Béla Bartók's Chamber Music
Identifieur interne : 001F48 ( Istex/Checkpoint ); précédent : 001F47; suivant : 001F49Béla Bartók's Chamber Music
Auteurs : Mátyás SeiberSource :
- Tempo [ 0040-2982 ] ; 1949.
Abstract
With a great master who excelled in many fields of composition, who created great works in orchestral, chamber and piano music, it is often difficult to assess which of these groups is most representative for the expression of his genius. Yet, in Bartók's case, it always seemed to me that his chamber music, even if less in quantity, expresses the essence of his creation. It is in his chamber music that he works with the greatest concentration, economy and clarity of detail, that he utters his most important and profound thoughts. Even if some of his orchestral and concertant works gained greater popularity with the public lately—I think mainly of the Concerto for Orchestra, the Violin Concerto and the Third Piano Concerto—the essential Bartók, I feel, can be found in his chamber music, and particularly in his String Quartets, which tower over contemporary chamber music like a range of high mountain peaks.
Url:
DOI: 10.1017/S0040298200042947
Affiliations:
Links toward previous steps (curation, corpus...)
Links to Exploration step
ISTEX:BAB02F5830F209FF5CFFC4583BF80BFAE52C207BLe document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Béla Bartók's Chamber Music</title>
<author><name sortKey="Seiber, Matyas" sort="Seiber, Matyas" uniqKey="Seiber M" first="Mátyás" last="Seiber">Mátyás Seiber</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:BAB02F5830F209FF5CFFC4583BF80BFAE52C207B</idno>
<date when="1949" year="1949">1949</date>
<idno type="doi">10.1017/S0040298200042947</idno>
<idno type="url">https://api.istex.fr/document/BAB02F5830F209FF5CFFC4583BF80BFAE52C207B/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">001509</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001509</idno>
<idno type="wicri:Area/Istex/Curation">001508</idno>
<idno type="wicri:Area/Istex/Checkpoint">001F48</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">001F48</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Béla Bartók's Chamber Music</title>
<author><name sortKey="Seiber, Matyas" sort="Seiber, Matyas" uniqKey="Seiber M" first="Mátyás" last="Seiber">Mátyás Seiber</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j">Tempo</title>
<title level="j" type="abbrev">Tempo</title>
<idno type="ISSN">0040-2982</idno>
<idno type="eISSN">1478-2286</idno>
<imprint><publisher>Cambridge University Press</publisher>
<pubPlace>Cambridge, UK</pubPlace>
<date type="published" when="1949">1949</date>
<biblScope unit="issue">13</biblScope>
<biblScope unit="page" from="19">19</biblScope>
<biblScope unit="page" to="31">31</biblScope>
</imprint>
<idno type="ISSN">0040-2982</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0040-2982</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass></textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">With a great master who excelled in many fields of composition, who created great works in orchestral, chamber and piano music, it is often difficult to assess which of these groups is most representative for the expression of his genius. Yet, in Bartók's case, it always seemed to me that his chamber music, even if less in quantity, expresses the essence of his creation. It is in his chamber music that he works with the greatest concentration, economy and clarity of detail, that he utters his most important and profound thoughts. Even if some of his orchestral and concertant works gained greater popularity with the public lately—I think mainly of the Concerto for Orchestra, the Violin Concerto and the Third Piano Concerto—the essential Bartók, I feel, can be found in his chamber music, and particularly in his String Quartets, which tower over contemporary chamber music like a range of high mountain peaks.</div>
</front>
</TEI>
<affiliations><list></list>
<tree><noCountry><name sortKey="Seiber, Matyas" sort="Seiber, Matyas" uniqKey="Seiber M" first="Mátyás" last="Seiber">Mátyás Seiber</name>
</noCountry>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Istex/Checkpoint
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 001F48 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Istex/Checkpoint/biblio.hfd -nk 001F48 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= DebussyV1 |flux= Istex |étape= Checkpoint |type= RBID |clé= ISTEX:BAB02F5830F209FF5CFFC4583BF80BFAE52C207B |texte= Béla Bartók's Chamber Music }}
This area was generated with Dilib version V0.6.33. |