List of bibliographic references
Number of relevant bibliographic references: 19.
| Ident. | Authors (with country if any) | Title |
|---|
| 000005 (2013) |
Bernard Gates | A Pitch‐Class Set Space Odyssey, Told by Way of a Hexachord‐Induced System of Genera |
| 000160 (2009) |
J M Gibson [États-Unis] | The birth of the blues: how physics underlies music |
| 000251 (2008) |
Dmitri Tymoczko [États-Unis] | Scale Theory, Serial Theory and Voice Leading |
| 000253 (2008) |
Catherine Pickstock | Messiaen and Deleuze |
| 000300 (2007) |
Michael Russ | Some Observations on Pm,n Relations within Set Classes |
| 000301 (2007) |
Daniel K. L. Chua | Rioting with Stravinsky: a Particular Analysis of the Rite of Spring |
| 000309 (2007) |
Erkki Huovinen [Finlande] ; Atte Tenkanen [Finlande] | Bird's‐Eye Views of the Musical Surface: Methods for Systematic Pitch‐Class Set Analysis |
| 000416 (2006) |
David Neumeyer [États-Unis] | Description and Interpretation: Fred Lerdahl's Tonal Pitch Space and Linear Analysis |
| 000531 (2005) |
Daniel M. Grimley [Royaume-Uni] | ‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music |
| 000535 (2005) |
Doug Martin [États-Unis] | The Cambridge Companion to Debussy |
| 000669 (2004) |
Michael Russ | ‘Fishing in the Right Place’: Analytical Examples from the Tonalities Project |
| 000671 (2004) |
Anthony Pople | Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project |
| 000777 (2003) |
Roger Wibberley | Review: Counterpoint, Composition, and Musica Ficta |
| 000795 (2003) |
Emmanuel Bigand ; David Temperley | Book Review: Tonal Pitch Space |
| 000834 (2002) |
Arved Ashby | Reading Berg |
| 000995 (2000) |
Annie K. Yih | Analysing Debussey: Tonality, Motivic Sets and the Referential Pitch‐Class Specific Collection |
| 000996 (2000) |
Michael Russ | Accounting and Mediating: Modes, Genera, Voice‐leading and Form in Milhaud |
| 000A57 (1999) |
Derrick Puffett | Bruckner’s Way: The Adagio of the Ninth Symphony |
| 000E87 (1992) |
William Forde Thompson [Canada] ; Shulamit Mor [Canada] | A perceptual investigation of polytonality |
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