
   |étape=   Checkpoint
   |type=    indexItem
   |index=    Teeft.i
   |clé=    Music analysis
}}

---

This area was generated with Dilib version V0.6.33. Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024