De l’ostinato au pastiche : approche comparée du comique de répétition en poésie et musique au XXesiècle
Identifieur interne : 000081 ( France/Analysis ); précédent : 000080; suivant : 000082De l’ostinato au pastiche : approche comparée du comique de répétition en poésie et musique au XXesiècle
Auteurs : Marik Froidefond [France]Source :
Descripteurs français
- mix :
Abstract
With ostinato, parody and pastiche, poetry and music of the 20th century use various comic processes based on repetition, that can be analysed in a comparative way. The elaboration of a typology that takes into account the different techniques of repetition, the nature of comical effects, the formal and aesthetic aspects, is both necessary and impossible. Impossible because of the myriad criteria that must be taken into consideration; necessary, because these processes help the analyst understand the similarities that legitimate the comparison between poetic and musical languages.
Url:
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Hal, to step Corpus: 000050
- to stream Hal, to step Curation: 000050
- to stream Hal, to step Checkpoint: 000073
- to stream Main, to step Merge: 000390
- to stream Main, to step Curation: 000390
- to stream Main, to step Exploration: 000390
- to stream France, to step Extraction: 000081
Links to Exploration step
Hal:halshs-01323147Le document en format XML
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<term> Queneau</term>
<term> Satie</term>
<term> Tardieu</term>
<term> comique</term>
<term> forme</term>
<term> musique</term>
<term> poésie</term>
<term>Ostinato</term>
<term>Pastiche</term>
<term>répétition</term>
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<front><div type="abstract" xml:lang="en">With ostinato, parody and pastiche, poetry and music of the 20th century use various comic processes based on repetition, that can be analysed in a comparative way. The elaboration of a typology that takes into account the different techniques of repetition, the nature of comical effects, the formal and aesthetic aspects, is both necessary and impossible. Impossible because of the myriad criteria that must be taken into consideration; necessary, because these processes help the analyst understand the similarities that legitimate the comparison between poetic and musical languages.</div>
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