Serveur d'exploration Debussy - Checkpoint (Istex)

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List of bibliographic references

Number of relevant bibliographic references: 73.
[0-20] [0 - 20][0 - 50][20-40]
Ident.Authors (with country if any)Title
000274 (2007) Richard TaruskinRoots of the Classical: The Popular Origins of Western Music
000279 (2007) Arnold Whittall [Royaume-Uni]Messiaen
000323 (2006) Susan McclaryThe World According to Taruskin
000324 (2006) Barry CooperThe Beethoven Violin Sonatas: History, Criticism, Performance. Ed. by Lewis Lockwood and Mark Kroll. pp. x + 164. (University of Illinois Press, Urbana and Chicago, 2004, £34.95. ISBN 0-252-02932-1.)
000326 (2006) Alastair WilliamsSwaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm’s ‘Fremde Szenen’ I–III and Related Scores
000347 (2006) Robert OrledgeMusical Encounters at the 1889 Paris World’s Fair. By Annegret Fauser. pp. xx + 391. Eastman Studies in Music, 32. (University of Rochester Press, Rochester, NY and Woodbridge, 2005, £40. ISBN 1-58046-185-9.)Debussy’s Letters to Inghelbrecht: The Story of a Musical Friendship. Annotated by Margaret G. Cobb. Trans. by Richard Miller. pp. xxii + 131. (University of Rochester Press, Rochester, NY, 2005, £45. ISBN 1-58046-174-3.)
000348 (2006) Margaret M. McgowanMusic, Discipline, and Arms in Early Modern France. By Kate Van Orden. pp. xiv + 322. (University of Chicago Press, Chicago and London, 2005, £28. ISBN 0-226-84976-7.)
000368 (2006) Peter DickinsonHitchcock’s Ives: A New Edition of 129 Songs
000376 (2006) Pauline FaircloughFive Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, £30. ISBN 0-300-10650-5.)
000385 (2006) Books Received
000389 (2006) Diana R. HallmanBerlioz: Past, Present, Future. Bicentenary Essays
000398 (2006) Brian HartVincent D’Indy and the Development of the French Symphony
000404 (2006) Bjo Rn HeileRecent Approaches to Experimental Music Theatre and Contemporary Opera
000407 (2006) Christopher WintleOxford Dictionary of Musical Terms, Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.) Oxford Dictionary of Musical Works. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.)
000531 (2005) Daniel M. Grimley [Royaume-Uni]‘Tonality, Clarity, Strength’: Gesture, Form, and Nordic Identity in Carl Nielsen’s Piano Music
000534 (2005) Matthew RileyThe Cambridge Companion to Elgar. Ed. by Daniel M. Grimley and Julian Rushton. pp. xix + 253. (Cambridge University Press, Cambridge, 2004, £50/£17.99. ISBN 0-521-53363-5/-82623-3.)
000536 (2005) James R. BriscoeThe Cambridge Companion to Debussy. Ed. by Simon Trezise. pp. xviii + 326. Cambridge Companions to Music. (Cambridge University Press, Cambridge, 2003, £18.95. ISBN 0-521-65478-5.) Claude Debussy as I Knew Him and Other Writings by Arthur Hartmann. Ed. by Samuel Hsu, Sidney Grolnic, and Mark Peters. pp. xix + 339. (University of Rochester Press, Rochester, NY and Woodbridge, 2003, £60. ISBN 1-58046-104-2.)
000537 (2005) Nanette NielsenThe Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist. By Claire Taylor-Jay. pp. viii + 225. (Ashgate, Aldershot and Burlington, Vt., 2004, £42.50. ISBN 0-7546-0578-7.)
000538 (2005) Katharine EllisReview: The Musical Madhouse: Les Grotesques de la musique
000539 (2005) Tim HowellReview: The Cambridge Companion to Sibelius
000540 (2005) David J. CodeReview: Mallarmé and Debussy: Unheard Music, Unseen Text

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