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Les papiers à musique imprimés en France au XVIIe siècle : Un nouveau critère d'analyse des manuscrits musicaux

Identifieur interne : 000033 ( PascalFrancis/Curation ); précédent : 000032; suivant : 000034

Les papiers à musique imprimés en France au XVIIe siècle : Un nouveau critère d'analyse des manuscrits musicaux

Auteurs : Laurent Guillo

Source :

RBID : Francis:529-02-12215

Descripteurs français

English descriptors

Abstract

About 10 to 15 % of the seventeenth-century French music manuscripts are written on printed music paper, i.e. paper on which staves were printed or engraved beforehand. Such papers appear to be more and more common in France as they become an usual stationery product, available in more than 20 combinations of formats and stavings. A few printing centres and workshops can be identified: Paris (mostly a Ballard production, and Bonnard), Strasbourg and Lyon, while marketing trend oscillates between music printing, stationery and print trade. The A. describes 65 different papers and lists manuscripts using them in 33 European or American libraries. Describing these papers in music manuscripts can add new scientific clues in addition to the study of watermarks, handwriting, binding or provenances. The main sources where printed music paper can be found are student/master manuscripts, Lully's opera scores and large corpuses as the collection of the "Petit-Pères des Victoires" or the famous Charpentier's "Mélanges".
pA  
A01 01  1    @0 0035-1601
A03   1    @0 Rev. musicol.
A05       @2 87
A06       @2 2
A08 01  1  FRE  @1 Les papiers à musique imprimés en France au XVIIe siècle : Un nouveau critère d'analyse des manuscrits musicaux
A11 01  1    @1 GUILLO (Laurent)
A20       @1 307-369
A21       @1 2001
A23 01      @0 FRE
A24 01      @0 eng
A43 01      @1 INIST @2 4372 @5 354000102310750030
A44       @0 0000 @1 © 2002 INIST-CNRS. All rights reserved.
A47 01  1    @0 529-02-12215
A60       @1 P
A61       @0 A
A64 01  1    @0 Revue de musicologie
A66 01      @0 FRA
A68 01  1  ENG  @1 Printed music papers in XVIIth century France: A new analysis criterion of music manuscripts
C01 01    ENG  @0 About 10 to 15 % of the seventeenth-century French music manuscripts are written on printed music paper, i.e. paper on which staves were printed or engraved beforehand. Such papers appear to be more and more common in France as they become an usual stationery product, available in more than 20 combinations of formats and stavings. A few printing centres and workshops can be identified: Paris (mostly a Ballard production, and Bonnard), Strasbourg and Lyon, while marketing trend oscillates between music printing, stationery and print trade. The A. describes 65 different papers and lists manuscripts using them in 33 European or American libraries. Describing these papers in music manuscripts can add new scientific clues in addition to the study of watermarks, handwriting, binding or provenances. The main sources where printed music paper can be found are student/master manuscripts, Lully's opera scores and large corpuses as the collection of the "Petit-Pères des Victoires" or the famous Charpentier's "Mélanges".
C02 01  N    @0 52990 @1 VII
C02 02  N    @0 529
C03 01  N  FRE  @0 Europe occidentale @2 NG @5 01
C03 01  N  ENG  @0 Western Europe @2 NG @5 01
C03 02  N  FRE  @0 France @2 NG @5 02
C03 02  N  ENG  @0 France @2 NG @5 02
C03 03  N  FRE  @0 Siècle 17 @2 ND @5 03
C03 03  N  ENG  @0 Century 17 @2 ND @5 03
C03 04  N  FRE  @0 Manuscrit @5 04
C03 04  N  ENG  @0 Manuscript @5 04
C03 05  N  FRE  @0 Musique @5 05
C03 05  N  ENG  @0 Music @5 05
C03 06  N  FRE  @0 Papier @5 06
C03 06  N  ENG  @0 Paper @5 06
C03 07  N  FRE  @0 Imprimé @2 NI @4 INC @5 31
C03 08  N  FRE  @0 Réglure @2 NI @4 INC @5 32
C03 09  N  FRE  @0 Rastrologie @2 NI @4 INC @5 33
C03 10  N  FRE  @0 Bibliographie matérielle @2 NI @4 INC @5 34
N21       @1 273
N82       @1 PSI

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Francis:529-02-12215

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Laurent Guillo
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<wicri:noCountry>no AF</wicri:noCountry>
</affiliation>

Le document en format XML

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