Opera: A History in Documents
Identifieur interne : 000785 ( Istex/Checkpoint ); précédent : 000784; suivant : 000786Opera: A History in Documents
Auteurs : Christopher HatchSource :
- The Opera Quarterly [ 0736-0053 ] ; 2003.
English descriptors
- Teeft :
- Abramo basevi, Academic collections, Amadeus press, Amateur claqueur amuses, American society, Analytical approaches, Annual meeting, Archaic italics, Available english versions, Beautiful simplicity, Boris godunov, Breathless verve, Buller opera, Businesslike description, Capital letters, Cavalleria rusticana, Charles burney, Chicago press, China round, Choicest commentaries, Christopher hatch notes, Chronological order, Comparable section, Composite entry, Contemporary score, Contents page, Copy editor, Critical articles, Debussy disarms analysis, Developmental stages, Discerning members, Discrete glimpses, Disparate materials, Diverent currents, Diverent occasions, Divergent perspectives reviews, Documentary history, Documents piero weiss, Editorial commentary, Edmund wilson, Eighteenth centuries, Emily anderson, Encounter composers, English authors, English word, Eugene onegin, Fiftytwo items, Fragmentary evidence, Free press, French opera, Fresh versions, General readers, Giovanni premiere, Good deal, Historical fact, Historicizing reconstruction, History shares, Homosexual autobiography, Idiomatic translations, Important addition, Individual operas, Intellectual historian, Interest readers, Italian equivalent, Italian opera, Jamison allanbrook, John adams, John addington symonds, Lady macbeth, Last pages, Light touch, Little things, Lively wording, Lucid discussions, Many pleasures, Margaret murata, Massimo mila, Matters paul robinson chicago, Matthew daines, Metastasio, Metastasio passage, Meyerbeerian wars, Milestones rinuccini, Music history, Musical event, Oliver strunk, Opera history, Opera lovers, Operatic matters, Operatic music, Operatic topics, Original language, Other anthologists, Other words, Other writers, Outdoing emily weiss, Oxford university press, Oycial denunciation, Page portland, Particular source reading, Paul monette, Paul robinson, Penultimate paragraph, Phillip glass, Pier jacopo martello, Piero talents shine, Preface weiss states, Present book, Principal letters, Professional historian, Prominent writers, Protagonist years, Putative merits, Record notes, Relevant illustrations, Respects oxford university press, Romantic period, Rousseau entry, Scholarly sophistication, Sheer quality, Short extracts, Source notes, Source readings, Spectator essays, Stefano roman opera, Substantial lapses, Successful anthology, Tangential interludes, Threefold querelles, Ulrich weisstein, Ungovernable punctuation, Unsettling experiences, Verbal snapshots, Verdiboito team, Version years, Volume marks, Weiss, Weiss overs, Young composer.
Url:
DOI: 10.1093/oq/19.1.113
Affiliations:
Links toward previous steps (curation, corpus...)
Links to Exploration step
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<term>Debussy disarms analysis</term>
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<term>Disparate materials</term>
<term>Diverent currents</term>
<term>Diverent occasions</term>
<term>Divergent perspectives reviews</term>
<term>Documentary history</term>
<term>Documents piero weiss</term>
<term>Editorial commentary</term>
<term>Edmund wilson</term>
<term>Eighteenth centuries</term>
<term>Emily anderson</term>
<term>Encounter composers</term>
<term>English authors</term>
<term>English word</term>
<term>Eugene onegin</term>
<term>Fiftytwo items</term>
<term>Fragmentary evidence</term>
<term>Free press</term>
<term>French opera</term>
<term>Fresh versions</term>
<term>General readers</term>
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<term>Good deal</term>
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<term>Idiomatic translations</term>
<term>Important addition</term>
<term>Individual operas</term>
<term>Intellectual historian</term>
<term>Interest readers</term>
<term>Italian equivalent</term>
<term>Italian opera</term>
<term>Jamison allanbrook</term>
<term>John adams</term>
<term>John addington symonds</term>
<term>Lady macbeth</term>
<term>Last pages</term>
<term>Light touch</term>
<term>Little things</term>
<term>Lively wording</term>
<term>Lucid discussions</term>
<term>Many pleasures</term>
<term>Margaret murata</term>
<term>Massimo mila</term>
<term>Matters paul robinson chicago</term>
<term>Matthew daines</term>
<term>Metastasio</term>
<term>Metastasio passage</term>
<term>Meyerbeerian wars</term>
<term>Milestones rinuccini</term>
<term>Music history</term>
<term>Musical event</term>
<term>Oliver strunk</term>
<term>Opera history</term>
<term>Opera lovers</term>
<term>Operatic matters</term>
<term>Operatic music</term>
<term>Operatic topics</term>
<term>Original language</term>
<term>Other anthologists</term>
<term>Other words</term>
<term>Other writers</term>
<term>Outdoing emily weiss</term>
<term>Oxford university press</term>
<term>Oycial denunciation</term>
<term>Page portland</term>
<term>Particular source reading</term>
<term>Paul monette</term>
<term>Paul robinson</term>
<term>Penultimate paragraph</term>
<term>Phillip glass</term>
<term>Pier jacopo martello</term>
<term>Piero talents shine</term>
<term>Preface weiss states</term>
<term>Present book</term>
<term>Principal letters</term>
<term>Professional historian</term>
<term>Prominent writers</term>
<term>Protagonist years</term>
<term>Putative merits</term>
<term>Record notes</term>
<term>Relevant illustrations</term>
<term>Respects oxford university press</term>
<term>Romantic period</term>
<term>Rousseau entry</term>
<term>Scholarly sophistication</term>
<term>Sheer quality</term>
<term>Short extracts</term>
<term>Source notes</term>
<term>Source readings</term>
<term>Spectator essays</term>
<term>Stefano roman opera</term>
<term>Substantial lapses</term>
<term>Successful anthology</term>
<term>Tangential interludes</term>
<term>Threefold querelles</term>
<term>Ulrich weisstein</term>
<term>Ungovernable punctuation</term>
<term>Unsettling experiences</term>
<term>Verbal snapshots</term>
<term>Verdiboito team</term>
<term>Version years</term>
<term>Volume marks</term>
<term>Weiss</term>
<term>Weiss overs</term>
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