List of bibliographic references indexed by Musique
Number of relevant bibliographic references: 15.
| Ident. | Authors (with country if any) | Title |
|---|
| 000160 (2009) |
Jérôme De La Gorce | Une scénographie de Servandoni conservée pour les spectacles de l'Opéra à Paris: le décor de la ville de Thèbes du Triomphe de l'harmonie (1737) |
| 000177 (2009) |
David Charlton [Royaume-Uni] | Rousseau and Favart at Fontainebleau, Pergolesi at Versailles |
| 000195 (2009) |
| Musicological approaches to musical semiotics |
| 000211 (2009) |
Jed Wentz | Gaps, Pauses and Expressive Arms: Reconstructing the Link between Stage Gesture and Musical Timing at the Académie royale de musique |
| 000625 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
| 000627 (2005) |
Maribeth Clark | The Role of Gustave, ou Le bal masqué in Restraining the Bourgeois Body of the July Monarchy |
| 000648 (2005) |
Buford Norman | Aesthetics of Opera in the Ancien Régime, 1647–1785. By Downing A. Thomas. pp. viii + 411. Cambridge Studies in Opera. (Cambridge University Press, 2002, £55. ISBN 0-521-80188-5.) |
| 000682 (2004) |
Peter Walls | ‘Sonade, que me veux tu?’: reconstructing French identity in the wake of Corelli's op.5 |
| 000703 (2004) |
C. Jane Gosine ; Erik Oland | Docere, delectare, movere: Marc-Antoine Charpentier and Jesuit spirituality |
| 000736 (2003) |
Gavin Alexander | The Elizabethan Lyric as Contrafactum: Robert Sidney's ‘French Tune’ Identified |
| 000740 (2003) |
| Review: “Deep Play”: John Gay and the Invention of Modernity |
| 000753 (2003) |
| Review: Dying Words: The Last Moments of Writers and Philosophers |
| 000757 (2003) |
| Review: Céline Musicien |
| 000823 (2002) |
Anya Suschitzky | Debussy's Rameau: French Music and Its Others |
| 000A90 (1998) |
Patrick Ténoudji [Niger] | Les gestes du silence |
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