List of bibliographic references
Number of relevant bibliographic references: 31.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000525 (2006) |
Jacqueline Waeber | Théâtre et opéra à l’âge classique: Une familière étrangeté. By Catherine Kintzler. pp. 335. Les Chemins de la musique. (Fayard, Paris, 2004. €20. ISBN 2-213-62125-X.) |
| 000532 (2006) |
Alessandro Arcangeli | The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy. By Jennifer Nevile. pp. xii + 247. (Indiana University Press, Bloomington and Indianapolis, 2005, $39.95. ISBN 0-253-34453-0.) |
| 000545 (2006) |
Jonathan Le Cocq | Pierre I Ballard et Robert III Ballard: Imprimeurs du roy pour la musique (1599–1673) |
| 000548 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 000565 (2006) |
Charles T. Downey | Esther (Tragédie de Jean Racine) |
| 000567 (2006) |
Matthew Dirst | Easter Oratorio |
| 000570 (2006) |
Desmond Hosford | Dramaturgie de la tragédie en musique (1673–1764). By Laura Naudeix. pp. 583. Lumière Classique, 54. (Honoré Champion, Paris, 2004, €95. ISBN 2-7453-1024-0.) |
| 000586 (2006) |
Matthew Peaceman | The Oboe. By Geoffrey Burgess and Bruce Haynes. pp. xiv + 418. Yale Musical Instrument Series. (Yale University Press, New Haven and London, 2004, £19.95. ISBN 0-600-10053-1.) |
| 000591 (2006) |
Emanuele Senici | Opera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.) |
| 000600 (2006) |
Greer Garden | François Couperin and‘The Perfection of Music’. By David Tunley, pp. viii + 167. (Ashgate, Aldershot and Burlington, Vt., 2004, £45. ISBN 0-7546-0928-6). |
| 000623 (2005) |
Barry Cooper | ‘fitt for the Manicorde’: A Seventeenth-Century English Collection of Keyboard Music, ed. Christopher Hogwood. (Edition HH, Bicester, 2003, £22.50. ISBN 1-904229-40-9.) |
| 000624 (2005) |
Richard Freedman | ‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.) |
| 000626 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
| 000632 (2005) |
Colin Lawson | The Birth of the Orchestra: History of an Institution, 1650–1815. By John Spitzer and Neal Zaslaw. pp. xx + 614. (Oxford University Press, Oxford and New York, 2004, £95. ISBN 0-19-916434-3.) |
| 000647 (2005) |
| Books Received |
| 000649 (2005) |
Buford Norman | Aesthetics of Opera in the Ancien Régime, 1647–1785. By Downing A. Thomas. pp. viii + 411. Cambridge Studies in Opera. (Cambridge University Press, 2002, £55. ISBN 0-521-80188-5.) |
| 000689 (2004) |
Arnold Whittall [Royaume-Uni] | Review: Wagner's Meistersinger: Performance, History, Representation |
| 000690 (2004) |
Linda B. Fairtile | Review: Giuseppe Verdi: ‘La traviata’. Schizzi e abbozzi autografi/Autograph Sketches and Drafts |
| 000711 (2004) |
Elaine Kelly | An Unexpected Champion of François Couperin: Johannes Brahms and the ‘Pièces de Clavecin’ |
| 000738 (2003) |
Gavin Alexander | The Elizabethan Lyric as Contrafactum: Robert Sidney's ‘French Tune’ Identified |
| 000743 (2003) |
Jean-Paul Montagnier | Review: ‘Petits motets’ from the Royal Convent School at Saint‐Cyr |
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