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Serveur d'exploration Debussy - Checkpoint (Istex)

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List of bibliographic references

Number of relevant bibliographic references: 18.
Ident.Authors (with country if any)Title
000114 (2010) Robin F. Morales [États-Unis] ; Ki Moon Seong [Corée du Sud] ; Cha Soon Kim [Corée du Sud] ; Young-Woo Jin [Corée du Sud] ; Kyung-Jin Min [Corée du Sud]Effects of auditory stimuli on the lifespan of Drosophila melanogaster
000247 (2008) Catherine LosadaThe Process of Modulation in Musical Collage
000248 (2008) Amy BauerThe Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000251 (2008) Dmitri Tymoczko [États-Unis]Scale Theory, Serial Theory and Voice Leading
000257 (2008) Theodor W. AdornoForm in the New Music
000294 (2007) Alexander Nehamas [États-Unis]‘ONLY IN THE CONTEMPLATION OF BEAUTY IS HUMAN LIFE WORTH LIVING’ PLATO, SYMPOSIUM 211d
000299 (2007) Annie K. YihThe Cambridge Companion to Debussy ‐ Edited by Simon Trezise
000300 (2007) Michael RussSome Observations on Pm,n Relations within Set Classes
000301 (2007) Daniel K. L. ChuaRioting with Stravinsky: a Particular Analysis of the Rite of Spring
000308 (2007) Mark Anson-CartwrightElision and the Embellished Final Cadence in J. S. Bach's Preludes
000309 (2007) Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000311 (2007) Arnold Whittall [Royaume-Uni]Allen Forte in Music Analysis
000312 (2007) Allen ForteAlban Berg’s Piano Sonata, Op. 1: a Landmark in Early Twentieth‐Century Music
000397 (2006) Edward Venn‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000409 (2006) Brian Alegant ; John LeveyOctatonicism in Luigi Dallapiccola's Twelve‐Note Music
000411 (2006) Craig Ayrey [Royaume-Uni]Jankélévitch the Obscure(d)
000416 (2006) David Neumeyer [États-Unis]Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000417 (2006) Ben Earle [Royaume-Uni]Dallapiccola's Early Synthesis: No. 1, ‘Vespro, Tutto Riporti’, from Cinque Frammenti di Saffo

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