List of bibliographic references indexed by 1477-4631
Number of relevant bibliographic references: 348.
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| Ident. | Authors (with country if any) | Title |
|---|
| 000087 (2010) |
Don Fader | The Triumph of Pleasure: Louis XIV and the Politics of Spectacle. By Georgia J. Cowart. |
| 000109 (2010) |
| Books Received |
| 000111 (2010) |
Andrew Woolley [Oman] | An Unknown Autograph of Harpsichord Music by William Croft |
| 000114 (2010) |
Jama Stilwell [États-Unis] | A New View of the Eighteenth-Century ‘Abduction’ Opera: Edification and Escape at the Parisian ‘ThéâTres de la foire’ |
| 000131 (2009) |
Mark Everist | ‘Il n’y a qu’un Paris au monde, et j’y reviendrai planter mon drapeau!’: Rossini's Second Grand Opéra |
| 000135 (2009) |
David Pinto [Royaume-Uni] | The Viola da Gamba Society Index of Manuscripts Containing Consort Music, Vol. 2. Compiled by Andrew Ashbee, Robert Thompson, and Jonathan Wainwright. |
| 000138 (2009) |
Leeman L. Perkins [États-Unis] | Sounding Objects: Musical Instruments, Poetry, and Art in Renaissance France. By Carla Zecher |
| 000453 (2008) |
Don Fader | Le Plaisir musical en France au XVIIe siècle. Ed. by Thierry Favier and Manuel Couvreur. |
| 000525 (2006) |
Jacqueline Waeber | Théâtre et opéra à l’âge classique: Une familière étrangeté. By Catherine Kintzler. pp. 335. Les Chemins de la musique. (Fayard, Paris, 2004. €20. ISBN 2-213-62125-X.) |
| 000532 (2006) |
Alessandro Arcangeli | The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy. By Jennifer Nevile. pp. xii + 247. (Indiana University Press, Bloomington and Indianapolis, 2005, $39.95. ISBN 0-253-34453-0.) |
| 000545 (2006) |
Jonathan Le Cocq | Pierre I Ballard et Robert III Ballard: Imprimeurs du roy pour la musique (1599–1673) |
| 000548 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 000565 (2006) |
Charles T. Downey | Esther (Tragédie de Jean Racine) |
| 000567 (2006) |
Matthew Dirst | Easter Oratorio |
| 000570 (2006) |
Desmond Hosford | Dramaturgie de la tragédie en musique (1673–1764). By Laura Naudeix. pp. 583. Lumière Classique, 54. (Honoré Champion, Paris, 2004, €95. ISBN 2-7453-1024-0.) |
| 000586 (2006) |
Matthew Peaceman | The Oboe. By Geoffrey Burgess and Bruce Haynes. pp. xiv + 418. Yale Musical Instrument Series. (Yale University Press, New Haven and London, 2004, £19.95. ISBN 0-600-10053-1.) |
| 000591 (2006) |
Emanuele Senici | Opera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.) |
| 000600 (2006) |
Greer Garden | François Couperin and‘The Perfection of Music’. By David Tunley, pp. viii + 167. (Ashgate, Aldershot and Burlington, Vt., 2004, £45. ISBN 0-7546-0928-6). |
| 000622 (2005) |
Barry Cooper | ‘fitt for the Manicorde’: A Seventeenth-Century English Collection of Keyboard Music, ed. Christopher Hogwood. (Edition HH, Bicester, 2003, £22.50. ISBN 1-904229-40-9.) |
| 000623 (2005) |
Richard Freedman | ‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.) |
| 000625 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
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