List of bibliographic references
Number of relevant bibliographic references: 41.
[0-20] [
0 - 20][
0 - 41][
20-40]
| Ident. | Authors (with country if any) | Title |
|---|
| 000017 (2012) |
Gilbert J. Rose [États-Unis] | Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect |
| 000100 (2010) |
Phil Jenkins | The Idea of Creativity edited by krausz, michael, denis dutton and karen bardsley |
| 000101 (2010) |
Chad Mccracken | The Civil Contract of Photography by azoulay, ariella |
| 000102 (2010) |
Fred Rush | Notes on Sontag by lopate, phillipReborn: Journals and Notebooks 1947–1963 by sontag, susan |
| 000103 (2010) |
W. P. Seeley | New Waves in Aesthetics edited by stock, kathleen and katherine thomson‐jones |
| 000104 (2010) |
Vincent Bergeron | Neuroaesthetics edited by skov, martin and oshin vartanian |
| 000105 (2010) |
Michael B. Kac | Musical Meaning and Human Values edited by chapin, keith and lawrence kramer |
| 000106 (2010) |
Mara Miller [États-Unis] | Muroji: Rearranging Art and History at a Japanese Buddhist Temple by fowler, sherry d.Daitokuji: The Visual Cultures of a Zen Monastery by levine, gregory p. a. |
| 000107 (2010) |
Timothy M. Costelloe | Mirrors to One Another: Emotion and Value in Jane Austen and David Hume by dadlez, e. m. |
| 000112 (2010) |
Theodore Gracyk | Elective Affinities: Musical Essays on the History of Aesthetic Theory by goehr, lydia |
| 000117 (2010) |
Ian Verstegen [États-Unis] | Arte e Espressione. Studi e Ricerche di Psicologia Dell'arte by argenton, alberto |
| 000159 (2009) |
| Theoretical issues |
| 000169 (2009) |
| Musicological approaches to musical semiotics |
| 000171 (2009) |
Ira Buchler | Making kinship: Framed constructions and their margins |
| 000246 (2008) |
Imogen Parker | The time of music: the music of time |
| 000248 (2008) |
Amy Bauer | The Other of the Exotic: Balinese Music as Grammatical Paradigm in Ligeti's‘Galamb borong’ |
| 000297 (2007) |
Eduardo De La Fuente [Australie] | The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts |
| 000301 (2007) |
Daniel K. L. Chua | Rioting with Stravinsky: a Particular Analysis of the Rite of Spring |
| 000396 (2006) |
Barbara White | “As if they didn’t hear the music,” Or: How I Learned to Stop Worrying and Love Mickey Mouse |
| 000543 (2005) |
Lynn Hooker | Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912 |
| 000691 (2004) |
Adam Ockelford [Royaume-Uni] | On Similarity, Derivation and the Cognition of Musical Structure |
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Checkpoint
HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Checkpoint/Teeft.i -k "California press"
HfdIndexSelect -h $EXPLOR_AREA/Data/Istex/Checkpoint/Teeft.i \
-Sk "California press" \
| HfdSelect -Kh $EXPLOR_AREA/Data/Istex/Checkpoint/biblio.hfd
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Istex
|étape= Checkpoint
|type= indexItem
|index= Teeft.i
|clé= California press
}}
| This area was generated with Dilib version V0.6.33.
Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024 |  |
