0027-4321 < 0027-4631 < 0028-0836

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List of bibliographic references

Number of relevant bibliographic references: 664.
[0-20] [0 - 20][0 - 50][20-40]

Ident.	Authors (with country if any)	Title
000062 (2010)	Robert Samuels [Royaume-Uni]	The Double Articulation of Schubert: Reflections on Der Doppelgänger
000076 (2010)	Carl B. Schmidt [États-Unis]	Francis Poulenc and Robert Shaw: A Remarkable Symbiotic Relationship
000137 (2009)	Leonora Saavedra [États-Unis]	Manuel M. Ponce's Chapultepec and the Conflicted Representations of a Contested Space
000148 (2009)	Cristina Magaldi [États-Unis]	Cosmopolitanism and World Music in Rio de Janeiro at the Turn of the Twentieth Century
000206 (2008)	Philip Rupprecht [États-Unis]	“Something Slightly Indecent”: British Composers, the European Avant-garde, and National Stereotypes in the 1950s
000210 (2008)	Jann Pasler	Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity
000212 (2008)	Jenny Doctor	The Parataxis of “British Musical Modernism”
000215 (2008)	Jonathan Kregor [États-Unis]	Stylistic Reconstructions in Liszt's Late Arrangements
000216 (2008)	H. Colin Slim	Stravinsky's Four Star-Spangled Banners and His 1941 Christmas Card
000217 (2008)	Jeremy Barham [Royaume-Uni]	Scoring Incredible Futures: Science-Fiction Screen Music, and “Postmodernism” as Romantic Epiphany
000233 (2008)	Charles Edward Mcguire	Edward Elgar: “Modern” or “Modernist?” Construction of an Aesthetic Identity in the British Music Press, 1895–1934
000265 (2007)	Ralph P. Locke	Unacknowledged Exoticism in Debussy: The Incidental Music for Le martyre de saint Sébastien (1911)
000275 (2007)	Alexander Rothe	Rethinking Postwar History: Munich's Musica Viva during the Karl Amadeus Hartmann Years (1945–63)
000286 (2007)	James R. Noyes	Debussy's Rapsodie pour orchestre et saxophone Revisited
000543 (2005)	Lynn Hooker	Modernism on the Periphery: Béla Bartók and the New Hungarian Music Society of 1911–1912
000544 (2005)	Julie Hubbert	Modernism at the Movies: The Cabinet of Dr. Caligari and a Film Score Revisited
000697 (2004)	Leslie A. Sprout	Messiaen, Jolivet, and the Soldier–Composers of Wartime France
000699 (2004)	Daniel Harrison	Max Reger Introduces Atonal Expressionism
000703 (2004)	Leon Botstein	History and Max Reger
000712 (2004)	Carl Leafstedt [États-Unis]	Asheville, Winter of 1943–44: Béla Bartók and North Carolina
000713 (2004)	Reinhold Brinkmann [États-Unis]	A “Last Giant in Music”: Thoughts on Max Reger in the Twentieth Century

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