Harmonia mundi < Harmonic < Harmonic alterations

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List of bibliographic references

Number of relevant bibliographic references: 39.
[0-20] [0 - 20][0 - 39][20-38][20-40]

Ident.	Authors (with country if any)	Title
000052 (2011)	Bojan Klemenc [Slovénie] ; Peter Ciuha [Slovénie] ; Franc Solina [Slovénie]	Educational Possibilities of the Project Colour Visualization of Music
000097 (2010)	Kenneth Smith	‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin
000160 (2009)	J M Gibson [États-Unis]	The birth of the blues: how physics underlies music
000169 (2009)		Musicological approaches to musical semiotics
000174 (2009)	Robert Hasegawa	Gérard Grisey and the ‘Nature’of Harmony
000246 (2008)	Imogen Parker	The time of music: the music of time
000248 (2008)	Amy Bauer	The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’
000249 (2008)	Philip Alperson [États-Unis]	The Instrumentality of Music
000253 (2008)	Catherine Pickstock	Messiaen and Deleuze
000300 (2007)	Michael Russ	Some Observations on Pm,n Relations within Set Classes
000301 (2007)	Daniel K. L. Chua	Rioting with Stravinsky: a Particular Analysis of the Rite of Spring
000308 (2007)	Mark Anson-Cartwright	Elision and the Embellished Final Cadence in J. S. Bach's Preludes
000309 (2007)	Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande]	Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis
000311 (2007)	Arnold Whittall [Royaume-Uni]	Allen Forte in Music Analysis
000397 (2006)	Edward Venn	‘Asylum Gained’? Aspects of Meaning in Thomas Adès's Asyla
000409 (2006)	Brian Alegant ; John Levey	Octatonicism in Luigi Dallapiccola's Twelve‐Note Music
000416 (2006)	David Neumeyer [États-Unis]	Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis
000531 (2005)	Daniel M. Grimley [Royaume-Uni]	‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
000669 (2004)	Michael Russ	‘Fishing in the Right Place’: Analytical Examples from the Tonalities Project
000671 (2004)	Anthony Pople	Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project
000699 (2004)	Daniel Harrison	Max Reger Introduces Atonal Expressionism

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