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Movement and music, partance and partition in the works of Jacques Réda, Guy Goffette and Jean-Michel Maulpoix

Identifieur interne : 000012 ( Hal/Curation ); précédent : 000011; suivant : 000013

Movement and music, partance and partition in the works of Jacques Réda, Guy Goffette and Jean-Michel Maulpoix

Auteurs : Claire Habig [France]

Source :

RBID : Hal:tel-01586228

Descripteurs français

English descriptors

Abstract

This study tries to show the connection between movement and music in the works of Jacques Réda, Guy Goffette and Jean-Michel Maulpoix. Many kinds of complex and disappointing movements go accross their texts, and way off and way back are so intermingled that they become interchangeable. Trapped or forced to move forward, the poets dream to live between mobility and immobility, departure and return, here and away. The partance is the way they found out to reconcile the opposite and go away while they stay. Thanks to the music and to the transposition of its elements, they succeed in leading this paradoxical and motionless movement. With the writing of a score – partition – they cause an efficient partance. Their musical language becomes a means of transport. Vehicle and emotion, it leads to danse scenes where the alliance of movement and music shows through.

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Hal:tel-01586228

Le document en format XML

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<abstract xml:lang="en">This study tries to show the connection between movement and music in the works of Jacques Réda, Guy Goffette and Jean-Michel Maulpoix. Many kinds of complex and disappointing movements go accross their texts, and way off and way back are so intermingled that they become interchangeable. Trapped or forced to move forward, the poets dream to live between mobility and immobility, departure and return, here and away. The partance is the way they found out to reconcile the opposite and go away while they stay. Thanks to the music and to the transposition of its elements, they succeed in leading this paradoxical and motionless movement. With the writing of a score – partition – they cause an efficient partance. Their musical language becomes a means of transport. Vehicle and emotion, it leads to danse scenes where the alliance of movement and music shows through.</abstract>
<abstract xml:lang="fr">Cette étude vise à montrer le lien entre mouvement et musique dans les œuvres de Jacques Réda, Guy Goffette et Jean-Michel Maulpoix. Leurs textes sont traversés par toutes sortes de déplacements, aussi insatisfaisants que complexes puisque départ et retour se mêlent au point dedevenir interchangeables. Entravés ou contraints d’avancer, les poètes rêvent de s’établir dans un entre-deux : entre mobilité et immobilité, entre départ et retour, entre ici et ailleurs. La partance est le moyen qu’ils trouvent pour concilier les opposés et partir tout en restant. C’est grâce à la musique et à la transposition d’éléments propres à cet art qu’ils parviennent à mener à bien ce paradoxal mouvement de surplace. En effet, par la mise en œuvre d’une partition ils déclenchent une efficace partance. La langue musicale se fait alors pleinement un moyen de transport. Véhicule et émotion, elle débouche sur des épisodes de danse où se réalise l’alliance du mouvement et de la musique.</abstract>
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