How We Got Out of Analysis, and How to Get Back In Again
Identifieur interne : 000702 ( Istex/Checkpoint ); précédent : 000701; suivant : 000703How We Got Out of Analysis, and How to Get Back In Again
Auteurs : Kofi Agawu [États-Unis]Source :
- Music Analysis [ 0262-5245 ] ; 2004-07.
English descriptors
- Teeft :
- Actual composition, Adorno, Agawu, Allen forte, American musicological society, Analyst, Analytical knowledge, Analytical studies, Blackwell, Blackwell publishing, California press, Cambridge history, Cambridge university press, Carolyn abbate, Chicago press, Christopher wintle, Chromatic elements, Chromaticism, Critical inquiry, Critique, David lewin, Early music, Ethical attitude, Experimental idiom, First movement, Font, Formalism, Free composition, George perle, Grove dictionary, Hans keller, Heinrich schenker, Indiana university press, Inner laws, Johns hopkins university press, Joseph kerman, Kerman, Kofi, Kofi agawu, Metric reduction, Milton babbitt, Mother tongue, Music analysis, Music theorists, Music theory, Music theory spectrum, Musical analysis, Musical facts, Musical times, Musicology, Neoriemannian theory, Nineteenth century, Oral genre, Organic growth, Originary chromaticism, Other hand, Other words, Oxford university press, Princeton university press, Richard cohn, Schenker, Schenkerian, Schenkerian research, Smaller font, Stanley sadie, String quartet, Technical details, Technical structure, Theorist, Thomas christensen, Trans, Truth content, Unperceptive listener, Western music theory, William rothstein.
Url:
DOI: 10.1111/j.0262-5245.2004.00204.x
Affiliations:
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